8.23.2012

JOHN DELANEY: Hoboken Passing

from the series Hoboken Passing
Photograph (c) John Delaney

from the series Hoboken Passing
Photograph (c) John Delaney

from the series Hoboken Passing
Photograph (c) John Delaney

from the series Hoboken Passing
Photograph (c) John Delaney

"My love of photography began when I discovered Irving Penn's Worlds in a Small Room. Penn's work, as well that of Bruce Davidson, sparked my creative imagination. I attended Rochester Institute of Technology where I was taught the science and history of photography. But my real education began at the Richard Avedon Studio. I started as his studio assistant then eventually became his master printer. For 15 years I observed his passion, intelligence and meticulous craftsmanship.

That relationship opened the door to working with my original heroes, Irving Penn and Bruce Davidson. Each of these masters informs and inspires my work. Mr. Penn for his wide range and love for the exquisite print; Davidson for the way he immerses himself in his subject, instilling trust; and Avedon with his intense preparation and skillful cajoling, getting behind the "masks" of his subjects."
–John Delaney

Hoboken Passing
A Limited Edition Portfolio

Hoboken Passing
A Portfolio of eighteen pigment ink prints printed in a limited edition of twenty-five with two artist’s and two printer’s proofs. The prints were produced with archival pigment inks printed on Canson Plantine Fiber Rag.

+ + +

"Hoboken Passing explores the survivors of a neighborhood in transition. Through the eyes of the old establishment family business owners and workers, I aim to better understand what defines a neighborhoods identity or uniqueness.

With these portraits I aim to reflect and celebrate a community's distinct character. Hoboken, New Jersey charmed me when I first moved here in the winter of 2007. Sitting in the shadow of Manhattan, Hoboken is only a mile square and has a long and proud history. I grew particularly fond of the old Mom & Pop shops that I encountered. Many of these establishments have existed for generations and within their walls I found a quiet contemplation of a cherished history.

Hoboken’s older family businesses are succumbing to the changing economy and are closing their doors. They are inevitably being replaced by the ever ubiquitous national chain store.

As an portrait artist, my method of working consists of walking the streets, camera in hand, and visiting. Conversation and quiet observation are the foundation of my creative process. Respect and mutual trust between myself and the subject are vital for this series. It was important that the personality of the subject directed the sitting and that the subject and environment combined to tell the story together.

A recurring theme of my photography is the effort to record what is vanishing from our collective memory - a way of living, a tradition, or trade. I try to capture the fleeting present so that we can honor that which is deeply rooted in our past." –John Delaney



8.13.2012

MAGDALENA SOLÉ: Mississippi Delta Workshop

June Rhodes at the Hot Spot, Jonestown
from New Delta Rising (University of Mississippi Press)
Photograph (c) Magdalena Solé/All Rights Reserved

Amber Thomas at Messenger's Pool Hall, Clarksdale
from New Delta Rising (University of Mississippi Press)
Photograph (c) Magdalena Solé/All Rights Reserved

Dog Waking Up, Coahoma
from New Delta Rising (University of Mississippi Press)
Photograph (c) Magdalena Solé/All Rights Reserved

Wall Street Journal 2.11.2012
“Ms. Solé’s lushly colorful and formally striking images are restless. The people of Clarksdale are lively and in motion, con-trasting sharply with their crumbling surroundings. The colors Ms. Solé finds everywhere in Clarksdale—the bright green walls of the Wangz and Thangz restaurant, the deep blue backgrounds of Messenger’s Pool Hall, the red spotlight on the stage at Red’s Lounge—are visual metaphors for the culture and history that remain vivid even beneath the cracking surface. Like Clarksdale’s soundtrack, they electrify. “

A Master Class for Photographers
With
Magdalena Solé
October 17 - 24 / Mississippi Delta
Seven Chimneys Farm in Stovall, MS

"Workshop Description: For amateurs and professionals alike, Magdalena Solé's Workshop begins with reviews of each photographer’s work. We will explore a series of topics: including the process of photographing spontaneously and intuitively; how to photograph in cultures other than one’s own; how to edit photographs so they reveal a story. It is a Workshop that will emphasize the development of a unique, personal way of seeing and the development of an intuitive way of editing your photographs. We will also discuss with participants how to take their work to the next level. Participants should be prepared to bring twenty prints to class. The workshop will be held at beautiful Seven Chimneys Farm in Stovall, MS." About The Workshop Here


