Showing posts with label Libya. Show all posts
Showing posts with label Libya. Show all posts

12.30.2016

2016 BEST PHOTOGRAPHY BOOKS and HONORABLE MENTIONS : PART II



By Mark Speltz, with a Preface by Deborah Willis
Publisher: Getty Publications / J. Paul Getty Museum

"For this powerful and compelling book, North of Dixie: Civil Rights Photography Beyond the South, author and historian Mark Speltz shines a light over the most iconic photographs from the history of the civil rights movement. He carefully selected one hundred photographs, some never-before-seen or published, taken between 1938 and 1975 in more than twenty-five cities in the Northeast, Midwest and West by photojournalists, artists, and activists that include Bob Adelman, Ruth-Marion Baruch, Charles Brittin, Diana Davies, Jack Delano, Leonard Freed, Don Hogan Charles, Gordon Parks, Art Shay, Morgan and Marvin Smith, and Maria Varela. Together these photographs offer a broader, more complex view of the American civil rights movement than is usually presented by the media. "Hardcover, 160 pages, 100 b/w images.

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The Swiss. Photographs by Christian Nilson

  (c) Christian Nilson

Publisher: Scheidegger + Spiess

I met Zurich based photographer, Christian Nilson, at the Landskrona FotoFestival Portfolio Reviews and was amused by his view of Swiss life, now in a signed and numbered Limited Edition, wrapped in cheese paper, with a signed A5 print. "Affectionately, and without ever being patronizing, the Swedish photographer Christian Nilson captures a country in his pictures that oscillates between openness and reticence, between tradition and progress—a country that has been his beloved chosen home for many years: Switzerland.” First Edition, published by Scheidegger + Spiess: 1000 copies including 100 Limited Edition copies, 96 pages, 67 colour plates. U.S. publication by the University of Chicago Press in February 2017.

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(c) Harold Feinstein 


SAYING YES – Harold Feinstein
Publisher: Christopher Rauschenberg/Blue Sky Books

"No matter the context, with his camera or in a classroom, Harold Feinstein believed in the power of photography to reveal the human condition. All you need to do is look at the photographs in this volume to know he was constantly searching to connect with the world around him, to share the beauty he experienced in the everyday and to open the eyes and hearts of his fellow travelers – to be more appreciative of the world around them." – Sean Corcoran, Curator of prints and photography, Museum for the City of New York. "Saying Yes" sequenced by Christopher Rauschenberg, 130 pages. Blue Sky Books
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Libyan Sugar.  Michael Christopher Brown
Publisher: Twin Palms Publishers

"Centered around the 2011 Libyan Revolution, Libyan Sugar is a road trip through a war zone, detailed through photographs, journal entries, and written communication with family and colleagues. A record of Michael Christopher Brown’s life both inside and outside Libya during that year, the book is about a young man going to war for the first time and the desire to get as close as possible to a conflict in order to discover something about war and something about himself." Casebound, 412 pages, 280 4-color plates. Twin Palms

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By Paula Bronstein
Publisher: University of Texas Press

"What sets Paula Bronstein's photographs apart from many of her peers is her choice to spend most of her time with the Afghan people. Her work goes beyond war coverage to reveal the full complexity of daily life in what may be the most reported on, yet least understood country in the world. The result is an intimate photographic portrait of this war-torn country's people." With a Foreword by Kim Barker and Introduction by Christina Lamb, 228 pages, 114 color photographs.

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Unspeaking Likeness.  Arne Svenson
Publisher: Twin Palms Publishers

"Unspeaking Likeness is a series of images of forensic facial reconstruction sculptures. Occasionally, when investigators call for it, shortly after an unidentified corpse (or part thereof ) is found, a forensic artists constructs an artificial face made of clay or plaster to better aid in victim identification.” Casebound, 108 pages, 49 duotone plates. Twin Palms

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 RICHARD BRAM  NEW YORK
Publisher: Peanut Press

