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Showing posts sorted by date for query anderson + low. Sort by relevance Show all posts

5.08.2014

ANDERSON+LOW: Black Sand Surfers in Taiwan

Black Sand: Surfers In Taiwan
Published by Lucky Panda Press (March 2014)

Rinaldo Lee

Eddie Chen


"Black Sand is a continuation of Anderson + Low's ongoing studies of sport and of sport as a reflection of both individual and cultural diversity and aspiration; it is an exploration of the new Taiwanese surfing culture."

"The volcanic black sand beaches, the grey sky of the typhoon season and a lead-colored sea provide a natural monochrome backdrop for this new series.The only color in the photographs is found in the surfer's skin and the vibrant design of their surfboards and surfing attire. the resulting images are the antithesis of the archetypal surfing image." –Publisher

ABOUT ANDERSON + LOW

EA: Where did you two meet?

Jonathan Anderson: We met in a photographic facility in London 25 years ago October the 12th this year. We’ve been working as the team 'Anderson + Low' for over twenty years.   

Edwin Low: We submitted some work for the Royal Academy Summer Exhibition. It was quite unique because it was the first time they accepted Photography as an art form in the Royal Academy. The rest is history.  

Jonathan Anderson: We thought we’d better take ourselves seriously and carry on, so that's where it all started.

5.22.2013

ANDERSON + LOW: An Intimate Journey with Chinese Gymnasts at Fahey/Klein

 Anderson + Low
Dong Zhengdong from the Project Endure, 2009/2010

 Anderson + Low
Gymnasium from the Project Endure, 2009/2010

 Anderson + Low
 Beam Training from the Project Endure, 2009/2010

 Anderson + Low
Huang Huidan from the Project Endure, 2009/2010

Anderson + Low
 Warming Up from the Project Endure, 2009/2010

May 23 - July 6, 2013
Artist Reception: May 23, 7 – 9 PM

Fahey/Klein Gallery presents "ENDURE: An Intimate Journey with the Chinese Gymnasts", the first exhibition in the western world of this project from contemporary photographers, Jonathan Anderson and Edwin Low. The exhibition is comprised of large-scale color photographs taken over a two-year period documenting the elite Chinese gymnasts, their challenging and dedicated training program, their character, and the team's training facilities in Beijing.

Athletics, endurance, and the process of training have inspired Anderson + Low for over twenty years, but it wasn't until 2009 that the duo was granted exclusive and completely unique access to photograph the Chinese gymnasts.   Nobody has been given this access, and the results are as unprecedented as they are extraordinary. Over the following two years, Anderson & Low would work to create a documentary series that reinvents traditional sport imagery. Whereas conventional sport photography primarily focuses on the winning moment, or an instance of heartbreaking defeat-Anderson & Low's images explore the mental and physical process of training itself, and the structure and discipline the young gymnasts endure. The images capture powerful moments of stillness and transcend into a study of the human condition in microcosm, an examination of the purest human emotions under intense pressure. Although the images have a distinctly contemporary feel, athletics, training, and competition are among the most ancient and earliest depicted themes. Anderson & Low's images reference classic Greek and Roman forms, and the ancient ideal of the trained athlete. Their photographs examine the tension between the athlete's ideal and the very real limitations of the human body.

Anderson + Low state that the goal of the project is to celebrate the extraordinary athletes they have spent years photographing alongside, and of whom they remain in awe. They use the word "Endure" in a triumphal sense, celebrating these gymnasts' stamina, endurance, dedication, character and through this they celebrate the human spirit as a whole. Their images avoid judgment; instead, the detailed scrutiny in these images conveys the physical and mental experiences of the athletes, and the photographers' feeling of respect and admiration towards the athletes' strength, grace, power and determination. This became evident to the photographers when they first witnessed the athletes training in their massive gymnasium in early 2009, "We experienced profound emotion, intimate and powerful, made all the more intense by this primal response being so unexpected. It was, and still is, unforgettable; until that moment, we had not known that sport could still make us feel something so simple, as though it was the first time we have ever seen people train." (ENDURE, Serindia Contemporary Publications, 2012)