8.04.2012

IMAGE 12: Professional Winners Gallery

Professional Category | First Place
Photograph (c) Cathrin Schulz

Cathrin Schulz


Professional Category | Second Place
Judges Choice: Selected by Jody Quon, NY Magazine
Photograph (c) Anthony Wood

Anthony Wood

Professional Category | Third Place
Photograph (c) Hye-Ryoung Min

Hye-Ryoung Min

Professional Category | Honorable Mention
Judges Choice: Selected by Holly Stuart Hughes, PDN
Photograph (c) Bernie DeChant

Bernie DeChant

ASMPNY IMAGE 12
VIEW ALL OF THE GALLERY OF WINNERS HERE

MARIA TERESA FISCHER: IMAGE 12 Photo Competition (Student) First + Second Place

Student Category | First Place
Photograph (c) Maria Teresa Fischer

Student Category | Second Place
Photograph (c) Maria Teresa Fischer

Student Category | Judges Choice Selected by
Holly Stuart Hughes, PDN and Hosanna Marshall, Saatchi & Saatchi
Photograph (c) Maria Teresa Fischer

Student Category | Honorable Mention
Photograph (c) Maria Teresa Fischer

In the IMAGE 12 Photography Competition, Student Category, Maria Teresa Fischer was awarded both First and Second Place Prizes, and selected as Judges Choice by both Holly Stuart Hughes, Editor, Photo District News and PDNonline, and Hosanna Marshall, Art Buyer/Creative Producer, Saatchi & Saatchi NY.

"My mother’s mother died in a very unexpected way...My mother kept some of her belongings and through them memories were passed on and stories told. In this series of domestic landscapes, I explore people’s personal space and memories, focusing on objects as containers full of meaning."

Fischer, born and raised in Chile, received her Masters of Professional Studies in Digital Photography from The School of Visual Arts. She currently works as a freelance photographer in NYC. Preview Fischer's Book, And The Space Around



8.01.2012

CHRISTOPHER BORROK: ASMPNY IMAGE 12 Judges Choice Selected by Jody Quon


Sons Head | Student Category, Honorable Mention
Photograph (c) Christopher Borrok

Christopher Borrok's image Sons Head, from his current project Glimpse, was awarded Honorable Mention and selected by Jody Quon, Photography Director at New York Magazine, as Judges Choice in ASMP-NY's IMAGE 12 Competition.

Borrok is a "fine artist and photographer living in Brooklyn NY. Born in NYC, raised in Florida, Borrok was trained as an Architect at the University of Florida. In 2012 he received his Masters of Professional Studies in Digital Photography from The School of Visual Arts, where he received The Paula Rhodes Memorial Award, highest honors, in recognition of exceptional work amongst Masterʼs candidates. His career started in the early 90ʼs as sculptor amongst the thriving art community and social scene of the Lower East side and Williamsburg."



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Glimpse. Desire for a presence.
Photographs by Christopher Borrok
First edition, 2012


preview and purchase

Glimpse. Desire for a presence.
--
Glimpse is a meditation on the fragmentary nature of presence and the collision between external reality and the internal space of memory, daydreams, and the subconscious. The mundane, rote engagement, daily landscapes and moments of seemingly little import provide a vacancy and spaciousness allowing for psychological drifts into a presence of greater resonance. This body of work illuminates and in turn embraces these interstitial moments that make up the majority of ones life.

Glimpse considers how to describe this obfuscated reality. The images serve as keepsakes of a desire for presence within the poignant normalcy of life's in-betweens. Glimpse will be on exhibition in “un/common skin” curated by Michael Foley in Fall of 2012 at the SVA Gallery in New York City.



borrok.com

All Photographs (c) Christopher Borrok

SEAN PERRY: IMAGE 12 My Judges Choice



from the series fotopolis
| Professional Category, Judges Choice
Photograph
(c) Sean Perry


Sean Perry's image, from his project fotopolis, was chosen by Elizabeth Avedon, Independent Curator and writer for Le Journal de la Photographie, as Judges Choice in ASMP-NY's IMAGE 12 Competition.

IMAGE 12 2012
VIEW THE GALLERY OF WINNERS HERE

seanperry.com

7.31.2012

NICHOLAS VREELAND: A Monk's Journal Tuscany + India Enthronement

Khyongla Rato Rinpoche in Tuscany
Photograph (c) Nicholas Vreeland

In June, Khyongla Rato Rinpoche and Photographer + Buddhist Monk, Nicholas Vreeland, were visiting friends in Tuscany before heading to Milan where they attended Teachings from HH the Dalai Lama. Rinpoche then headed back to America and Vreeland proceeded to India to assume his new position as Abbott of Rato Monastery.

