Showing posts with label WM Hunt. Show all posts
Showing posts with label WM Hunt. Show all posts

1.02.2015

LUIS MALLO: Interruptions from Wm Hunt

Photograph © Luis Mallo

 Photograph © Luis Mallo

Photograph © Luis Mallo

 A note to me from Photography Curator and Collector, William Hunt:

Luis Mallo’s exhibition “Interruptions” opens next Thursday at Praxis Gallery in Chelsea. Go see it and tell your friends to also. 

I love Luis. When I became a dealer, he was one of the first photographers I championed. I debuted a classic looking body of work “Passengers”. These are black and white studies of subway riders' hands: wonderful typologies, printed gorgeously. 

He went on to develop other substantial portfolios, including “Reliquarium”: moody, spectral images of enigmatic spaces, also in black and white. Then switching to color, he created “Laminas”: studies of stained glass windows from behind. 

In Camera”, and “Open Secrets” are also considerations of seemingly closed off spaces - the first ones are cityscapes that play with depth, looking at openings in wall and fences seeing what’s beyond. Then moving into storerooms in museums, similar considerations of what’s not seen.

It has been a steady career, and like most artists he made room for a full life with marriage, a son, a full time position as an art director.  “Interruptions” is not intended as a description of the career but rather the way he photographs, stopping to see as he goes. “Interruptions” includes new work and some older work, all part of the same trajectory.

I hope to see you there,

Dancing Bear
Praxis NY, 541 West 25th Street, NYC
January 8 – February 21, 2015 

In this exhibition Luis Mallo presents a group of visually arresting images meant to stimulate us to question notions of familiarity. With this series Mallo wants us to understand that the manner in which we perceive our surroundings is contingent by nature. Most of what we see and experience is illusory and therefore, deceptive. His scenes reveal this illusory nature by offering partially concealed and most often perplexing representations of the surrounding landscape and its various props. For Mallo, Interruptions is not an outcome, but a vital process, a way of looking that may offer a fresh perspective. As previously done with other series, he invites us to look deeper and unearth that which lies latently waiting to be discovered under the veil of familiarity.

7.05.2014

W.M. HUNT: "Foule - American Groups before 1950" in Arles from the WM Hunt Collection + NYC 2015

from the W.M. Hunt Collection
“Foule - American Groups before 1950" 
7 July – 21 September, 2014 
Palais de l'Archevêché
35 Place de la République, 13200 Arles France

“Ramona Lodge”, Women in costume, early 20th Century 
Unknown Photographer or Studio

Men with bow ties, 1890's. Horner Studio

“The Human U.S. Shield, 30,000 Officers & Men, at Camp Custer, Battle Creek Michigan, Brigadier General Howard L. Laubauch, Commanding”, 1918.  Mole & Thomas (Arthur Mole b. England 1889 – died US 1983 & John D. Thomas, American, dates unknown) 

Click on images to enlarge!

 “Hunt’s Three Ring, Circus”, Northport, LI, NY
June 26th, 1921, E.J. (Edward J.) Kelty

2015 UPDATE:
NYC, 2015: "Hunt's Three Ring Circus: American Groups Before 1950" opens Monday, September 28th, 2015, 6-8 PM, 1285 Avenue of the Americas Gallery, New York, New York. 


2014 ORIGINAL
The W.M. Hunt Collection
“Foule - American Groups before 1950" 
7 July – 21 September, 2014 
Palais de l'Archevêché
35 Place de la République, 13200 Arles France

Play this short VIMEO with Collector W.M. Hunt

12.24.2011

2011 BEST PHOTOGRAPHY BOOKS | Part I

A few of my choices for
The Best Photography Books of 2011
+ + +

The Unseen Eye: Photographs from the Unconscious
Aperture, 2011

The Unseen Eye: Photographs from the W.M. Hunt Collection
George Eastman House, Rochester, New York to Feb. 19, 2012

"When I turned 50, I decided my life’s mission would be to promote the pleasure of photography." William Hunt, collector, curator, consultant, writer, teacher... Read La Lettre's Interview with WM. Hunt

