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#03621 Tokyo, 2010
Photograph (c) Adam Magyar
#03621 Tokyo, 2010, magnifies
Photograph (c) Adam Magyar
on website you can drag pointer on image to magnify

#26872 Tokyo, 2010
Photograph (c) Adam Magyar
Photograph (c) Adam Magyar
#03621 Tokyo, 2010, magnifies
Photograph (c) Adam Magyar
on website you can drag pointer on image to magnify

#26872 Tokyo, 2010
Photograph (c) Adam Magyar
#26872 Tokyo, 2010, magnified
Photograph (c) Adam Magyar
on website you can drag pointer on image to magnify
I alter space
What you see in my images is artificial
Real details can be used to create a non-existent reality
What you see in my images is artificial
Real details can be used to create a non-existent reality
ADAM MAGYAR, now living in Berlin, was born in Debrecen, Hungary. Magyar, Jeffris Elliott and 4 other photographers won the 2009 Photography Now PQ #99 contest. Debra Klomp Ching, co-owner of KLOMPCHING GALLERY was Juror. Their work will be published in issue #99 of Center for Photography at Woodstock's PQ Magazine. Magyar's work has won several other awards, including the 2009 International Photography Awards 1st Place in Fine Art/Collage for Squares and 1st Place in Special/Aerial for Squares, 2006-2007 Josef Pecsi Scholarship and the Hungarian Press Photo Grand Prize in 2004. I asked Magyar about this series:
Can you give a short detail of how you arrived at this project?
I like to work with simple, real and obvious matters like pedestrians. I started experimenting with different digital techniques, because I did not find places that I wanted to see in my images. I wanted to depict people in endless and seamless environments, without recognizable or particular surroundings. The images are really detailed, you can see a lot of tiny things if you go close to them.
Did you set up the people in the image #517?
In a sense I did. All the squares are artificially set up from hundreds of images that I took from about 4-5 meters high of pedestrians on sidewalks. This distance, or rather, closeness allows me to create extremely high-resolution images, thus allowing the viewer to survey each person close-up. Yet, observing the image at close range makes it possible for us to see it as a whole, while looking at it from a distance results in losing all the details.
ADAM MAGYAR
magnify details in the images on the website
magnify details in the images on the website
* These are not the original images posted with this piece back in 2009. Many images from Google's Blogspot have dropped off. Check out my recent post on Magyar May 2018.
je connaissais pas, c'est magnifique, j'adore cette idée de photo.
ReplyDeleteAmazing photos - curiously, they remind me of the artist Magritte's painting, Golconde
ReplyDeletethey are perfect .
ReplyDeletebeautiful , smart , sensitive . new , exiting ....
I love the Images!!congratulations!!
ReplyDeleteI really enjoyed this, hubby works atop buildings and occasionally I get to visit. I like the bird's eye view and the interactive website.
ReplyDelete