Since 1990, Jonathan Anderson and Edwin Low have been collaborating creatively as Anderson + Low. Their work has been exhibited internationally, and belongs to many public and private collections including: The Metropolitan Museum of Art, New York; Victoria + Albert Museum, London; National Portrait Galleries (United Kingdom and Australia); National Gallery of Australia; Museum of Fine Art, Houston; High Museum of Art, Atlanta, and La Maison Européenne de la Photographie, Paris among many others. A limited edition book of "Endure" was recently released by Serindia Publications (2012). Jonathan Anderson and Edwin Low live and work in London, United Kingdom. (Courtesy Fahey/Klein)


Untitled (Kit The Swordsman), The Metropolitan Museum of Art
Photo © Elizabeth Paul Avedon / All rights reserved

EA: Where did you two meet?
Jonathan Anderson: We met in a photographic facility in London 25 years ago October the 12th this year. We’ve been working as the team 'Anderson + Low' for over twenty years.   Edwin Low: We submitted some work for the Royal Academy Summer Exhibition. It was quite unique because it was the first time they accepted Photography as an art form in the Royal Academy. The rest is history.  Jonathan Anderson: We thought we’d better take ourselves seriously and carry on, so that's where it all started.

10.17.2012

ANDERSON + LOW: Manga Dreams at The Met

Edwin Low and Jonathan Anderson 
photo © Elizabeth Paul Avedon/all rights reserved
Manga Dreams
© Anderson + Low/All Rights Reserved

Untitled (Kit The Swordsman) 2009
© Anderson + Low/All Rights Reserved
 
I spoke with the incredible photography team Anderson + Low at the opening reception for "After Photoshop: Manipulated Photography in the Digital Age" at The Metropolitan Museum of Art. After Photoshop explores various ways in which artists have used digital technology to alter the photographic image over the past 20 years. Anderson + Low's photograph, Untitled (Kit The Swordsman), is on exhibition in Gallery 851 at The Met.

EA: Where did the idea originate for this piece?

Jonathan Anderson: The piece is part of a project called Manga Dreams. The original idea was in 2004, we finally shot the project in 2007 and 2008 and it was released in 2011. It’s based around the influence of Asian comics and Anime movies on youth culture worldwide, not only the Asian diaspora, but increasingly in the West as well. We have particular interest in identity and costume and the projection of self in our work; and this series is part of that.

We created this hybrid world that’s part real, part invented and headhunted people we felt had the spirit of Manga characters inside them, brought them into the studio and helped create new identities for them by negotiation and collaboration with them and this is the result.

This is one of a big series of about sixty works. About half of them are tableaux like this and about half of them are unadorned portraits.
 
Some of the work was shown in the Venice Biennale last year; there is this piece at the Met and we’ve had solo exhibitions of the project in museums including La Maison Européenne de la Photographie in Paris, in the UK [Sainsbury Centre for Visual Arts] and Canada this year, plus group shows in The Netherlands, Taiwan and Beijing. Works were also acquired by the National Gallery of Australia. There’s going to be a large exhibition in April of 2013 in Rotterdam, The Netherlands.

EA: Where did you two meet?

Anderson: We met in a photographic facility in London 25 years ago October the 12th this year. We’ve been working as the team 'Anderson + Low' for over twenty years. Edwin Low: We submitted some work for the Royal Academy Summer Exhibition. It was quite unique because it was the first time they accepted Photography as an art form in the Royal Academy. The rest is history.
Anderson: We thought we’d better take ourselves seriously and carry on, so that's where it all started.


The Metropolitan Museum of Art, NY
 September 25, 2012–May 27, 2013

10.14.2012

FAKING IT: The Opening for "Manipulated Photography Before Photoshop" at The Met

Io + Gatto, 1932 (right)  (c) Wanda Wulz

Curator Elisabeth Biondi with 
"Bill Cunningham New York" Producer, Philip Gefter

The Galleries were packed. 
 The following are just a few of the evenings guests.

Manga Dreams, Untitled (Kit The Swordsman) 2009
Edwin Low and Jonathan Anderson
 
Mia Fineman, Asst Curator, Department of Photographs

Known collectively as MANUAL

Okinawa 001, 2008 and Okinawa 009, 2008 
 by Osamu James Nakagawa

 Collector Wm Hunt and Author, Producer Philip Gefter 
 
 Manipulated Photography Before Photoshop
The Metropolitan Museum of Art, NY
October 11, 2012—January 27, 2013
VIEW: