Showing posts with label New York Photography. Show all posts
Showing posts with label New York Photography. Show all posts

7.21.2013

STREET TYPES OF NEW YORK: Paul Moakley and Anthony LaSala Curators

 "The Street Types of New York" 

 Photographs by Richard Renaldi

  Photograph by An Rong Xu

 Photograph by Ruddy Roye

A powerful exhibition co-curated by Paul Moakley and Anthony LaSala, opened at the Alice Austen House Museum in Staten Island. Alice Austen (1866-1952) was one of America's earliest female photographers and “Street Types of New York” was her groundbreaking portfolio of the city’s working class just before the turn of the century. Today a new generation of photographers continues her legacy of documenting the ever-changing city in an exhibition that includes work by Chris Arnade, Alice Attie, Dmitry Gudkov, Peter Funch, Wayne Lawrence, Erica McDonald, Greg Miller, Christina Paige, Susannah Ray, Richard Renaldi, Ruddy Roye, Andy Vernon-Jones, Geordie Wood, and An Rong Xu.

"The New Street Types draws connections from early street portraiture like that of Alice Austen (1866-1952) to contemporary image-makers. The artists selected for the exhibition work in a similar style to Austen, often employing large format photography to create portraits of New York City’s diverse communities and subcultures – including the outer fringes of the expanding city like the Rockaways and Orchard Beach. Some of the artists conceptualize themes in portrait typologies and use social media to communicate online, while artists like Peter Funch take the traditional street portrait a step further, creating digital tableaus to capture life on the streets and see it anew. Photographer Ruddy Roye utilizes Instagram to create his images - sharing them in a spontaneous and wide-reaching way Austen could have never imagined.

In addition to the contemporary images, Alice Austen’s rare and fascinating “Street Types” portfolio, produced c.1896 by the Albertype Company, will be on display.  The show examines Austen’s intentions behind the portfolio of portraits and leaves the viewer to ponder her reasoning for the project – a question that was left unanswered at the time of her death in 1952." (Text: Alice Austen House Museum)

The New Street Types
July 17 - September 28

8.23.2010

RYAN PFLUGER: Q+A With Alison Zavos

Tilda Swinton
Photographs (c) Ryan Pfluger
/All Rights Reserved


Photographs (c) Ryan Pfluger /All Rights Reserved

Photographs (c) Ryan Pfluger /All Rights Reserved

Photographs (c) Ryan Pfluger /All Rights Reserved


Ryan Pfluger was born and raised in New York. His images deal with the subtlety of body posture, the gaze, body types, and pushing the role of self-portraiture. Ryan works with a broad range of editorial clients including New York Times Magazine, OUT, Details, Time Out NY, and Angeleno. (glasshouseassignment.com)

Q+A Ryan Pfluger

with Alison Zavos

How would you describe your style?
‘I think my style is a real integration of photographers that inspired me when I was younger, with the present day aesthetics of the people that surround me. I am still inspired by people like Peter Hujar, Mapplethorpe, and Avedon. I think my style is a combination of clean, well lit intimate portraiture with an edge. However, you don’t need to be over the top to be edgy. I’m all about subtleness’.

What are some things you look for in a model?
‘I’m very particular about my models. I don’t like using the typical vision of beauty in any of my work, whether it be editorial or personal. Most of my models to me are various facets of myself. Whether they are friends, or strangers, or real models’.

Where are you currently finding inspiration?
I’m still inspired by artists of the 70’s and 80’s. However, I feel lucky to be around during a time where there are so many talented, young artists. I kind of take in everything around me though. Whether it be video games, comic books, television or music. Everything kind of leaves a little bit of something with me that I try to express in my own work. While it may not necessarily be a direct correlation to my work, it completely affects how I look at my work’.

What other contemporary photographers are you really digging now?
‘Ye Rin Mok, Hellen Van Meene, and Jason Fulford to name a few. Also, I’m completely inspired by friends like Alejandra Laviada, Dina Kantor and Shen Wei’.

What camera are you using?
‘I use a Mamiya RZ for 95% of the stuff I do. I’m very much attached to using film, and probably won’t change that anytime soon’.

If there could be a soundtrack to your images, what songs or artists would be included?
‘To me, there is a soundtrack that goes along with my work. Kate Bush, New Order, The Smiths, The Organ, Bon Iver, Beirut, Frightened Rabbit and Great Lake Swimmers to name a few. They all work … at least for me, in adding something to the work’.

Originally posted on Feature Shoot. Thanks Alison

4.30.2010

GEORGIA O'KEEFFE: Alfred Stieglitz Photo 1 of 10 Most Expensive Ever Sold

Georgia O'Keeffe
Photograph by Alfred Stieglitz

Archives of American Art, Smithsonian Institution, Washington, D.C.

Hands, 1918
Photograph by Alfred Stieglitz

"Hands" (Georgia O'Keeffe's) by Alfred Stieglitz sold for almost $1.5 million dollars at a 2006 Sotheby’s auction. View The Ten Most Expensive Photographs In The World Ever Sold. Georgia O'Keeffe and Alfred Stieglitz