"Richard Bram's “NEW YORK” reflects his attention to the energy and people of the city. Richard is attuned to the small gestures that pass in an instant before his eye as he goes about the city." 1000 copies printed in three editions. Find out more here: Peanut Press 

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 (c) Simon Johansson


I met photographer Simon Johansson at the Landskrona FotoFestival Portfolio Reviews and viewed this terrific series now in a handsome linen hardcover book with a tipped in photo on the cover. “The sound of the Öland Bridge expansion joints against the tires. The first years, when the bridge was new, islanders would come out in droves along the road to look at the invasion of the mainlanders. They don’t anymore. Apart from that most things have kept the same, time runs slower here. I see friendship, happiness, love, a breakup and a sorrow. There is so much ugliness here. So much beauty.”—Simon Johansson. Black/white photographs.

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Portraits by Linda Hansen
Publisher: Fotografisk Center

I met Copenhagen based photographer, Linda Hansen, this past summer at the Landskrona Fotofestival Portfolio Reviews. Her series, Naevus Flames,  breaks with established visual standards. Naves Flames, or port-wine stain, is a congenital vascular malformation, and as such it is almost invariably present at birth. “Her book brings together her photographs, representing a group of courageous people who are part of a community where 0.3% is the new norm, proud they show their unique brands forward.” Available : fotografiskcenter.dk

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August Eriksson is a photographer based in Sweden I met this summer at the Landskrona FotoFestival Portfolio Reviews. In The Walk, sixty-six images follow one after another, all with the same strict composition: the path, seen from the eye level of the walker, disappears into the vanishing point of the image. This is Eriksson’s second book, he first published ’Sacred Waters’ about the Japanese bathing culture. The Walk is “One of the 5 Best Art Books of 2016" (Svenska Dagbladet, Stockholm newspaper). 80 pages, 66 color images. English. Kerber Verlag

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(c) Torsten Schumann

Fotografien von Torsten Schumann
Publisher: Peperoni Books

I met Berlin based photographer, Torsten Schumann, at the Landskrona FotoFestival Portfolio Reviews this past summer and was amused by his eye for the absurd in his series, More Cars, Clothes and Cabbages. "The ludicrous story about a black dot and a passport control that starts the book already says a lot about Torsten Schumann and his view of the world. His images even say more. Namely, that life in the so called civilized world is full of curiosities. Schumann photographs on the street, nothing special actually. And yet we see in his book the sinking of the Titanic, a woman who disappears under a magic hat, a sausage, which mutates to a ventilation tube, a designer furniture made of foam and bottom panels and a bikeway turning into a rushing river.” Hardcover: 96 pages, English, German
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(c) Heather Evans Smith 


Seen Not Heard  Heather Evans Smith
Publisher: Flash Power Projects

"Seen Not Heard takes its title from the Old English adage "To Be Seen and Not Heard", a term often thrown about in reference to the desired behavior of children. These images are silent, but they create a voluble visual narrative on the relationship between parent and child. They explore the cycles that are passed down through generations and the tension between keeping to what is known and forging a newer, and perhaps stronger, path. As strong as the close, forever bond between mother and daughter is, there also exists a distance inherent between two different individuals." Hard cover, 80 pages, 31 color images. Edition of 500.

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Frank Hamrick Tintypes

"Harder Than Writing A Good Haiku was an analogy I spoke of while guiding my senior photography students as they struggled to edit their BFA portfolios to a slim number of prints that would fit into their allotted wall space while at the same time still conveying their original concepts." A limited edition artists’ book featuring seventeen tintypes created during the summer of 2016 in the hills around Whites Creek, Tennessee." –Frank Hamrick

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Lissa Rivera. Motel from Beautiful Boy Series
The Peter Urban Legacy Award


22nd Annual Juried Peter Urban Legacy
Exhibition Catalog

"I was honored to be invited to jury the 2016 Griffin Museum of Photography’s 22nd Annual Peter Urban Legacy Exhibition. With this call to entry, no boundaries were set, no requests were made to follow any particular theme, medium, style or schools of thought to participate. Traditional, contemporary, experimental and mixed-techniques were welcome and encouraged. I believe the unspoken commonality was our shared love of the medium and magic of the photographic image.” –Juror, Elizabeth Avedon. Exhibition catalog with the over 60 selected images. Griffin Museum  catalog

