10.12.2009
10.10.2009
ANDREW PHELPS: Cross–Cultural
Photograph (c) Andrew Phelps/All rights reserved
From the series "Not Niigata" 2009Photograph (c) Andrew Phelps/All rights reserved
When traveling in a foreign place, I tend to be fascinated with both the exotic and the mundane. The two are often one and the same, especially in a place where the gap between old and new is astronomical. In most modern societies, tradition, history, and religion have etched a deep set of rituals and codes which are being tested and expanded as cultural homogenization begins to question set systems and ideologies. My interests in Niigata, and Japan in general, lie within documenting this gap.
ANDREW PHELPS is an American photographer living in Austria. I discovered his work through his blog BUFFET. There's a great INTERVIEW with Andrew Phelps by Daniel Augschöll and Anya Jasbär in Ahorn Magazine here. Andrew Phelps WEBSITE
FLASH-FLOOD: Issue One
Flash-Flood Issue One Contributor's: Jonathan Blaustein, Jesse Chehak, David Ondrik, Jennifer Schlesinger and Melanie McWhorter. Flash-Flood is a new media collective that investigates and promotes the intersection of photography and culture in the state of New Mexico. Flash-Flood
10.09.2009
EN FOCO: Artist Talk October 18
Patagonia Cowboy Series, En Foco First Place AwardPhotograph (c) Mustafah Abdulaziz/All rights reserved
Patagonia Cowboy Series, En Foco First Place AwardPhotograph (c) Mustafah Abdulaziz/All rights reserved
Photograph (c) Mustafah Abdulaziz/All rights reserved
EN FOCO AND THE LUCIE FOUNDATION ARTIST TALK
October 18, 2009 from 5:30-7:30 PM
Splashlight Studio, 75 Varick Street, NYC 10013
Artist Talk includes: MUSTAFAH ABDULAZIZ - Winner of En Foco's People/Places/Things Photography Competition, featured in an upcoming Nueva Luz Photographic Journal. SUE FLOOD - Finalist for the International Photography Awards (IPA) "International Photographer of the Year". IPA is a sister effort of the Lucie Foundation. RANIA MATAR - Published in Nueva Luz volume 13#3 this past Spring, she is also celebrating the publication of her monograph, "Ordinary Lives". RACHEL PAPO - Finalist for the International Photography Awards (IPA) "Deeper Perspective Photographer of the Year". RSVP: jointtalk@luciefoundation.org
En Foco is a non-profit organization that uses the photographic arts as a vehicle to address cultural and social inequities. It provides professional recognition, publication, honoraria and assistance to photographers of diverse cultures as they grow into different stages of their careers. En Foco nurtures and supports contemporary fine art and documentary photographers of diverse cultures, primarily U.S. residents of Latino, African and Asian heritage, and Native Peoples of the Americas and the Pacific. En Foco produces the Nueva Luz Photographic Journal, Print Collectors Program.
10.07.2009
RUSS MARTIN: Nature Category
RUSS MARTIN won first place in the International Photography Award (The Lucies) in the Nature: Flowers category for his Hosta Flowers series. The Hosta Project 2006-2009 won the PX3 PRIX DE LA PHOTOGRAPHIE PARIS in the Nature category. View the Hosta Project Book. Martin is represented by Contemporary Works. Russ Martin Website
10.04.2009
KIYOHARU ICHINO: Land of Red Waves
Wood-fired Ceramic BowlContemporary Tanba Pottery by Kiyoharu Ichino
"Nestled in a beautiful valley along the Shitodani River among towering mountains northwest of Kyoto is the picturesque village Tachikui, the historic center of Tanba pottery. The rich ferrous soil in this area has supported generations of farmers and artisans since the early Kamakura period (1180-1230). The oldest existing noborigama (climbing kiln) in Japan is here. This serene locale is home of some of the most beautiful ceramics that have influenced aesthetic development in Japan and the western world. Tanba, Tan meaning red and Ba meaning waves, or Land of Red Waves, got its name from a red rice grown in ancient time which turned the fields into seas of red.
Because of its relative isolation, Tanba is less influenced by outside commercial trends than some other more accessible pottery towns in Japan. Old Tanba pottery had a restrained dignified appearance, exuding quiet confidence that reflected its proud heritage. This unique quality is evident in the works of contemporary Tanba ceramist Kiyoharu Ichino above.
