Lenscratch created an opportunity for photographers to exhibit one image that best represents their idea of FAMILY, which were published today. (Guidelines for future submissions here)
Showing posts with label On-line Exhibition. Show all posts
Showing posts with label On-line Exhibition. Show all posts
11.25.2010
11.01.2010
LENSCRATCH: An On-line Exhibition Opportunity
Lenscratch will be creating exposure opportunities for photographers with group on-line exhibitions. Photographers will be allowed ONE entry per exhibition and all photographs will be published.
Submission Guidelines:
Image size: 72dpi at 1000px on the long side. Send name, title, location, and link to your work (website or other). In the subject of your e-mail, type the name of the exhibition (FAMILY, etc) and e-mail to: alinesmithson@yahoo.com. If your images are sized incorrectly or the submission is incomplete, they will not be posted.
Due Date: November 14th
Send one image that best represents your idea of FAMILY. Post will run on Thanksgiving
Due Date: December 27th
Send your FAVORITE image that you took in 2010. Post will run on New Year's Day
Due Date: March 17th
Send one image that best represents LUCK. Post will run on St. Patrick's Day
Due Date: April 25th
Send your favorite SELF PORTRAIT. Post will run on May 1st
Submission Guidelines:
Image size: 72dpi at 1000px on the long side. Send name, title, location, and link to your work (website or other). In the subject of your e-mail, type the name of the exhibition (FAMILY, etc) and e-mail to: alinesmithson@yahoo.com. If your images are sized incorrectly or the submission is incomplete, they will not be posted.
Due Date: November 14th
Send one image that best represents your idea of FAMILY. Post will run on Thanksgiving
Due Date: December 27th
Send your FAVORITE image that you took in 2010. Post will run on New Year's Day
Due Date: March 17th
Send one image that best represents LUCK. Post will run on St. Patrick's Day
Due Date: April 25th
Send your favorite SELF PORTRAIT. Post will run on May 1st
3.06.2010
JONI STERNBACH: SurfLand
Surfers: 10.02.08 #5 Hannah, unique tintype, Malibu
Copyright © Joni Sternbach / All rights reserved
Surfers: 09.02.12 #8 Lakey, unique tintype, Rincon
Copyright © Joni Sternbach / All rights reserved
Surfers: 10.02.17 #5 Chris and Dan, unique tintype, Refugio
Copyright © Joni Sternbach / All rights reserved
Surfers: 16.11.09 # Turtle Cove , unique tintype, Turtle Cove
Copyright © Joni Sternbach / All rights reserved
Copyright © Joni Sternbach / All rights reserved
Surfers: 09.02.12 #8 Lakey, unique tintype, Rincon
Copyright © Joni Sternbach / All rights reserved
Surfers: 10.02.17 #5 Chris and Dan, unique tintype, Refugio
Copyright © Joni Sternbach / All rights reserved
Surfers: 16.11.09 # Turtle Cove , unique tintype, Turtle Cove
Copyright © Joni Sternbach / All rights reserved
"I have a special fondness for Joni Sternbach's unique tintype images. Having lived in *Montauk for over 15 years, many of Sternbach's photographs were taken just down the cliff's from us at 'Turtle Cove' and 'Ditch Plains', and I recognize some of the locals in her book SurfLand. But it's the beauty and expertise of her wet-plate technique that really sets Sternbach's work apart from the rest of us."
"Working with a large-format camera, photographer Joni Sternbach concentrates on locations that are close to or directly on the water. In an era of rapid-fire digital snapshots, Sternbach employs the wet-plate collodion process and the distinctive appearance of her finished works echoes nineteenth-century traditions of anthropological photography. The wet-plate technique informs her careful compositions while producing intimate portraits imbued with spontaneity and the raw quality of the process reveals the dignity in her subjects. In SurfLand, photographer and subject overlap on the periphery of two powerful elements: the land and the sea. The singular, primitive act of surfing on the water is eclipsed by the social and negotiated state of human interaction on the shore. Sternbach's surfers are persistent elements in a shifting natural scene, acting as a bridge between the sea as an unbridled force of nature and the shore line, a place of leisure and cultural phenomena." –Flak Photo's March Weekend Series
JONI STERNBACH WEBSITE"Working with a large-format camera, photographer Joni Sternbach concentrates on locations that are close to or directly on the water. In an era of rapid-fire digital snapshots, Sternbach employs the wet-plate collodion process and the distinctive appearance of her finished works echoes nineteenth-century traditions of anthropological photography. The wet-plate technique informs her careful compositions while producing intimate portraits imbued with spontaneity and the raw quality of the process reveals the dignity in her subjects. In SurfLand, photographer and subject overlap on the periphery of two powerful elements: the land and the sea. The singular, primitive act of surfing on the water is eclipsed by the social and negotiated state of human interaction on the shore. Sternbach's surfers are persistent elements in a shifting natural scene, acting as a bridge between the sea as an unbridled force of nature and the shore line, a place of leisure and cultural phenomena." –Flak Photo's March Weekend Series
AIPAD with Rick Wester Fine Art
April 4 through 7, 2013
Park Avenue Armory
ICP Travel Workshop Summer 2013
Into The Ether and on the Road, Wet Plate Workshop
Please contact ICP for further details
April 4 through 7, 2013
Park Avenue Armory
ICP Travel Workshop Summer 2013
Into The Ether and on the Road, Wet Plate Workshop
Please contact ICP for further details
The Book: SurfLand | Photographs by Joni Sternbach
* Priscilla Rattazzi's Vintage Photograph of Matthew Avedon and me on the 'beach' in *Montauk for Italian Per Lui Magazine
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