Showing posts with label Review Santa Fe. Show all posts
Showing posts with label Review Santa Fe. Show all posts

11.07.2009

WILLIAM R WILSON: Auto Immune Response


CLICK ON IMAGES TO ENLARGE!


Auto Immune Response
Photograph (c) William R Wilson /All Rights Reserved

Auto Immune Response #2
Photograph (c) William R Wilson /All Rights Reserved

Auto Immune Response #4
Photograph (c) William R Wilson /All Rights Reserved

Auto Immune Response #5
Photograph (c) William R Wilson /All Rights Reserved

Auto Immune Response #6
Photograph (c) William R Wilson /All Rights Reserved

Auto Immune Response #10
Photograph (c) William R Wilson /All Rights Reserved

"Throughout my work I have focused on photographing Navajo People and our relationship to the land. While portraying this relationship I have always been aware of how our representation has never been without consequence."

The Museum of Contemporary Native Arts, Santa Fe, N.M., announced William R Wilson (Navajo) has been selected to oversee the Vision Project, a Ford Foundation grant initiative. Wilson's first undertaking will be to oversee the history of the Contemporary Native American Art Movement in a book featuring Native artists from the U.S. 15 scholars will write up to four essays each on living artists who have made considerable contributions who vary in age and media.

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WILLIAM WILSON, Dine (Navajo), born in San Francisco, CA, moved permanently to the Navajo Reservation when he was 10. He earned a MFA in Photography, with a focus on the History of Photography, at the University of New Mexico and a BA in art history and studio art from Oberlin College, OH.

In Wilson's Auto-Immune Response Series (above), he set out to photograph the Navajo people in relationship to the land, including figures to represent his people and himself. In the photographs, a luminal figure or pair of figures wearing gas masks appear in different dramatic natural places; in the area of the Grand Canyon and in upstate New York near the Finger Lakes. This post-apocalyptic man survey’s what appears to be a pristine and expansive landscape and wonders what has gone wrong. For the Auto-Immune Response Series Wilson received the prestigious Eiteljorg Fellowship for Native American Fine Art. The Series was a solo exhibition at the National Museum of the American Indian, Smithsonian Institute, New York, NY and the Heard Museum, Phoenix, AZ. His work is in the Collections of the National Museum of the American Indian, Smithsonian Institute, Washington D.C., the Heard Museum, Phoenix, AZ, the University of New Mexico Art Museum, Albuquerque, NM, the Juane Quick To See Smith Private Collection, Corrales, NM among others.

Wilson, an artist, photographer, and arts educator, has taught sculpture at the Institute of American Indian Arts in Santa Fe, N.M., photography at Oberlin College and the University of Arizona and served two years as a photojournalist in Central America for the Associated Press. From 2000-2005, Wilson was the co-director of the Barrio Anita Community Mural Project, the largest public art commission in Tucson, Arizona's history. BAMP features a 12,000-square-foot mural alongside the Interstate 10 sound barrier wall. The project involved the creation of a multi-media Arts Center for the community. The Arts Center features digital photography, Venetian glass tile photo-mosaic, metal work and more.
View the BAMP Murals:
North Contzen Street Mural and Ouray Park Mural
Will Wilson Creates Indianapolis Mural video


William R Wilson Website

10.21.2009

ERIKA DIETTES: Drifting Away


Clothing of the Disappeared
Photographs (c) Erika Diettes
/All Rights Reserved


"The rivers of Colombia are the world´s largest graveyard."

In DRIFTING AWAY my intention is to draw attention to the victims of forced disappearances of the Colombian armed conflict. The project is a response to a number of press reports and news broadcasts which explain how the paramilitaries and the guerrillas torture people, mutilate them and make them disappear by throwing their bodies into a river. This is the source of the saying "the rivers of Colombia are the world´s largest graveyard".

To create an expression of this horrible situation, I decided to submerge pieces of clothing or personal objects of the victims in turbulent water, and then photograph them. I print these photographs on glass to convey the feeling of the ethereal and fragile character of life in those parts of our country.

