TODD HIDO : Bright Black World | Nazraeli Press

Bright Black World  |  TODD HIDO

Cover image: 1798-4172 from the series Bright Black World

click on image to enlarge

#11599-5811 from the series Bright Black World

Photograph © 2018 Todd Hido

 #11389-3087 from the series Bright Black World

 Photograph © 2018 Todd Hido

#11797-3252 from the series Bright Black World

 Photograph © 2018 Todd Hido

It's been said that Inuits have many words to describe white. As the polar snow caps melt faster than we ever imagined, I wonder how long it will be before we have as many words to describe darkness. 

– Todd Hido

"Todd Hido’s new monograph, Bright Black World. For over two decades, Hido has crafted narratives through loose and mysterious suburban scenes, desolate landscapes, and stylized portraits. He has traversed North America capturing places that feel at once familiar and unknown; welcoming and unsettling. Underscoring the influences of Nordic mythology and specifically the idea of Fimbulwinter, which translates into the ‘endless winter’, many of Hido’s new images allude to and provide form for this notion of an apocalyptic, never-ending winter.

Exploring the dark terrain of the Northern European landscape and regions as far as the North Sea of Japan enchanted Hido, calling him back on several occasions. This newest publication highlights the artist’s first significant foray extensively photographing territory outside of the United States, chronicling a decidedly new psychological geography.

Opening with a (EA: beautiful and moving) text by Alexander Nemerov, Bright Black World comprises 48 plates printed in an oversized format, and featuring two vertical gatefolds and a fold-out poster measuring some 25 x 40 inches. This first printing is limited to 3,000 cloth bound copies.” – Nazraeli Press  
                 

#11857-5754 from the series Bright Black World

 Photograph © 2018 Todd Hido

Pre-Order Here: www.nazraeli.com

Also available as a Special Edition featuring a signed and numbered original photograph, presented with a signed copy of the book in a custom clamshell box. 

#BestPhotoBooks2018

JEFF JACOBSON: The Last Roll + Melting Point

Photograph (c) Jeff Jacobson

Photograph (c) Jeff Jacobson

Shanghai, China, 2002 from the series Melting Point
Photograph (c) Jeff Jacobson

"In his book, Melting Point (Nazraeli Press, 2006), Jeff Jacobson writes of over 20 years observations of what he describes as “a meltdown period, when old norms of politics, religion and even photography are changing…. In working from the paradox of a curious melding of beauty and fear these photographs emerged.” Of Melting Point, Mark Feeney in the Boston Globe writes: “For all his theatricality, Jacobson is as much realist as expressionist. In strictly visual terms, these images are highly arresting. Seen also in technical terms, they become objects of wonder.”

from the series The Last Roll. Photograph (c) Jeff Jacobson

"In 2004, Jeff Jacobson was diagnosed with lymphoma...As Jeff recovered, “my photographic universe expanded to the yard, the street, the river and into Woodstock.” In 2006, Kodak announced it had discontinued the film, Kodachrome, that Jeff had used throughout his career. He purchased and stored as much film as he could. “Coming to the twin realizations that my time on the planet and my supply of film are both finite had a liberating effect on me.” Since then, Jeff has concentrated on what he holds most dear: his family, home and the earth. The Last Roll is a project that is just about complete and will be the content of his next book. Many of the images from this series will be seen for the first time at the Davis Orton Gallery."

Jac0bson's photographs are in the permanent collections of the Whitney Museum of American Art, The San Francisco Museum of Modern Art, The Walker Arts Center, Minneapolis MN, George Eastman House, Rochester NY and the Smithsonian Institute, among others. His work has appeared in The New York Times Magazine, Fortune, Time, Geo, Stern and Life. Jeff Jacobson Photography

Melting Point and The Last Roll

August 5– September 4
Davis Orton Gallery, Hudson NY

ASSAF POCKER: Nazraeli Press

Assaf Pocker: Nazraeli Press / La Lettre de la Photographie

ASSAF POCKER: Scar Tissue

Cosmo
Photograph (c)Assaf Pocker /All Rights Reserved

Gia
Photograph (c)Assaf Pocker /All Rights Reserved

Van
Photograph (c)Assaf Pocker /All Rights Reserved

Van
Photograph (c)Assaf Pocker /All Rights Reserved

Liora (Portrait of the photographer's Mother)
Photograph (c)Assaf Pocker /All Rights Reserved

"Pain recognizes pain"–Assaf Pocker

Assaf Pocker was born in 1958 in Be'er Sheva, Israel. He studied Photography and Art at Jerusalem's Bezalel Academy of Art and Design and worked as a successful photojournalist in Israel throughout the 1980s. After moving to the U.S., Pocker has been working on his series, Scar Tissue, to be published by Nazraeli Press. The subject matter is pain, raw pain, and the images are very intense. You can view them here

"Scar Tissue" Nazraeli Press, Fall 2010
With An Introduction by Renee T. Coulombe, PhD