KIYOHARU ICHINO was born in 1957 in Tachikui into a family of traditional pottery-makers. He learned all aspects of Tanba pottery since childhood. His works have been selected repeatedly by the prestigious juried Japan Crafts Association. Traditional Tanba pottery is fired unglazed at very high temperature in large wood-fueled kilns. Ichino uses both an anagama (hole kiln) and a noborigama (climbing kiln), burning almost a thousand bundles of wood over several days to bring out the unique personalities of Tanba clay, which is renowned for its rich texture and deep purplish brown colors. Many of his pieces show silvery fire-marks left by the wood fire. To show the unique clay texture, he often includes seemingly unfinished edges in his designs, exposing the rough clay body. Despite the high level of sophistication and innovation, Ichino's works maintain a strong connection with the ancient Tanba pottery tradition." (from Touching Stone Gallery)
Also View Yoshitaka Hasu Masterworks
Touching Stone Gallery, Santa Fe, NM
Because of its relative isolation, Tanba is less influenced by outside commercial trends than some other more accessible pottery towns in Japan. Old Tanba pottery had a restrained dignified appearance, exuding quiet confidence that reflected its proud heritage. This unique quality is evident in the works of contemporary Tanba ceramist Kiyoharu Ichino above.
KIYOHARU ICHINO was born in 1957 in Tachikui into a family of traditional pottery-makers. He learned all aspects of Tanba pottery since childhood. His works have been selected repeatedly by the prestigious juried Japan Crafts Association. Traditional Tanba pottery is fired unglazed at very high temperature in large wood-fueled kilns. Ichino uses both an anagama (hole kiln) and a noborigama (climbing kiln), burning almost a thousand bundles of wood over several days to bring out the unique personalities of Tanba clay, which is renowned for its rich texture and deep purplish brown colors. Many of his pieces show silvery fire-marks left by the wood fire. To show the unique clay texture, he often includes seemingly unfinished edges in his designs, exposing the rough clay body. Despite the high level of sophistication and innovation, Ichino's works maintain a strong connection with the ancient Tanba pottery tradition." (from Touching Stone Gallery)
Also View Yoshitaka Hasu Masterworks
Touching Stone Gallery, Santa Fe, NM
10.02.2009
TRAER SCOTT: Natural History Reflections
Hunting Dogs 2, American Museum of Natural History , NYCopyright (c) Traer Scott /All Rights Reserved
When I was nine, my mother would take me to the Natural History Museum in Raleigh (where she was a volunteer curator) all day, everyday in the summers. I spent very long, lonely weeks communing with the museum's animals, both living and dead, as well as operating the manual elevator for employees and rummaging through the collection of ancient periodicals and books housed in a private library. I have since harbored an immense affection for all things old and musty and mysterious, particularly preserved animals whose half dead/half alive presence is both fascinating and unnerving.
Natural History is a series of abstract in-camera constructions of visitors viewing the legendary dioramas at the American Museum of Natural History in New York City. The taxidermied animals in these dioramas were collected (and killed) by "naturalists" primarily at the beginning of the 20th century. Many of these long dead specimens now represent endangered or extinct species. I feel that the unintentional juxtaposition and interaction between the viewers and the animals creates highly allegorical narratives of our troubled co-existence with nature.
Scott won a 2010 Rhode Island State Council for the Arts Photography Grant on the merit of this Natural History series. More American Museum of Natural History Reflections: Gallery
Traer Scott Website
9.30.2009
MICHAEL BÜHLER-ROSE: Constructing The Exotic
Kumari, Alachua, FL. 2006Copyright (c) Michael Bühler-Rose /All Rights Reserved
The Conversation, Alachua, FL. 2006Copyright (c) Michael Bühler-Rose /All Rights Reserved
Michael Bühler-Rose, received a Fulbright Fellowship to India and obtained his BFA (2005) from the School of the Museum of Fine Arts, Tufts University. At present, he is a Graduate Alumni Fellow at the University of Florida (MFA, 2008), critic and Assistant Professor, Department of Photography, at the Rhode Island School of Design. He's an accomplished photographer who has been collected, exhibited, and published internationally. He received a Humble Arts Foundation Grant for Emerging Photographers to support this project.