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11.16.2016

NARCISO CONTRERAS "Libya: A Human Marketplace" Fondation Carmignac | SKIRA

Narciso Contreras "Libya : A Human Marketplace"
Publishers Fondation Carmignac | Editions SKIRA

(click on images to enlarge)

Narciso Contreras  Sabha, March 2016
The corpses of illegal sub-Saharan migrants lie in the morgue of Sabha City, after having been collected from the streets and the desert during previous days.

Narciso Contreras  Zawiyah, May 2016
A group of sub-Saharan illegal migrants and refugees is crowded into one section of the Zawiyah detention center, a warehouse-like facility holding as many as two thousand detainees at any time, making it the largest of it's type on Libyan soil. The center serves as a distribution facility in the human trafficking supply chain, and from here inmates are resold to other militias on the west coast of Libya.

Narciso Contreras  Tajoura, May 2016
Sub-Saharan illegal migrants and refugees on the Tajoura shore after having been arrested in the Mediterranean Sea by the Libyan coastguard. 

Narciso Contreras  Surman, June 2016
Illegal female migrants queue in the prison yard as they are loaded on to buses to be transferred to another detention center, after having been sold by the militia group ruling the Surman detention center in the west of Libya.

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I just received a powerful new monograph from the Fondation Carmignac on the theme of Libya by Mexican photographer, Narciso Contreras, the 7th Laureate of the Carmignac Photojournalism Award. It is an elegantly designed and produced book co-published by Fondation Carmignac with Editions Skira, Paris and printed in Belgium. The overall book, beautifully typeset on magnificent paper, belies the dangerous situations Contreras put himself in to bring us this ongoing chronicle documenting the brutal reality of human trafficking as he traveled through the complex tribal society of post-Gaddafi Libya from February to June 2016.

"Contreras lays bare an unfolding humanitarian crisis in which illegal migrants, refugees and asylum seekers are at the mercy of militias who exploit them for financial gain. Held in detention centres for illegal migrants, they are subjected to inhumane conditions. He weaves a compelling narrative to show how, instead of being a place of transit for migrants on their way to Europe, Libya has actually become a trafficking market where people are bought and sold on a daily basis. He provides us with a glimpse of the complex and horrifying context migrants are faced with."

 Narciso Contreras,
7th Laureate of the Carmignac Photojournalism Award
"Libya: A Human Marketplace"
Texts by Narciso Contreras and Ela Stapley
Hard Cover, 102 pages, English+French
ISBN 978-2-37074-043-4

Production: Fondation Carmignac, Direction: Gaia Donzet, Carmignac Photojournalism Award Gestion, Direction: Emeric Glayse, Communications manager: Valentine Dolla, Photo Editors: Patrick Baz, Narciso Contreras, Text: Ela Stapley, Photography & Investigation: Narciso Contreras, Publisher: EDITIONS SKIRA, Senior Editor: Nathalie Prat-Couadau, Editorial Coordination: María Laura Ribadeneira

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In 2009, the Fondation Carmignac launched the Carmignac Photojournalism Award with the aim to support, each year, a photojournalist in undertaking a photographic and investigative assignment exploring a theme or an area of the world at the centre of geostrategic conflicts. Selected by an international jury, the Laureate receives 50,000 EUR that enable him/her to spend time into the field, as well as a fully-financed monograph and a touring exhibition of the project.

Created in 2000 by Edouard Carmignac and directed by Gaïa Donzet, the Fondation Carmignac has three strands: the corporate collection comprising nearly 250 contemporary works of art, the annual Carmignac Photojournalism Award led by Emeric Glayse, and the Foundation's project to open an exhibition space and a sculpture park to the public on the preserved site of Porquerolles (Var). Edouard Carmignac’s desire to share his passion for contemporary art, promote freedom of expression and increase awareness of contemporary world issues led him to the creation of this Foundation.