These very large glass photographs are then displayed upright in the ground, like translucent tombstones in a cemetery. This way people can walk in and around them, and begin to experience the grief of loss. It has been very difficult for the families of the disappeared to feel the healing power of grief, especially since there is often no certainty whether one of the disappeared is actually dead or alive.

I started in Bogotá by looking for clothing or objects belonging to people who had disappeared. Then I continued my search in other areas of conflict, including Eastern Antioquia, Caquetá and Medellín, amongst other places.

During these macabre visits I was able to talk to the families of the victims, who are indeed the voice of all Colombia, clamouring not only for the respect for life, but also for the right to be able to bury their dead. — Erika Diettes

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I first met Colombian photographer Erika Diettes several years ago when she was exhibiting her very moving project SILENCIOS. Silencios was an ambitious project Erika compiled of portraits and testimonials of the Jewish population in Colombia that had survived the concentration camps of Nazi Germany during World War II. Please read more and view photographs of Erika's human rights projects on her website.  


2012 Update:
SUDARIOS + Capilla de Los Remedios
Santo Domingo. República Dominicana + Sep 4 - 30, 2012
 


Oct 22-25, 2009Exhibition: Drifting Away
Newark Arts Council Building • 744 Broad St • 6th floor • Newark NJ 07102
View Gallery Installation

10.15.2009

EWA ZEBROWSKI: Another Place

Vedute di Venezia Project
Copyright (c) Ewa Zabrowski
/All Rights Reserved


The Girl In The Landscape Project
Copyright (c) Ewa Zabrowski
/All Rights Reserved


The Girl In The Landscape Project
Copyright (c) Ewa Zabrowski
/All Rights Reserved


In the last few years writers like Robert Frost, Anne Michaels, Joseph Brodsky, and Mark Strand have influenced my way of looking and have brought me inspiration. Reading continually nurtures my artistic practice.

"EWA ZEBROWSKI's thoughtful photographs are like her elegant books - each one is a refined world within itself. Her work imparts in us a quiet and ineffable desire. We wish to be within the world she photographs."– Sam Abell

Books by Ewa Zebronski
Ewa Monika Zebrowski Website

8.30.2009

JEFFREY AARONSON: Borderland

Saguaro Cactus, AIO Highway, Arizona, 2007
(c) Jeffrey Aaronson/All rights reserved

Border Patrol, All Terrain Vehicles, Laredo, Texas, 2008
(c) Jeffrey Aaronson/All rights reserved

Sister Maria, Palomas, Arizona, 2007
(c) Jeffrey Aaronson/All rights reserved


The border between the United States and Mexico is a construct beginning at the Pacific, snaking through the southwest desert and ending in the Gulf of Mexico. The borderland, the zone existing near the frontier, is an area of messy vitality by virtue of the collision of cultures living within it's boundaries. To live in the borderland is to live at the end of the country, the last place before another place starts.

JEFFREY AARONSON was born in Hollywood, California and lives and works in Santa Barbara. He traveled the border of the United States and Mexico, "a region of low-rise towns and deserts dotted with saguaro cacti and aluminum trailers", in search of cultural phenomena. Aaronson's work has been exhibited at Galerie Kashya Hildebrand, Zurich and N.Y., Photo Miami, Houston Center for Photographys 27th Anniversary Members Exhibition (Juror´s Commendation from Katharine Ware), David Floria Gallery, Aspen, Colorado and Scope Basel. He was a 2009 Critical Mass Finalist, nominated for the 2009 Santa Fe Prize 2009, won the 2002 Graphis Award from American Photography, among several others. Jeffrey was one of 100 photographers invited to participate in Review Santa Fe 2009. Please click on images to see the photographs enlarged.

