SEAN PERRY: Promo Card Branding + Design/s

 

Tatara Bridge, Japan, 2013

 Three Crows, Kyoto, Japan, 2013

Photographer Sean Perry has been working in Texas all year and wanted to let his clients and colleagues know he would be available for assignments in New York this summer from June 15th to August 15th. Designed to perfection, Perry took this opportunity to show some of his new work in his latest promo pieces. His well thought out 'branded' look is reflected in the design of his website, his editioned portfolio, books and catalogs. These promo cards mirror this branded look using his chosen font, Berthold Akzidenz Grotesk Condensed, while giving the background of the card (see below) a sort of antiqued effect also used on his web pages. Check out Perry's website here

 Nijo Castle, Japan, 2013

Shore of Miyajima, Japan, 2013

 Featured in the Summer Issue of Shots Magazine

 Sean Perry's "Promo Cards" announce his availability for Assignments

(Enlarge image to see Design features)

RYAN PFLUGER: Q+A With Alison Zavos

Tilda Swinton
Photographs (c) Ryan Pfluger /All Rights Reserved

Photographs (c) Ryan Pfluger /All Rights Reserved

Photographs (c) Ryan Pfluger /All Rights Reserved

Photographs (c) Ryan Pfluger /All Rights Reserved

Ryan Pfluger was born and raised in New York. His images deal with the subtlety of body posture, the gaze, body types, and pushing the role of self-portraiture. Ryan works with a broad range of editorial clients including New York Times Magazine, OUT, Details, Time Out NY, and Angeleno. (glasshouseassignment.com)

Q+A Ryan Pfluger

with Alison Zavos

How would you describe your style?
‘I think my style is a real integration of photographers that inspired me when I was younger, with the present day aesthetics of the people that surround me. I am still inspired by people like Peter Hujar, Mapplethorpe, and Avedon. I think my style is a combination of clean, well lit intimate portraiture with an edge. However, you don’t need to be over the top to be edgy. I’m all about subtleness’.

What are some things you look for in a model?
‘I’m very particular about my models. I don’t like using the typical vision of beauty in any of my work, whether it be editorial or personal. Most of my models to me are various facets of myself. Whether they are friends, or strangers, or real models’.

Where are you currently finding inspiration?
I’m still inspired by artists of the 70’s and 80’s. However, I feel lucky to be around during a time where there are so many talented, young artists. I kind of take in everything around me though. Whether it be video games, comic books, television or music. Everything kind of leaves a little bit of something with me that I try to express in my own work. While it may not necessarily be a direct correlation to my work, it completely affects how I look at my work’.

What other contemporary photographers are you really digging now?
‘Ye Rin Mok, Hellen Van Meene, and Jason Fulford to name a few. Also, I’m completely inspired by friends like Alejandra Laviada, Dina Kantor and Shen Wei’.

What camera are you using?
‘I use a Mamiya RZ for 95% of the stuff I do. I’m very much attached to using film, and probably won’t change that anytime soon’.

If there could be a soundtrack to your images, what songs or artists would be included?
‘To me, there is a soundtrack that goes along with my work. Kate Bush, New Order, The Smiths, The Organ, Bon Iver, Beirut, Frightened Rabbit and Great Lake Swimmers to name a few. They all work … at least for me, in adding something to the work’.

Originally posted on Feature Shoot. Thanks Alison