"I always thought of myself as environmentally aware, but a pesticide poisoning at home in 1998 motivated me to deepen my understanding. As I read more about the health and environmental consequences of pesticides, I expected pictures. When I saw none, I began to look for ways to make my own, to help me understand something difficult to imagine: the invisible ubiquity of pesticides, not only their presence on conventional farms but how they find their way unwittingly into our homes and our bodies. I found inspiration in the research of the environmental scientist Richard Fenske, who developed a safety-training demonstration using fluorescent tracer dyes and UV light to show farm workers who work with pesticides, pictures of their exposures despite protective gear...With support from Dr. Fenske's colleagues, I learned this technique, not necessarily for its usefulness to instruct but because of how unposed subjects seen under another visual spectrum appear theatrical, distilling a personal and collective story."
2.03.2010
2.02.2010
LACEY TERRELL: The Passing Ring
The Passing Ring is a portrait of one of the last nomadic tribes in America, the Culpepper & Merriweather Great Combined Circus. A traditional one-ring Big Top show, with winter quarters in Hugo, Oklahoma, C&M travels everyday, for 8 months of the year. Over the past 13 years, Lacey Terrell has had the good fortune to photograph the show through much of California, Montana, Iowa, Colorado, Oklahoma, Texas, New Mexico, Minnesota and Arizona. read more...
February 4th, the first exhibit of this work will be featured in a 3 person show, Photography: Three Worlds, also featuring the work of Andrew Buck and Phil Stern, at the Flinn Gallery, Greenwich, CT.
February 4th, the first exhibit of this work will be featured in a 3 person show, Photography: Three Worlds, also featuring the work of Andrew Buck and Phil Stern, at the Flinn Gallery, Greenwich, CT.
Also View: Lacey Terrell: offSET
2.01.2010
RICHARD HAINES: Behind The Scenes Exhibit Milan 02.04.10
I moved to NYC to illustrate, but the market was shrinking and going to photography (ahem) and I was so intimidated by my heros - Antonio and Kenneth Paul Block, that I decided to switch over to fashion design. I worked with Calvin Klein, Perry Ellis, Sean Combs, Bill Blass, J.Crew...it was a good career, but my passion was still drawing.
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RICHARD HAINES studied fine art and graphic arts at Virginia's Commonwealth University (VCU). Nowadays, you'll find Richard Haines seated front row at Fashion Week’s most desirable shows busily sketching. He often refers to New York City "as an endless runway"; befitting of a man who moved to the big city to pursue illustration, became a successful fashion designer, and who has come full circle as one of today’s most sought after fashion illustrators.
Haines work is regularly seen in the pages of InStyle Magazine and his popular must-see blog, What I Saw Today, which features his personal and professional work, has received accolades from respected critics at Paper Magazine, New York Magazine, men.style.com, refinery29.com and getkempt.com, to name just a few. "I thought if I started a blog of what I saw around me, it would be a good way of showing what was going on...the rest is, as they say, history. The response to my illustration has been beyond my wildest dreams." In July 2009, Haines had his first solo exhibition in New York City.
Haines work is regularly seen in the pages of InStyle Magazine and his popular must-see blog, What I Saw Today, which features his personal and professional work, has received accolades from respected critics at Paper Magazine, New York Magazine, men.style.com, refinery29.com and getkempt.com, to name just a few. "I thought if I started a blog of what I saw around me, it would be a good way of showing what was going on...the rest is, as they say, history. The response to my illustration has been beyond my wildest dreams." In July 2009, Haines had his first solo exhibition in New York City.
February 4th-18th, artist Richard Haines 'Behind The Scenes' illustrations and unpublished sketches will be exhibited at PENNYBLACK c. so Vittorio Emanuele ang. Piazza Libety, 2 in Milano, Italy. PENNYBLACK MAGALOG
1.31.2010
BIG YOUTH: Screaming Target
"Big Youth was one of the most influential DJs on the Jamaican scene in the 1970s, helping to popularize the tradition of singers "toasting" over records. The shrieks that kick off the title track command the listener's attention immediately, and belie Big Youth's jazzy, laid-back style. "Screaming Target" is a clarion call for Jamaica's youth to educate and better themselves, and typifies Big Youth's cool, mesmerizing performance with razor-sharp, socially conscious lyrics. "Screaming Target" is still on the shortlist of historically important reggae albums decades after its release."
