Showing posts with label Petroglyphs. Show all posts
Showing posts with label Petroglyphs. Show all posts

11.20.2018

DROWNED RIVER : The Death and Rebirth of Glen Canyon on the Colorado | Photographs by Mark Klett + Byron Wolfe

© Mark Klett and Byron Wolfe
Drowned River: The Death and Rebirth of Glen Canyon on the Colorado
Radius Books, 2018
 
© Mark Klett and Byron Wolfe
Drowned River: The Death and Rebirth of Glen Canyon on the Colorado
Radius Books, 2018

© Mark Klett and Byron Wolfe
Drowned River: The Death and Rebirth of Glen Canyon on the Colorado
Radius Books, 2018

© Mark Klett and Byron Wolfe
Drowned River: The Death and Rebirth of Glen Canyon on the Colorado
Radius Books, 2018

© Mark Klett and Byron Wolfe
Drowned River: The Death and Rebirth of Glen Canyon on the Colorado
Radius Books, 2018

© Mark Klett and Byron Wolfe
Drowned River: The Death and Rebirth of Glen Canyon on the Colorado
Radius Books, 2018

DROWNED RIVER
The Death + Rebirth of Glen Canyon on the Colorado
Radius Books, 2018



Drowned River is a book about climate change, but also about how photography can describe beauty and trouble simultaneously, about depth and shallowness, about what it takes to understand a place and to come to terms with the enormous scale of the changes we have set in motion.

"Their starting point was Eliot Porter’s landmark book of color photography, The Place No One Knew: Glen Canyon the Colorado, published by the Sierra Club in 1963 as a political statement about what had been lost under the dam’s waters and why it should never happen again. Their ending point is the reemergence of the river and the rise of questions about climate, the fate of the southwest, the folly of human endeavors to control nature, and the possibility of seeing these places and problems in new ways. 
 
Like previous collaborative work using historic images, Mark Klett and Byron Wolfe retrace the physical locations where Porter made his photographs, now mostly submerged by the lake’s waters, often as deep as 400 feet beneath the surface. Unlike previous projects, this work is not a rephotographic examination of his earlier sites or scenes; by necessity, this effort involves making entirely new images in response to the original Porter works. Rebecca Solnit’s accompanying text meditates on meanings and histories, drawing from both the trio’s explorations of the place and archival research." – Radius Books

Photography by Mark Klett and Byron Wolfe
Introduction by Michael Brune
Essay by Rebecca Solnit

Hardcover / 11.25 x 13
80 images / 212 pages

Text and images courtesy of Radius Books

6.24.2010

PHOTO-EYE GALLERY: Mitch Dobrowner, Edward Ranney and Chris McCaw Photographs


MITCH DOBROWNER
Clouds, 2010
Photograph (c) Mitch Dobrowner/All Rights Reserved

Shiprock triptych, 2008
Photograph (c) Mitch Dobrowner/All Rights Reserved

"I get into a ‘zone’ where time and space seem hard for me to measure." Inspired by his love of storms, LA based photographer Mitch Dobrowner set out to track and photograph these breathtakingly beautiful natural phenomena, driving over 5700 miles across ten mid-western states.

EDWARD RANNEY
San Cristobal Pueblo, Galisteo Basin, 2007
Photograph (c) Edward Ranney/All Rights Reserved

El Creston
Photograph (c) Edward Ranney/All Rights Reserved

Landscape photographer Edward Ranney's photographs from his newest monograph Down Country of the historically rich Galisteo Basin will be on exhibit. Down Country is the history of five centuries of the Southern Tewa Pueblo Indian culture that rose, faltered, reasserted itself, and ultimately perished in the Galisteo Basin. Down Country Book Signing July 16th 5-7

CHRIS McCAW
Sunburned GSP#281 (Pacific Ocean), 2008
Photograph (c) Chris McCaw/All Rights Reserved

Sunburned GSP#279 (Pacific Ocean/movement), 2008
Photograph (c) Chris McCaw/All Rights Reserved

This project has got my mind working overtime and has rejuvenated my faith in analog photography. My favorite part is watching smoke come out of the camera during the exposure!

San Francisco based photographer Chris McCaw began experimenting with burning film by means of long exposures and the sun. Through trial and error, he began using vintage fiber-based gelatin-silver black-and-white photographic paper, putting it in the film holder in place of film and creating a unique paper negative print. In long exposures the sun actually burns through the paper, creating this unique body of work.

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July 10-Sept 5, 2010
PHOTO-EYE GALLERY SUMMER EXHIBITION
photo-eye Gallery will be exhibiting a selection of photographs from Mitch Dobrowner, Edward Ranney and Chris McCaw
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