Showing posts with label New Orleans. Show all posts
Showing posts with label New Orleans. Show all posts

12.13.2016

BEN ARNON: Documents Life at PhotoNola

A classic hat lays next to the pew beside the foot of a 102-year old gentleman at Berean Baptist Church in Philadelphia. Photograph (c) Ben Arnon

"Police Your Racism" - Protestors demonstrate against police brutality at Union Square in New York City in July 2016, days after the back-to-back killings of Alton Sterling and Philando Castille. Photograph (c) Ben Arnon

Several teams of girls await their Irish dance performances backstage in the 8-hand Mid-Atlantic Regional Competition in Philadelphia. Photograph (c) Ben Arnon

A bucking bronco throws tosses a rider and his hat to the ground at the Friday Night Rodeo in Dubois, Wyoming. Photograph (c) Ben Arnon
 
I met Ben Arnon, a New York City-based visual journalist, at PhotoNola 2016 Portfolio Reviews. His work focus's documentary reportage, street portraiture, and the impact of human existence on urban landscapes. He documents the unflinching honesty of people’s lives and is particularly interested in examining themes of socio-economic, racial and class dynamics amongst and within communities of people.

Photographs from Ben’s most recent work, entitled "RIO," are on view throughout New York’s Chelsea Market to December 31, 2016. Photographs from Ben’s “Black Lives Matter” series were exhibited at Davis Orton Gallery from October 8 to November 13, 2016, and were exhibited during the 2016 DNC Convention in Philadelphia at an exhibition called Truth To Power.  

Ben writes frequently for the Huffington Post, offering social commentary on a wide array of topics including visual arts, culture, society, digital media, and politics.    


4.01.2013

DEBORAH LUSTER: Pratt Photography Lecture


WEDNESDAY, APRIL 3, 7PM
Higgins Hall Auditorium
61 St. James Place, Brooklyn

New Orleans-based Photographer Deborah Luster will speak as part of the Pratt Photography Department's 2013 Lecture Series on Wednesday, April 3. The lecture will take place at 7PM in Higgins Hall Auditorium, 61 St. James Place, Brooklyn, and is free and open to the public.

The theme of violence remains front and center in Luster's photographs, revolving around the murder of her mother in 1988. She is most famous for her series One Big Self: Prisoners of Louisiana; Tooth for an Eye: a Chorography of Violence in Orleans Parish; and Prison Culture. Her work is included in the permanent collections of the Whitney Museum of American Art, the San Francisco Museum of Modern Art, the Los Angeles County Museum of Art, and others.


12.26.2010

DEBORAH LUSTER: Tooth For An Eye








Photographs (c) Deborah Luster/Courtesy of Twin Palms Publishers

DEBORAH LUSTER
Tooth For An Eye: A Chorography of Violence in Orleans Parish

Jan 6 – Feb 5, 2011
JACK SHAINMAN GALLERY
513 West 20th Street, NYC

The New Yorker
Murder In The Round by Vince Aletti

"The city of New Orleans is a topographical/ architectural/material/cultural phenomenon with a diverse population participating in raucously colorful and fascinating pursuits and rituals. Homicide is a cultural fact of the life in the city as well. In Tooth for an Eye: A Chorography of Violence in Orleans Parish (Twin Palms, 2010), Deborah Luster explores the city in a new way, creating a compelling portrait in the form of a photographic archive of contemporary and historic homicide sites. Following on from her first book, One Big Self: Prisoners of Louisiana (Twin Palms, 2003), Tooth for an Eye explores the themes of loss and remembrance in a series of tondo photographs that offer an opportunity for the viewer to enter deeper into the idea of the city, a place where life and death coexist, neither free of the other/s influence."–Twin Palms Publishers

NPR Interview: After Deborah Luster's mother was murdered, Luster turned to photographing prisoners...read more here

Large scale fine-art photographic printing for the exhibition created by Griffin Editions


7.26.2010

NEW ORLEANS: Ancestors and Descendants

Antelope Priests Shaking Rattles, 1901
Hand-colored glass lantern slide by Sumner W. Matteson
Middle American Research Institute/Tulane University

George Hubbard Pepper slide from around 1899
Middle American Research Institute/Tulane University

Portrait of Hopi Maiden with Hair Whorls, 1901
Hand-colored glass lantern slide by Sumner W. Matteson
Middle American Research Institute/Tulane University

Leisure Time at George Pepper's Tent
Hand-colored glass lantern slide
Middle American Research Institute/
Tulane University

"Ancestors and Descendants: Ancient Southwestern America at the Dawn of the 20th Century." Photography, Artifacts, and Archival Research from the George Hubbard Pepper Native American Archive.

The New Orleans Museum of Art (NOMA) unveiled a little-known Native American archive this past week.
Ancestors and Descendants presents a rare opportunity to see a collection that was put together over one hundred years ago by George H. Pepper, a museum ethnologist and early collector and scholar of Native American art. The exhibition, curated by Paul J. Tarver NOMA’s Curator of Pre-Columbian and Native American Art and co-curated by Cristin J. Nunez, includes 140 photographs and 150 objects from Pepper's personal collection. Pepper used textiles, pottery, baskets and other Pueblo and Navajo objects in his lectures. Many of these objects have never been seen by the general public since 1924. "Even in his lifetime, Pepper could only display a handful of objects with a few dozen images he projected through a magic lantern," said Tarver, "This is the first time the breadth of the archive has been researched and displayed."

"In the New Orleans show, An entire gallery is devoted to his relics of snake dances, the Hopis’ prayers for rain. The museum catalog ($24.95) quotes his unpublished eyewitness accounts, which turned up in the Tulane paperwork. Hopi tribesmen would collect a hundred snakes at a time, and then priests would emit a “weird droning” over the “writhing twisting forms of the reptiles,” Pepper wrote. Priests used their teeth to carry the snakes and waved around feathers to distract them. “Snake maidens” showered cornmeal on the reptiles, which were then released “in the sacred earth-mouths in the rock,” Pepper reported." (from NY Times, July 22, 2010)

The New Orleans Museum of Art
July 24-October 24, 2010

4.13.2010

LYNN GOLDSMITH: Rock & Roll New Orleans April 21 - July 5

The Beatles
Photograph © Lynn Goldsmith

Bob Dylan
Photograph © Lynn Goldsmith

Lynn Goldsmith surrounded by her Rock Mosaics
Photograph © Lynn Goldsmith


Mick Jagger Rock Mosaic
Photograph © Lynn Goldsmith


Mick Jagger Rock Mosaic close-up (click image to enlarge)
Photograph © Lynn Goldsmith


John Lennon Fans NYC
Photograph © Lynn Goldsmith


Bruce Springsteen
Photograph © Lynn Goldsmith


Music makes me feel like I've connected to people. —Lynn Goldsmith

Legendary rock photographer Lynn Goldmith’s exhibition, Rock and Roll: Lynn Goldsmith, is coming to New Orlean's April 21 through July 5, 2010 at A Gallery For Fine Photography on Chartres Street. This show will include her 'Rock Mosaics', made up of thousands of her photographs using the Chuck Close grid system. Goldsmith's exhibition is accompanied by her book, Rock and Roll, a collection of her best work with an introduction by The Godfather of Punk, Iggy Pop. The book also includes quotes by many of the artists and three gate-folds of her 'Rock Mosaics' of the Rolling Stones, Bruce Springsteen and Kiss. PDN Master Series Goldsmith Gallery

Rock And Roll: Lynn Goldsmith
A Gallery For Fine Photography • April 21 - July 5, 2010

241 Chartres Street - New Orleans