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12.26.2015

BEST PHOTOGRAPHY BOOKS of 2015....and Some Honorable Mentions

 click on images to enlarge
FACING CHANGE: DOCUMENTING AMERICA a collection of images by award-­winning photographers Maggie Steber, Donna Ferrato, Carlos Javier Ortiz, David Burnett, Danny Wilcox Frazier, Stanley Greene, Andrew Lichtenstein, Darcy Padilla and Lucian Perkins, authored by Leah Bendavid-Val. It includes a wealth of images and important documentary stories that tell the story of today’s America....www.facingchangeusa.org/book

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 Bil. Sandusky, Ohio. Photograph Alec Soth

SONGBOOK by Alec Soth. Known for his haunting portraits of solitary Americans in Sleeping by the Mississippi and Broken Manual, Alec Soth has recently turned his lens toward community life in the country read more here.
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Mrs. Jefferson, Fort Scott, Kansas, 1950
Photograph by Gordon Parks 

GORDON PARKS: BACK TO FORT SCOTT by Karen Hass. Photographs by Gordon Parks (Steidl). The first African American photographer to be hired full time by Life magazine, Gordon Parks was often sent on assignments involving social issues that his white colleagues were not asked to cover. In 1950 he returned on one such assignment to his hometown of Fort Scott in southeastern Kansas: he was to provide photographs for a piece on segregated schools and their impact on black children...read more here
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DETROIT: UNBROKEN DOWN Photographs: Dave Jordano; Text by Nancy Watson Barr, Dawoud Bey and Sharon Zukin (powerHouse Books). Dave Jordano returned to his hometown of Detroit to document the people who still live in what has become one of the country’s most economically challenging cities....read more here

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CHARTH VADER Photographs by Ashly Stohl. Follow the journey of the the photographer's visually impaired son, Charth Vader, as he battles his way through childhood. Profits from this book benefit the Vision Center at Childrens Hospital Los Angeles, published by Peanut Press.

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THE PHONE BOOK by Robert Herman (Schiffer). Known for his award winning street photography, Herman used Hipstamatic's square format to create this unique collection of iPhone photographs made while traveling across the world. The New York Times Review here

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Black #14, as seen at The Marlborough Gallery, 2011


POULTRY SUITE: Photographs by Jean Pagliuso (Hirmer Publications). Fashion photographer Jean Pagliuso created an homage to her childhood in Southern California, where she helped her father breed and show Bantam Cochins. POULTRY SUITE showcases more than twenty breeds of chickens—from Sebrights to Spangled Hamburgs—as they have never before been seen. 

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"Shrouds/Sudarios" haunting images of women either in agony or ecstasy—the viewer doesn’t know which until he learns that these women were forced to witness the torture of their loved ones––are printed on linen in an effect that resembles the Shroud of Turin.

"Drifting Away/Rio Abajo" images of artifacts of the hundreds of people who have “disappeared" without a trace in Columbia ––a shirt, a shoe, or a pair of eyeglasses–– are photographed in water and then suspended in glass.  

A tribute to the more than 250,000 
"disappeared" in Colombia...

MEMENTO MORI: TESTIMENT TO LIFE (George F. Thompson Publishing) Photographs and text by Columbian photographer Erika Diettes. With an Interview by Anne Wilkes Tucker. Essay by Ileana Diéguez. "MEMENTO MORI: Testament to Life" presents four bodies of work in two volumes in a transparent slipcase. The first volume contains installation shots of the work in cathedrals, churches, museums, exhibitions, and memorials in Latin America, Europe, Australia, and the United States. The second volume contains the plates of the three series: Drifting Away/Rio Abajo, Relics/Relicarios, Shrouds/Sudarios.
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 Photograph by Ming Murray Smith


