Showing posts with label The Fondation Carmignac. Show all posts
Showing posts with label The Fondation Carmignac. Show all posts

7.03.2016

THE 8th CARMIGNAC PHOTOJOURNALISM AWARD: Slavery and the Trafficking of Women


CALL FOR APPLICATION THEME
SLAVERY AND THE TRAFFICKING OF WOMEN

The purpose of the Carmignac Photojournalism Award is to support the winning photojournalist in undertaking a photographic and investigative assignment, and providing a global platform for their work to be seen and collected. The Carmignac Foundation collaborates with the winner throughout the entire project by offering the laureate 50,000€ to go into the field, financing a monograph and developing and staging an international touring exhibition upon their return, in Paris and then in London at the Saatchi Gallery. Four photographs from this work will be integrated into the Carmignac Collection.

The 8th edition of the Carmignac photojournalism Award is devoted to modern day slavery and its incidence among women.

The International Labour Organisation (ILO) estimates that there are more than 2.5 million victims of modern day slavery, and women make up the majority of this number. According to Amnesty International, women represent 80% of the victims of human trafficking, of whom nearly 50% are minors. The types of exploitation are numerous: sexual, forced labor, domestic slavery…

Women are all the more vulnerable in situations where they have little protection. The countries of South and South-East Asia as well as those of Central Europe and the ex-USSR are the principal purveyors of these modernday slaves. Although abduction is the most common route into slavery, women are also sold by their own families or entrapped into joining the networks of traffickers.

Armed conflicts exacerbate discriminatory and violent behaviour towards women. In Lebanon, Jordan and Turkey, numerous camps of Syrian refugees have emerged. These refugees provide easy prey for networks on the lookout for ‘merchandise’. In Nigeria, in the Darfur region of western Sudan and in the Democratic Republic of Congo, women and girls are subject to abductions carried out to provide their kidnappers with sexual or domestic slaves.

Chaired by Monique Villa, Founder of Trust Women, the 8th edition of the Carmignac Photojournalism Award aims to make visible these forms of modern day slavery, by supporting a project with the potential to become a tool for reflection and concrete change in the fight against the trafficking of women.

THE JURY

The jury of the 8th Edition of the Award, chaired by Monique Villa, CEO of Thomson Reuters Foundation and Founder of Trust Women, will meet in November 2016 in Paris.

The panel comprises:

- Elizabeth Avedon, Independent Curator specialized in photography books
- Francesca Fabiani, Photography Special Projects, Department for Contemporary Art and Architecture, Ministry of Culture, Italy
- Thierry Grillet, Chief Curator of Bibliothèque Nationale de France (BNF)
- Olivier Laurent, Editor-in-chief of Time Lightbox
- Élisabeth Quin, Journalist, Writer and Arte TV Presenter (28 Minutes)
- The Laureate of the 7th edition, currently working in Libya

The pre-selection jury, whose task is to shortlist 12 to 15 submissions from all applications received, consists of :

- Patrick Baz, Photojournalist
- Dimitri Beck, Photo Director at Polka Magazine
- Celina Lunsford, Artistic Director of the Fotografie Forum Frankfurt.


After the selection, the jury will meet the winning photographer in order to speak to him/her and to provide, if necessary, the support s/he will require throughout his/her project - from the preparation stage of the report, to its final exhibition.

The photographers must submit their projects before midnight (GMT) on Sunday 16th October 2016, by applying online on www.fondation-carmignac. com or at the following address:


Theme: #Slavery and the Trafficking of #Women
Apply! #WomensRights #photojournalism #Award

7.02.2016

CHRISTOPHE GIN : At The Collection Lambert in Avignon 3 July - 6 November 2016

 A ‘legal’ Guianese canoe, jump crossing. Oyapock River, 
April 2015 © Christophe Gin for the Fondation Carmignac

Trois-Sauts, January 2015
© Christophe Gin for the Fondation Carmignac

Illegal service station on the Surinamese bank of the Maroni,
June 2015 © Christophe Gin for the Fondation Carmignac

An exhibition dedicated to Christophe Gin, 6th Laureate of the Carmignac Photojournalism Award, on view from 6 July to 6 November at the Hôtel de Montfaucon in Avignon, is the fruit of a unique partnership with the Lambert Collection and the Fondation Carmignac.

The Fondation Carmignac aims to support and promote works of investigative photojournalism documenting areas often under represented in mainstream news coverage.

The jury for the 6th edition, chaired by Christophe Deloire, Secretary General of Reporters Without Borders, chose Christophe Gin as the 2014 laureate of the Carmignac Photojournalism Award. 

Gin spent five months exploring the landscapes of Guiana, from border regions to the most remote Amerindian villages, where soldiers mingle with gold prospectors and exploited immigrant workers, and where local population is forced to integrate republican concepts. His photography bears witness to the reality of life in a land full of contrasts, far from the caricatures often presented through the mainstream press. 
  
CHRISTOPHE GIN  
The Collection Lambert en Avignon
5 rue Violette - 84 000 Avignon
3 July - 6 November 2016. 
Tuesday to Sunday 11am to 6pm
Every day in July and August 11am to 7pm
  
Christophe Gin was born in 1965 in Nevers. A self-taught photographer, he started his career in the early 1990s, with the photo report Nathalie conduite de pauvreté (Nathalie: Conduct of Poverty, 1994-2001), which was shot behind closed doors and explored the inner workings of misery by focusing on Nathalie, who agreed to have her daily life photographed for seven years. The method is minimalist, getting as close to the protagonist as possible, with the photographer disappearing to give the audience a better view of the subject.

Following this work, Christophe Gin wanted to avoid being trapped in a specific genre, and felt the need to discover new horizons, which led him to explore French Guiana for the first time in 2001. Encountering and understanding this society would be a long and arduous process, taking the photographer to Brazil, Colombia, Bolivia and Suriname. A second series came out of it: Le Pont des Illusions (The Bridge of Illusions, 2002-2014).

His work has been the subject of numerous exhibitions, inlcuding Rencontres Photographiques de Guyane in the capital Cayenne, the Galerie Fait et Cause in Paris, at Shenyang (China), the China International Photo Festival in Lianzhou, the Visa pour l’Image event in Perpignan and PhotoEspaña.