Big Youth was one of the most influential DJs
on the Jamaican scene in the '70s
on the Jamaican scene in the '70s
I don't know who photographed the covers of Big Youth's first full-length debut album, Screaming Target, or his later Dreadlocks Dread, but the preceding post on Bob Marley prints at Snap Galleries reminded me to go in search for them. Screaming Target has some killer cuts Big Youth made with then 20 year-old producer Gussie Clarke. Both continue to be my all time favorite reggae albums ever. At an early Big Youth concert long ago, we watched as two men had to hold him up to get on stage and prop him up throughout the entire incredibly pure stoned-out stream-of-consciousness performance. Screaming Target: Big Youth, with background vocals by Gregory Isaacs, Dennis Brown, K.C. White.
BOB MARLEY PRINTS: Snap Gallery
Bob Marley, Leeds, 1974Photograph (c) Dennis Morris /All Rights Reserved
"It was while bunking off school to wait for Bob Marley to arrive for his soundcheck at the Speak Easy Club on London's Margaret Street that Dennis's music photography career really began. Bob Marley was so taken with the young teenager who was waiting for him that he invited Dennis to come along and take pictures on the remainder of the tour. Running home to Dalston, Dennis packed his bag and jumped on the bus. His photographs of Marley and The Wailers became famous the world over, appearing on the cover of Time Out and Melody Maker before Dennis had even turned 17."
1.28.2010
PICTURE HOPE FOR HAITI: Women Photographers Benefit Doctors Without Borders
Soulcatcher Studio and it's Photographers support 100% of the sales of these prints to Doctors Without Borders. Women Photographers contributing to this Benefit include Angela Bacon-Kidwell, Brigitte Carnochan, Desiree Edkins, Cat Gwynn, Jessica M. Kaufman, Karen Keating, Laurie Lambrecht, Lisa Levine, Heather McClintock, Meg Madison, Karen Morgan, Ann Pallesen, Sarah Renkes, Lauren Rosenbaum, Jennifer Schlesinger, Jennifer Shaw, Joni Sternbach, Melissa Weiss Steele, Natalie Young. Prints are in an Edition of 10: $50. Call Soulcatcher Studio #505-310-7685
1.27.2010
LETTERS OF NOTE: Transcripts
This letter was written by Vincent van Gogh to Émile Bernard, March 18th, 1888, a month after leaving Paris for Arles: My dear Bernard, having promised to write to you, I want to begin by telling you that this part of the world seems to me as beautiful as Japan...The women’s costume is pretty, and especially on the boulevard on Sunday you see some very naive and well-chosen arrangements of color. And that, too, will doubtless get even livelier in summer. Read transcript here
21-year-old Andy Warhol wrote in response to a request for 'biographical information': my life couldn't fill a penny postcard. i was born in pittsburgh in 1928 (like everyone else - in a steel mill). i graduated from Carnegie Tech. now i'm in NY city moving from one roach infested apartment to another.– andy warhol
Russian-born artist Moses Soyer wrote a number of letters to his teenage sons; nearly all replete with fantastic illustrations as charming as this
This letter, to ex-President Herbert Hoover, regards the alarming ill-health and living situation of Nikola Tesla, the man who changed our modern world with his invention–alternating current electricity. Three days after it was written, Tesla passed away. Read transcript here+ + +
Dear Editor Shaun Usher,
I am in awe of your fascinating blog "Letters of Note: Correspondence Deserving of a Wider Audience". Some of my favorite's you've posted include the letter from an enraged Mark Twain ("You're an idiot of the 33rd degree"), the one from super blunt Studio Head Harvey Weinstein ("You're boring"), a barely coherent Courtney Love to Spin Magazine ("Maddonna is utterly ARTLESS"), the apology from badly behaved writer/poet Edgar Allan Poe ("I'm sorry. My friend got me drunk"), and the IMBECILOGRAM from writer Jerzy Kosinski ("Dear Idiot, don't you have anything better to do?"), among so many others. Very quotable literary ammunition.
I am in awe of your fascinating blog "Letters of Note: Correspondence Deserving of a Wider Audience". Some of my favorite's you've posted include the letter from an enraged Mark Twain ("You're an idiot of the 33rd degree"), the one from super blunt Studio Head Harvey Weinstein ("You're boring"), a barely coherent Courtney Love to Spin Magazine ("Maddonna is utterly ARTLESS"), the apology from badly behaved writer/poet Edgar Allan Poe ("I'm sorry. My friend got me drunk"), and the IMBECILOGRAM from writer Jerzy Kosinski ("Dear Idiot, don't you have anything better to do?"), among so many others. Very quotable literary ammunition.