TIMELESS: PHOTOGRAPHS BY KAMOINGE Edited by Anthony Barboza and Herb Robinson, Coedited by Vincent Alabiso, Foreword by Quincy Troup (Schiffer). Kamoinge is the oldest collaborative group of photographers in the nation, a pioneering Photographic Collective of NY-based African-American Photographers founded in 1963 at the height of the American Civil Rights Movement. Roy DeCarava was their first Director. To commemorate it’s 50th year, this book includes over 280 stunning photos interspersed with insights and thoughts from Kamoinge’s 30 members, who include many of the nation’s most acclaimed photographers; Anthony Barboza, Adger W. Cowans, Salimah Ali, Mark Lee Blackshear, Spencer Anthony Burnett, Gerald Cyrus, C. Daniel Dawson, Albert Fennar, Collette Fournier, Russell K. Frederick, Jerry Jack, Wayne Lawrence, Ming Murray Smith, Toni Parks, John Pinderhughes, Radcliffe Roye, Herbert Randall, Eli Reed, Herb Robinson, June DeLairre Truesdale, Jamel Shabazz, Frank Stewart, Shawn Walker, Budd Williams.

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INDECENT EXPOSURES: Eadweard Muybridge's "Animal Locomotion” Nudes" by Sarah Gordon (Yale University Press). Photographer Eadweard Muybridge (1830–1904) presented his iconic Animal Locomotion series in 1887. He made thousands of photographs of humans and animals in motion, including more than 300 plates of nude men and women engaged in activities such as swinging a baseball bat, playing leapfrog, and performing housework—an astonishing fact given the period’s standards of propriety. This book includes many lesser-known photographs published for the first time.

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JULIA MARGARET CAMERON: Photographs to Electrify You with Delight and Startle the World by Curator Marta Weiss (MACK Books). Julia Margaret Cameron (1815–79) was one of the most important and innovative photographers of the 19th century. Criticized in her lifetime for her unconventional techniques, she is now celebrated as a pioneering portraitist. 2015 marks the 150th anniversary of her first museum exhibition – the only one in her lifetime – held at the Victoria and Albert Museum in 1865. Drawing on the V&A’s significant collection, which includes photographs acquired directly from Cameron and letters she wrote to the museum’s founding director, Curator Marta Weiss tells the story of Cameron’s artistic development. She presents, for the first time, a group of photographs recently revealed to have belonged to Cameron’s friend and mentor the artist G.F. Watts. This discovery sheds light on previously unacknowledged aspects of Cameron’s experimental approach.
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 A is for Angels


In her new book, ALPHABET by Debbie Fleming Caffery (Fall Line Press), inspired by her grandchildren created a children’s book disguised as an art book (or vice versa). Caffery, one of my favorite photographers, extraordinary photographs are full of shadows and secrets. In this book she chose 26 black and white photographs of her work to illustrate the letters of the alphabet; creating some new images for the book, while pulling others from her extensive archive. This collection will warm both your eye and your heart. 

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 Fur from Daughter
Photograph © Aline Smithson

SELF + OTHERS: PORTRAIT AS AUTOBIOGRAPHY Photographs by Aline Smithson (Magenta Foundation) Aline Smithson's first monograph includes photographs spanning over twenty years. A gorgeous must-have photography book, with a foreword by Paula Tognarelli, Executive Director and Curator at the Griffin Museum of Photography; an introduction by Karen Sinsheimer, Curator of Photography at the Santa Barbara Museum of Art; and some very interesting, revealing text from the photographer about her photographic series, opens each chapter.

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Joni Sternbach/Courtesy of Rick Wester Fine Art

Joni Sternbach: Surf Site Tin Type (Damiani) texts by noted photo critic and historian Lyle Rexer, curator April M. Watson, and Chris Malloy and Johnny Abegg, both well-known surfers and filmmakers. Over the past decade Brooklyn-based photographer Joni Sternbach has traveled around the world, creating tintype portraits of contemporary surfers using the nineteenth-century wet-plate collodion process. Stunning in their detail, these one-of-a-kind images evoke the romance and adventure of surfing, and the bold individualism of the men and women who live to ride the waves. 

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THE WATCHERS: Photographs by Haley Morris-Cafiero, Text by Amanda de Cadenet (The Magenta Foundation). Haley Morris-Cafiero has travelled the world to capture how people judge one another. Working with an assistant, she photographs herself in various locations being leered at, laughed at or ignored by people on the street. Each frame is chosen based on the strangers in the background, if they have a critical or questioning look, or if there is a gesture in their body language. By reversing the gaze back on the strangers, the collection begins a conversation about nonverbal interaction and the view society has on body image.

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EVERY BREATHE WE DREW: Photographs by Jess T. Dugan; Text by curator Amy Galpin; interview by Dawoud Bey, (Daylight Books). Over the past decade, Jess T. Dugan (born 1986) has created intimate portraits that engage with issues of identity, sexuality, gender and community. Her first book, Every Breath We Drew, compiles color portraits of the artist and others….read more here

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Honorable Mentions


Irving Penn "Beyond Beauty” by Curator Merry A. Foresta (Yale University Press). Drawing from the extensive holdings of the Smithsonian American Art Museum, including a major gift from The Irving Penn Foundation, this magnificent catalogue compiles 161 of Penn’s iconic images, including a number of unpublished works.
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That Day: Pictures in the American West. Photographs by Laura Wilson; Essay by Curator John Rohrbach (Yale University Press). Wilson’s subjects range from legendary West Texas cattle ranches to impoverished Plains Indian reservations to lavish border-town cotillions. Also featured are compelling portraits of artists who are associated with the region, including Donald Judd, Ed Ruscha, and Sam Shepard.
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COSPLAY IN AMERICA, Volume 2 by Ejen Chuang. Cosplay in America V2 takes a reader on a visual journey through the culture of cosplay in the United States. Photographer Ejen Chuang spent two years visiting 20 cities to gather images for this book... read more here

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FINDING HOME: SHELTER DOGS AND THEIR STORIES by Traer Scott (Princeton Architectural Press). Scott began photographing these dogs in 2005 as a volunteer at animal shelters. Her first book, Shelter Dogs, was a runaway success, and in this follow-up, Scott introduces a new collection of canine subjects, each with indomitable character and spirit:

8.19.2015

ALINE SMITHSON: Monograph | Self + Others: Portrait As Autobiography

Self + Others: Portrait As Autobiography
Photographs by Aline Smithson
Published by the Magenta Foundation


 Fur from Daughter
Photograph © Aline Smithson

Special Edition soft-cover in a fabulous Drawer Box!

Mr. Malin from Hollywood at Home

Aline Smithson is known as a superstar among her peers. She is beloved in the photo community she so generously promotes and supports daily in her award winning journal, LENSCRATCH, she teaches workshops at the Los Angeles Center of Photography, jury's exhibitions and reviews at portfolio reviews all around the country – while working full-time on her own photography career.

Now, the Magenta Foundation is publishing Aline Smithson's first monograph, Self + Others: Portrait As Autobiography, portrait photographs spanning over twenty years. A gorgeous must-have photography book, with a foreword by Paula Tognarelli, Executive Director and Curator at the Griffin Museum of Photography; an introduction by Karen Sinsheimer, Curator of Photography at the Santa Barbara Museum of Art; and some very interesting, revealing text from the photographer about her photographic series, opens each chapter.



I have always been partial to Aline Smithson's black and white photographs of her family with her children at various ages and stages. I was interested to learn she was inspired by some of my favorite photographers. She writes "...I was drawn to the humanity of the early portraits of Keith Carter, captured near his home in Beaumont, Texas; I was fascinated with the intimacy Diane Arbus was able to create with strangers; and I was affected by Matt Mahurin’s moody and gestural images, which inspired me to print darker and take risks in the darkroom."

Night Light from Daughter
Photograph © Aline Smithson

Brothers
Photograph © Aline Smithson

Venus Rising from Inside Out
Photograph © Aline Smithson

Hardcover
11" × 12"
216 pages with foldout section
55 B&W photographs and 75 colour photographs
Full colour throughout and gilded edges
ISBN 978-1-926856-06-3

Special Edition soft-touch cover book,
inside of a high-gloss, foil stamped
drawer box with a pull-tab

$60 (book)
$150 (special edition book in box)
$300 (special edition book in box, with print)
Self + Others: Portrait As Autobiography
Photographs by Aline Smithson


"Aline Smithson Talks To Elizabeth Avedon" 

2.08.2015

ALINE SMITHSON: And the Magenta Foundation Kickstarter Campaign!



Award winning photographer Aline Smithson generously promotes and supports the work of other photographers and photo professionals daily on her award winning journal, LENSCRATCH; as well as giving workshops at the Los Angeles Center of Photography and jurying exhibitions and portfolio reviews around the country. Now Smithson's first monograph, a twenty-year retrospective of her portrait work, Self and Others: Portrait as Autobiography, will be published by The Magenta Foundation this Fall.