October 2-November 24, 2009
Michael Bühler-Rose | Constructing the Exotic
Crisp-Ellert Art Museum, St. Augustine
Michael Bühler-Rose | Constructing the Exotic
Crisp-Ellert Art Museum, St. Augustine
MOVING WALLS 16: OSI Exhibit
MOVING WALLS 16 includes the work of six photographers - Benjamin Lowy Iraq/Perspectives, Eugene Richards War Is Personal, Stefano De Luigi Liberia's Child Soldiers: Recovering Innocence, Tomas van Houtryve Nepal: A "People's War" Topples the God King, Paolo Woods Chinafrica and Zalmaï Promises and Lies:The Human Cost of the War On Terror in Afghanistan - who cover a range of social justice and human rights issues of significance to the Open Society Institute. These photographs were selected by a 16 person committee that included Susan Meiselas and Stuart Alexander as curator's of the exhibition. September 30, 2009-May 21, 2010. Open Society Institute, 400 West 59th St, NYC. This exhibition will travel to Washington, D.C. in the future. On-line Exhibition.
9.29.2009
PELLE CASS: Selected People
Each of the pictures in the series Selected People is a composite of around a hundred or more exposures of unposed people taken over periods that range from five minutes to several days. With the camera on a tripod, I take dozens of pictures. Back in the studio with Photoshop, I leave in exactly the figures I choose, always in the precise position of the original scene. I organize the figures in my scenes by the color of their clothing, by mood, age, attractiveness, gesture, position, race, or even just by oddness. The result is both the product of imagination and a document of fact.
Pelle Cass was awarded a Yaddo residency for 2010 to work on his Selected People Project. Cass was named a 2009 Critical Mass Top 50 photographer by Photolucida, Portland, OR. Pelle Cass Website
9.27.2009
TOD PAPAGEORGE: Digital In Rome
Copyright (c) Tod Papageorge /All Rights Reserved
Tod Papageorge is the Walker Evans Professor of Photography and Director of Graduate Studies in Photography at the Yale School of Art. This summer he spent six weeks in Rome as the American Academy in Rome Photographer in Residence using a digital camera, a Leica M8.2, for the first time. The American Academy of Rome's website has posted a recent Interview with Tod Papageorge by AAR Mellon Professor Corey Brennan. Read the entire Interview here. More Rome Project Photographs here
More Tod Papageorge links and video clips9.26.2009
SIMON ROBERTS: We English
Holkham National Nature Reserve, Norfolk, 18th February 2008Copyright (c) Simon Roberts /All Rights Reserved
Camel Estuary, Padstow, Cornwall, 27th September 2007Copyright (c) Simon Roberts /All Rights Reserved
September 10-October 24, 2009
WE ENGLISH: SIMON ROBERTS
KLOMPCHING GALLERY
Roberts first monograph * Motherland
(* view Roberts impressive photographs of contemporary Russia)
JIM DENEVAN: Sand Man
JIM DENEVAN makes freehand drawings in sand. At low tide on wide beaches Jim searches the shore for a wave tossed stick. After finding a good stick and composing himself in the near and far environment Jim draws-laboring up to 7 hours and walking as many as 30 miles. The resulting sand drawing is made entirely freehand with no measuring aids whatsoever. (from Jim. thanks madamelamb)
Jim Denevan Art
9.24.2009
NICK BRANDT: A Shadow Falls
Portrait of Two Zebras Turning Heads, Ngorongoro Crater, 2005Copyright (c) Nick Brandt /All Rights Reserved
September 25-November 28, 2009
Nick Brandt: A Shadow Falls
Photo-Eye Gallery, Santa Fe
Brandt's New Book A Shadow Falls Published by Abrams
Photo-Eye Gallery, Santa Fe
Brandt's New Book A Shadow Falls Published by Abrams
9.21.2009
ALESSANDRA MENICONZI: Sacred Stones
Copyright (c) Alessandra Meniconzi /All Rights Reserved
(The Long-horn Miao-a small branch living near Zhijin County)
Copyright (c) Alessandra Meniconzi /All Rights Reserved
"I prefer remote and rugged places, mountainous terrain and desert. I love to find people who can manage to survive in these places, to discover and record their ancient way of life before they are changed by the modern era."
ALESSANDRA MENICONZI is an adventurous Swiss photographer shooting in remote regions of the world. A trip to India at 21 sparked over a decade of exploration of cultures on the ancient trade routes. Her books include Hidden China, Mystic Iceland, The Silk Road, and she is currently working on books about the Tibet, Himalaya, and the Arctic.
Alessandra Meniconzi Gallery
Arctic Trek Greenland I Greenland II Greenland III
Mani Stone Inscriptions
The Long-horned Miao Headress
Canon Interview
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