Thanks to Ray Grasse for showing me this site
1.25.2010
BRIAN ULRICH | AMY STEIN: A Vision of Global Capitalism's Flipside
BRIAN ULRICH | AMY STEIN
INSTRUMENTS OF EMPIRE: Global Capitalism's Flipside
CAPTION GALLERY • DUMBO
1.28.2010 - 3.25.2010
INSTRUMENTS OF EMPIRE: Global Capitalism's Flipside
CAPTION GALLERY • DUMBO
1.28.2010 - 3.25.2010
1.23.2010
JEFF BRIDGES CRAZY HEART: Stephen Bruton Tribute
Bruton Tribute VideoStephen Bruton, with music collaborator and fellow Texan, T-Bone Burnett, created the original 'classics' for the film Crazy Heart.
JEFF BRIDGES won the Best Actor SAG Award and the Best Actor Golden Globe Award for his amazing performance in Crazy Heart...and he received lengthy standing ovations both nights! This week you can view Bridges must-see photographs he took while making Crazy Heart here. More about Crazy Heart's soundtrack and video's here. More about Jeff Bridges Wide-lux Camera here.
1.21.2010
HAITI RELIEF PRINT SALES: Photographers Donate 100% to Doctors Without Borders
Wedding Clothes 2009 Edition of 10: $50Photograph (c) Aline Smithson /All Rights Reserved
life support
Wall Space Gallery and it's Artists support 100% of the sales of these prints to Doctors Without Borders. Tom Chambers, Aline Smithson, Lydia Panas, Randall J. Corcoran, Priya Kambli, Ron Reeder, Bill Finger, Kristen Fecker Peroni, Charles Grogg, and Mitch Dobrowner. Prints in an Edition of 10: $50.
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Haiti Relief Benefit Print Sale: Emerging Photographers Support The People Of Haiti. Each 8 x 10" photograph is part of an edition of 10. Each photograph is $50. 100% of the proceeds will be donated to Doctors Without Borders.
Doctors Without Borders / Medecins Sans Frontieres in Haiti. Patients in desperate need of assistance wait to receive medical treatment outside of an MSF office in Haiti. Photograph Haiti 2010 (c) Julie RemyDOCTORS WITHOUT BORDERS, known in Haiti as Médecins Sans Frontières (MSF), is an international medical humanitarian organization created by doctors and journalists in France in 1971. In 1999, MSF received the Nobel Peace Prize. As of today, thousands of patients have been treated so far at several Doctors Without Borders locations in Haiti.
1.19.2010
1.17.2010
FRANCESCO CLEMENTE: Vintage Interview
An Interview With Francesco Clemente. Front Cover Photograph (c) Richard Avedon /All Rights Reserved. "She and She" Back Cover Painting (c) Francesco Clemente /All Rights Reserved.
Sky and Water, Watercolour on paper
Painting by Francesco Clemente /All Rights Reserved
The following quotes by artist Francesco Clemente were excerpted from An Interview With Francesco Clemente by Rainer Crone and Georgia Marsh, published under the imprint "Elizabeth Avedon Editions | Vintage Contemporary Artists | Random House:" (Here)
"Paintings are simple things. They are important not so much for what is in them as for what is not there. When we talk of the Renaissance we talk of something fragile; the surprise is that at a certain point, after a thousand years of Christianity, Renaissance artists looked at their bodies again, and looked at their faces, and looked at the world as a sensual place. This feeling of surprise happens again in Tiepolo's skies, and even down to de Chirico's earliest painting. If we talk of Piero della Francesca, what comes to mind is the light. There are two lineages of light in painting. One is a secular light: from Caravaggio to de Kooning. The light is outside; it comes down on things, and makes them what they are. But if we talk of Piero, or talk of Roman paintings, or of the Pompeian paintings, we talk of a light that comes from within and that has nothing to do with the history of man. It is a light that is before the history of man. Giotto is unique because you don't know exactly which way the light goes: his is already a completely secular point of view, but still the light is treated as an inner flow. There is really no one else like him; that degree of mystery is nowhere else. We have to talk in terms of light, because if we talk in terms of formalities, what can we get out of it?"
"It could be a step forward to realize that the rational picture of the world is also an imagination; it has the same reality as a myth. It is the product of the mind; it is not more substantial than the mind. When we talk about mythology we are talking about questions of history, of rational thought and rationalized memory of our past. History is the most tragic product of the rational mind–a picture from which there is no way to escape. The picture of the world that history gives us is the picture of a dead person who looks over his own life. It is as if we are all dead, and we are looking at the world in a glass case. How can we get away from this? I have no answer for it."
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"...about the publication of your book of poems, Castelli di Sabbia. (Naples: L’Arte Tipografica, 1964) "I had been reciting it to my mother since I was five or six, and it was published against my better judgment. It was enormously embarrassing, and it made me into a painter, actually, because I decided that to be a poet was too embarrassing; it was too revealing, and I wanted something more obscure to deal with. I thought of painting that way. That was when I was eleven or twelve years old."
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