"The Unseen Eye: Photographs from the Unconscious presents a wonderfully idiosyncratic and compelling collection of photographs assembled around a particular theme: in each image, the gaze of the subject is averted, the face obscured or the eyes firmly closed. The pictures present a catalog of anti-portraiture, characterized at first glance by what its subjects conceal, not by what the camera reveals. Amassed over the course of thirty years by New York collector W. M. Hunt, the collection includes works by masters such as Richard Avedon, Diane Arbus, Imogen Cunningham, William Klein, Robert Mapplethorpe, and Robert Frank as well as lesser-known artists and vernacular images." –Aperture

Eyewitness. Hungarian Photography in the Twentieth Century
Brassaï, Capa, Kertész, Moholy-Nagy, Munkácsi
Royal Academy Publications, 2011

"At a crucial moment between two world wars, five men changed the face of photojournalism and art photography, and inspired the world. With their groundbreaking shots, Brassaï, Capa, Kertész, Moholy-Nagy, and Munkásci radically redefined photographic practice and theory, ushering in the modern era." Publisher's Description


"The elusive Vivian Maier has left us many clues and a diary of over 100,000 negatives that reflect her time and her place. The quiet observer,the plain spoken no non-sense woman, the obsessive photo taker, the nanny and mysterious legend in the making. There are a lot of good images revealed in these books all leading us to learn a little more from this sphinx like creature" John A. Bennette, Curator of Maier's first New York exhibition, "Vivian Maier, Photographer," at the Hearst Gallery, New York

In 2011, Aperture released Diane Arbus: A Chronology and newly reissued Diane Arbus: An Aperture Monograph and Untitled: Diane Arbus on the fortieth anniversary of the original publication.


You and I. Photographs by Ryan McGinley
Twin Palms, 2011

"Following in the footsteps of Allen Ginsberg and his "Snapshot Poetics," McGinley turned his lens on the bodies and pastimes of his Lower East Side milieu, adding another generation to the History of Photography. This work, from the first years of this century, has given way to Ryan’s subjects running through and falling out of otherworldly utopian landscapes, caverns, forests and deserts; worlds away from the Chinatown tenements he still calls home."–Jack Woody, Twin Palms Publisher

Bordeaux Series. Photographs by Mona Kuhn
Steidl, 2011

Working with preeminent photography publisher, Gerhard Steidl, on her newly released Bordeaux Series, Kuhn said, “The thing is, I only have really wonderful things to say about Gerhard. He is indeed a genius of publishing.”–Mona Kuhn

Read Mona Kuhn's Interview



Moby: Destroyed
Damiani, 2011

“When I play music, I’m just exclusively focused on the music. When I’m taking photographs, I’m exclusively focusing on that. There’s not a lot of interdisciplinary stuff going on in my head.”– Moby

Read Moby's Interview

Core Curriculum: Writings on Photography is a collection of essays, reviews and lectures by Tod Papageorge, Photographer and Walker Evans Professor of Photography at the Yale University School of Art. Papageorge discusses with deep critical insight are Eugène Atget, Brassaï, Robert Frank (with Walker Evans), Robert Adams and his close friend Garry Winogrand.

+ + +


Sylvia Plachy's Out of the Corner of My Eye: de reojo, Goings On About Town

Although Sylvia Plachy didn't publish a book in 2011, her work remains timeless. Plachy, a Hungarian/American photographer, was born in Budapest, Hungary in 1943. Her family moved to New York City due to the Hungarian Revolution where she met photographer Andre Kertesz. Plachy's photo essays and portraits have appeared in The New York Times Magazine, The Village Voice, The New Yorker, Granta, Artforum, Fortune, and everywhere else. They have been exhibited in galleries and museums in Berlin, Budapest, Chicago, Minneapolis, New York, Paris and Tokyo. Her book, Self Portrait with Cows Going Home (2005), is a personal history of Central Europe with photographs and text, received a Golden Light Award for Best Book in 2004. In 2009, she received the Dr. Erich Salomon Preis in Berlin for Lifetime Achievement in Photojournalism. This January 2012, Plachy and Jeff Liao will be exhibiting Panoramic Photographs of New York City when The South Street Seaport Museum reopens.