Early morning, Nicholas being led to the Abbot's quarters
Rato Monastery, Karnataka, India, July 2, 2012

Khen Rinpoche Nicholas Vreeland
Enthronement Ceremony, July 2, 2012
Rato Monastery, Karnataka, India

"The Dalai Lama has given Nicholas Vreeland, Director of The Tibet Center in New York, a daunting new assignment. On July 2, Vreeland will be enthroned as the new abbot of Rato Monastery in southern India, one of the most important monasteries in Tibetan Buddhism. He will be the first Westerner to hold such a position. In making the appointment, the Dalai Lama told Vreeland, “Your special duty (is) to bridge Tibetan tradition and (the) Western world.”

"For many observers, the choice of an American for the role may be a surprising one, and perhaps even more surprising given the background of this particular American. Vreeland had a privileged upbringing — the son of a U.S. diplomat and the grandson of Diana Vreeland, the legendary editor of Vogue magazine during the 1960s. When he first encountered Tibetan Buddhism in his 20s, he was working as a photographer in some of the industry’s top studios." (Read full story here)

"...was educated in Europe, North Africa and the United States. He later pursued a career in photography and in the late ‘60s and early ‘70s worked as an assistant to Irving Penn and Richard Avedon. Vreeland was introduced to his teacher, Khyongla Rato Rinpoche and The Tibet Center in New York by John and Elizabeth Avedon. After many years of study, he went to India to become a monk in 1985 and was awarded a Geshe Degree (Doctorate of Divinity) in 1998." (Read the full story here)

"The first solo exhibition of Vreeland’s work, Return to the Roof of the World, was held at the Leica Gallery in New York from April 22nd to June 4th of 2011. Just this July, Vreeland was appointed Abbot of Rato Dratsang by the Dalai Lama. He’s the first Westerner appointed Abbot of a Tibetan Buddhist Monastery with the task to help bridge East and West." And we wish him well! (Read the full story here)

Le Journal de la Photographie: Nicholas Vreeland

August Update: Vreeland with Rato Monastery's new vehicle.

7.27.2012

ARLES REPORT: Pentti Sammallahti Retrospective

Photographs © Pentti Sammallahti
Click Images to Enlarge


Pentti Sammallahti Retrospective

Photographs © Pentti Sammallahti

Martinmere, England, 1996
Photographs © Pentti Sammallahti

Pentti Sammallahti Retrospective

Pentti Sammallahti Retrospective


"Pentti Sammallahti's work is a kind of space odyssey. From his viewpoint Earth is no higher than a man or bird, it's white as snow and just as pure. It is oddly peopled with familiar animals who make their way through the solitude of a place as yet undefined. It's a site unfinished to the extent that it's panoramic views frame no space; instead suggest a lateral continuity, a slipping toward somewhere else whether it be a place of ice or mist. Pentti Sammallahti is Finnish, a man of the North. Unable to tolerate either sun or heat, he is perfect connivance with a natural world in which he takes the role of fascinated predator, and whose austerity he sublimates in his work."


PENNTI SAMMALLAHTI RETROSPECTIVE
Exhibition presented by The Mejan Association

Les Recontres Arles Photography
Magasin Electrique
to September 23

"Avec l'aimable autoristion de sepis EYE, New York, de Photo Gallery International, Tokyo and the Pictura, Bloomington Gallery, Indiana. Mounting on canvas by Plasticollage."

The entrance has the only sign for the Pentti Sammallahti Retrospective, after you enter you are on your own trying to find where it's located.