"I have always felt that the act of creating a portrait is equally a reflection of the artist and the sitter. I tend to work with people I know--family, friends, and neighbors, so that the process is in fact, autobiographical.  I am not only telling their story, but also telling my own. I still shoot film and work for the most part, with a mid century Rolleiflex. I like the slowed down nature of shooting film and the sense of history and methodology it brings to my art making." – Aline Smithson



I am thrilled to announce the Kickstarter campaign created to raise funds for the publication of award-winning photographer Aline Smithson's first monograph, Self and Others: Portrait as Autobiography, by the Magenta Foundation in the Fall of 2015.

"This will be the first published monograph of Aline Smithson's portrait photographs spanning over twenty years. Self and Others: Portrait as Autobiography is an almost 20 year culmination of portrait photographs captured by award-winning photographer Aline Smithson. Beginning with her early forays into black and white work, produced as darkroom silver gelatin prints, she photographed the world around her considering the poignancy of childhood and the pathos of aging and relationships. The book continues with her hand painted photographs featuring her defining series, Arrangement in Green and Black: Portrait of the Photographer's Mother, where she combines humor and family to create a universal expression of motherhood. The book is completed by her color projects that revisit beauty, the essence of childhood, and an examination of created realities. Aline brings a background in painting and fashion to her images, but at the heart of her work is her ability to recognize the inner self of her subjects. The photographer considers all her portraits a reflection of herself and the stories she wants to tell, and in that way, she has created a visual language that is her own unique autobiography." –The Magenta Foundation



"Hello friends! I am so excited to announce my first monograph, Self and Others: Portrait as Autobiography, and share my Kickstarter campaign created to raise funds for publication. The book will be published by the Magenta Foundation in Fall of 2015. I could really use your support to make this book a reality." Watch the Kickstarter video here



Read about Aline Smithson's series, Arrangement in Green and Black: Portrait of the Photographer's Mother, here on L'Oeil de la Photography.

8.05.2014

SHERI LYNN BEHR: No Safe Distance

Photograph © Sheri Lynn Behr, from the series No Safe Distance

This photograph is in the current exhibition at the 
Griffin Museum of Photography's
Juried by Aline Smithson
Exhibition to August 31, 2014

No Safe Distance: "These photographs address my interest in photography without permission. Today we live in a post-privacy world, an image-obsessed society where cameras are everywhere. With or without our knowledge, we are being photographed countless times a day. When I make these images, I am separated from my subjects by glass store windows. Having a camera with a big lens pointed by an unknown person outside the store creates a moment of sudden awareness of something unexpected. Reactions are varied."

"By cropping and enlarging the faces, which are often distorted by the window's reflections, and by removing the context, there is a certain ambiguity created. The images can reference mug shots, identity cards, Facebook friends, missing persons, even paparazzi celebrity captures. More closely they resemble surveillance photos, which is what they really are. They are meant to challenge our expectations of anonymity and privacy." 

Sheri Lynn Behr

Work from this series was used to receive a 2012 Individual Artist Fellowship for Photography from the New Jersey State Council on the Arts.

Photograph © Sheri Lynn Behr, from the series Watching You


Photograph © Sheri Lynn Behr, from the series Watching You

Watching You: "The camera portraits of Watching You are taken with my iPhone. While the quality of the images is acceptable, they are often grainy and soft. The more I see surveillance footage on the news, the more odd and abstract the images appear. I want to give these photographs a similar distance from reality." read more here

Photograph © Sheri Lynn Behr, from the series No Matter Where

Photograph © Sheri Lynn Behr, from the series No Matter Where

No Matter Where: "We know that cameras are everywhere. We try to avoid people pointing smartphones and other hand-held cameras at us as we walk down the street, but are we conscious of all the cameras lurking above, hiding in plain sight? We know we’re being watched, even in the most benign locations, yet as we become more accustomed to the presence of surveillance cameras, we stop paying attention." read more here

Catalog Back Cover Photograph © Sheri Lynn Behr,
from the series No Safe Distance 

Griffin Museum of Photography's
Juried by Aline Smithson
Exhibition to August 31, 2014
The complete list of photographers selected for the exhibition here

Sheri Lynn Behr Website