Upcoming Carmignac Photojournalism Award exhibition: Saatchi Gallery, London, May 16–June 16, 2017

10.18.2016

NARCISO CONTRERAS : 7th edition Carmignac Photojournalism Award 2016

Garabuli Detention Centre © Narciso Contreras
for the Fondation Carmignac

EXHIBITION
 
Libya : A Human Marketplace
25 October - 13 November 2016
Hôtel de l’Industrie
4 place Saint-Germain-des-Près -75006 Paris
Monday to Sunday from 11am to 7pm
Special Openings to 10PM:
28 October, 4 November and 11 November 2016
Free admission

In the heart of post-Gaddafi Libya, Contreras lays bare an unfolding humanitarian crisis in which illegal migrants, refugees and asylum seekers are at the mercy of militias who exploit them for financial gain.  Held in detention centres for illegal migrants, they are subjected to inhumane conditions including overcrowding, lack of sanitation and vicious beatings..

Contreras tells how he grappled with complex and at times surreal bureaucracy and logistics, picking his way through areas torn apart by sectarian violence in order to visit detention centre after detention centre.  Frustrated by the government´s unwillingness to grant him access, Contreras was forced to circumnavigate the official channels and cultivate his own contact with people smugglers and tribespeople, which enabled him to understand the reality of trafficking in Libya.

Throughout this report, Contreras weaves a compelling narrative to show how, instead of being a place of transit for migrants on their way to Europe, Libya has actually become a trafficking market where people are bought and sold on a daily basis.

With this report, Narciso Contreras provides us with a glimpse of the complex and horrifying context anonymous migrants face.

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As part of the 2016 Visa pour l’Image Festival in Perpignan, Fondation Carmignac has announced the 7th edition of the Carmignac Photojournalism Award has been awarded to Mexican photojournalist Narciso Contreras.

Contreras is an award winning documentary photographer born in Mexico City in 1975. Since 2010 he has been covering a variety of issues and topics in Southern Asia and the Middle East, leading him to focus his work on the humanitarian cost of conflicts, economics and wars. His work intends to contribute building our visual memory of the world he testifies.

His studies in philosophy, photography and visual anthropology led him to live and study in a monastery in India while photographing religious communities. Since then, Narciso has photographed under reported issues like the ethnic war in Myanmar and the forgotten war in Yemen as well as some of the major current events like the political upheavals in Istanbul, the conflict in Gaza, the military coup in Egypt, the war in Syria and the tribal conflict in Libya.

Narciso’s work in Syria was awarded with one of the Pulitzer Prizes in 2013, and got recognition in Pictures of the Year International. He has contributed to magazines and media outlets around the globe like TIME magazine, The Guardian, The New York Times, Paris Match, RT TV, MSNBC News, AP Associated Press, Los Angeles Times, Foreign Policy, Der Spiegel, Newsweek, Al Jazeera, The Daily Beast, National Geographic, The Sunday Times magazine, The Telegraph, The Washington Post, CNN, Wall Street Journal, L’Espresso, Expressen, Knack, dS Standaard, Wirtschafts Woche, among others. He also has contributed for non-governmental organizations like MSF (Doctors Without Borders).

He is currently photographing the migrant’s crisis in North Africa as part of a long-term project of documentation based on the worldwide conceived phenomenon of a “massive human displacement”.

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Fondation Carmignac announced the 7th edition of the Carmignac Photojournalism Award has been awarded to Mexican photojournalist Narciso Contreras.

JURY

Brett Rogers, Director of The Photographers’ Gallery (London) ; Patrick Baz, Photojournalist and Founder of the Photo Desk for the Middle East and North Africa at Agence France Presse ; Reza, Photojournalist ; Janine di Giovanni, Editor-in-chief for the Middle East, Newsweek ; Thierry Grillet, Chief Curator of Bibliothèque nationale de France (BNF) ; Mikko Takkunen, Photo Editor at the New York Times ; Christophe Gin, Laureate of the 6th Carmignac photojournalism Award