Jeffrey Aaronson Website
Galerie Kashya Hildebrand, Zurich

7.27.2009

MARVI LACAR: Maasai Women Project

Kahlo House, Mexico © Marvi Lacar / All rights reserved

Hudson Bay, Ivujivik, Canada, 2008 © Marvi Lacar / All rights reserved

Takaya, Escaped From FGM. The Tasaru Ntomomok Safehouse for Girls, Kenya. Photograph © Marvi Lacar / All rights reserved

Mary Silio. The Tasaru Ntomomok Safehouse for Girls, Kenya
Photograph © Marvi Lacar / All rights reserved

MARVI LACAR came to the U.S. at age 15 from the Philippines. After receiving a bachelor's degree in Michigan from a liberal arts college, Lacar worked for several non-profit organizations before pursuing her master's degree in Journalism at the University of Texas in Austin. She completed a visual journalism fellowship at the Poynter Institute and interned at the Philadelphia Inquirer before moving to NYC in 2004.

Lacar was the 2008 winner of the Levallois - Epson Photography Award for her Journey Through Avignon. For her work documenting the progress of Maasai girls, women and men who are fighting against Female Genital Mutilation she won the 2008 Jurors Choice, Project Competition from the Santa Fe Center for Photography. She has been a nominee for the Joop Swart Masterclass and recognized by Communication Arts, PDN, and American Photography. Her clients include The New York Times, Time, Newsweek, Paris Match and Stern Magazines among many others.
Project: Healing the Deepest Scars: Rescue and Rehabilitation of Maasai Girls Escaping Circumcision and Early Marriage

Lacar lives in NYC with her husband, photojournalist Benjamin Lowy.
Website: http://www.marvi.net
PhotoBetty Post

7.06.2009

JULIE BLACKMON: Domestic Vacations

Rooster, 2007 © Julie Blackmon / All rights reserved

Powerade, 2005 © Julie Blackmon / All rights reserved

PC, 2005 © Julie Blackmon / All rights reserved
Inspired by the Velásquez painting Las Meninas

Front Porch, 2005 © Julie Blackmon / All rights reserved

The Dissolute Household painting by Jan Steen

The Dutch proverb "a Jan Steen household" originated in the 17th century and is used today to refer to a home in disarray, full of rowdy children and boisterous family gatherings.
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JULIE BLACKMON is the oldest of nine children and now the mother of three. Her photographs have been honored with numerous awards since she began exhibiting, including American Photo Emerging Artists 2008, first prize from CENTER/Santa Fe Center for Photography Project Competition, and PDN's 30, among others.

DOMESTIC VACATIONS: "The paintings of Steen, along with those of other Dutch and Flemish genre painters, helped inspire this body of work. As Steen’s personal narratives of family life depicted nearly 400 yrs. ago, the conflation of art and life is an area I have explored in photographing the everyday life of my family and the lives of my sisters and their families at home. These images are both fictional and auto-biographical, and reflect not only our lives today and as children growing up in a large family, but also move beyond the documentary to explore the fantastic elements of our everyday lives, both imagined and real.

The stress, the chaos, and the need to simultaneously escape and connect are issues that I investigate in this body of work. We live in a culture where we are both "child centered" and "self-obsessed." The struggle between living in the moment versus escaping to another reality is intense since these two opposites strive to dominate. Caught in the swirl of soccer practices, play dates, work, and trying to find our way in our "make-over" culture, we must still create the space to find ourselves. The expectations of family life have never been more at odds with each other. These issues, as well as the relationship between the domestic landscape of the past and present, are issues I have explored in these photographs. I believe there are moments that can be found throughout any given day that bring sanctuary. It is in finding these moments amidst the stress of the everyday that my life as a mother parallels my work as an artist, and where the dynamics of family life throughout time seem remarkably unchanged. As an artist and as a mother, I believe life’s most poignant moments come from the ability to fuse fantasy and reality: to see the mythic amidst the chaos." — Julie Blackmon

Julie Blackmon 2009 New Work
Radius Books "Domestic Vacations"