Building #5
The Pentti Sammallahti Retrospective was located in the farthest building from the entrance in this large Industrial Park. No one at the Information desk had heard of this exhibit

Photo-Eye Gallery's Vicki Bohannon introduced me to the work of Finnish Photographer Pentti Sammallahti. Because she passed on her love of Sammallahti's images and exquisite toned silver gelatin prints, I went on a hunt for this exhibition in Arles. It shouldn't have been hard to find, however the persons at the Les Recontres Arles Photography Festival Information desk were impatient explaining where it was located, although there was no reason to be unhelpful - the office was empty, no lines, no crowds, no one else but us. We had to go back and ask a second time as no one could tell us the location they gave us. Second time, just as unhelpful, finally just having a taxi take us. Once at the location, a large industrial park, no one at their Information desk had heard of Pentti Sammallahti and couldn't tell us if there was a show of his work there or not. After we finally saw his name listed somewhere on our own, no one seemed to know which of the five buildings his work was in. After trekking to the farthest-out building, there was an entrance with his name on it, but once inside there was no indication how to find his work which turned out to be up only one of the three different staircases on the 2nd floor. This was one of the most beautiful exhibitions as a whole. Worth searching for and spending time in.


7.26.2012

ARLES REPORT: François Burgun's "Good Luck" at Hotel de L'Amphitheatre

Photograph © François Burgun

Photograph © François Burgun

Photograph © François Burgun

"An old machine of the 1930's lost in an amusement park. In 32 characters, you register a wish on a coin to remember...The enlargement of a corrupted coin laughs at our hopes, always vain." –François Cheval, Director, Musée Nicéphore Niépce

Series: Good Luck / Salem Massachusetts, USA
on display at Hôtel de l’Amphithéâtre, Arles

François Burgun Exposition, Hôtel de l’Amphithéâtre, Arles
(
listed as many Photo Curators favorite Hotel here)

Look for signs around Arles to Burgun's Exposition

A few blocks from the Roman amphitheatre, Arènes d'Arles (dating back to 90 AD and seating over 20,000 spectators for chariot races and gladiator battles) is the beautiful Hôtel de l’Amphithéâtre which participates annually in the summer Photography Festival, The Rencontres d'Arles.

L’Amphithéâtre is currently exhibiting Photographer François Burgun's series, Good Luck / Salem Massachusetts USA until September 23. Burgun, from the east of France, received his Masters from The Académie des Beaux-Arts after attending the National High School of Photography in Arles where he graduated with honors in 2003. This year, Burgun began as "résidence d'artiste" with the Musée Nicephore Niepce, to work and prepare his exhibitions with curator Francois Cheval.

"I often went to the USA because I'm crazy about the culture which is so different from mine. I decided to go to the witches place (Salem, Massachusetts) to find the famous Salem Willows Park . Everything there was very cool. I found this old wooden machine which creates good memories in medal coins. I thought about all the people who had written something before ... and what is their life
now? The Good Luck was so ironic that I decided to write about real life and if you survived it would be really Good Luck!"–François Burgun

Burgun's next exhibition, Narratives and Narrative Forms, will be in the
Lianzhou International Photo Festival, November 2012.

François Burgun
Good Luck / Salem Massachusetts USA
Exhibition to September 23, 2012
Hôtel de l’Amphithéâtre, Arles

...more on Arles here and here

[Les Arènes is a painting by Vincent van Gogh, Arles, Fall, 1888]

7.23.2012

ARLES REPORT: Josef Koudelka "Gypsies" Book Dummies

Roumanie (Romania), 1968
Photograph © Josef Koudelka / Magnum Photos
Click Images to Enlarge

Photographs © Josef Koudelka / Magnum Photos

Les Recontres Arles Photography
Josef Koudelka Exhibition, Arles, France

Les Recontres Arles Photography
Koudelka's exceptional photographs exhibited for the first time together


GYPSIES

"In 1975, the first edition of Josef Koudelka's photographs by Robert Delpire in a book that became a myth and was never published again. In 2011, Josef Koudelka exhumed a former dummy of the same book and decided to re-publish it with a larger amount of photographs."

The Koudelka exhibition's exceptional photographs, exhibited for the first time together, tells through published documents the story of those two books published with a 36 year gap."


"Dummy identical to the book published in 2011, which will be published in this small format in autumn 2013."


"Czech Dummy (Please don't lose it again)"

Letter from Elliott Erwitt reporting to Josef Koudelka on the loss of the "Gypsie" dummy.



"In 1975, the first edition of Josef Koudelka's photographs by Robert Delpire in a book that became a myth and was never published again."

The Koudelka exhibition's exceptional photographs, exhibited for the first time together, tells through published documents the story of those two books published with a 36 year gap."

Les Recontres Arles Photography
Josef Koudelka Exhibition to September 23

Exhibition produced with the collaboration of Magnum Photos. Prints by Vojin Mitrovic, Georges Fevre, Picto. Framing partly by Circad, Paris.

...more on Arles here and here