10.23.2024
PhotoPlace Gallery : A Call to Enter Portals: Windows, Mirrors, Doors
South x Southeast Gallery: Call the Dogs! A Call for Entry
Call the Dogs!
Curated by Elizabeth Avedon
South x Southeast Gallery Online
Call for Entry: October 13, 2024
Entry Deadline: November 15, 2024
Exhibition Date: December 2024/January 2025
South x Southeast Gallery online
EnterHere : sxsegallery.com
"Dogs are man’s best friend,” said every dog lover! Pure bred, show dogs, mutts or mongrels, I’d love to see your best dog photographs! They may be a pampered member of your family, sitting in on all your family portraits, or maybe caught by your camera out in the world"– Elizabeth Avedon
Open to all photographers. No images created with AI. Photographs accepted from our previous exhibitions are not eligible. A Zoom group critique of these images with Elizabeth Avedon and the photographers will be held at a date to be determined during December/January Link To Enter
7.30.2024
CENTER FOR PHOTOGRAPHIC ART: International Juried Exhibition 2024
CALL FOR ENTRIES: 2024 Center for Photographic Art International Juried Exhibition. Juror: Elizabeth Avedon.
Deadline to Enter: Monday, September 16, 2024
Eligibility: The 2024 International Juried Exhibition (IJE) is open to all living photographers, worldwide, over the age of 18, working in all still photographic media (no video). No images created with AI. There is no theme; Any subject matter is eligible. Photographs accepted for previous CPA IJE gallery exhibitions are not eligible.
Details in link: https://www.photography.org/events/2024-cpa-international-juried-exhibition
The Photographs above are a small selection from last year's CFPA 2023 International Exhibition, Juried by Shana Lopes, Assistant Curator San Francisco Museum of Modern Art.
Link To Enter: https://www.photography.org/events/2024-cpa-international-juried-exhibition
Many Thanks to CFPA Executive Director Ann Jastrab
4.12.2024
IMAGES OF MEXICO | Scheinbaum & Russek Ltd. | The Photography Show 2024 presented by AIPAD | Booth B06
Vintage gelatin silver print
Image: 13 3/4 x 9 1/2"; Paper: 13 7/8 x 11"
Signed and titled in pencil on the reverse.
La Hija De Los Danzantes, 1933, printed 1980s
Gelatin silver print
Image: 9 5/8 x 6 7/8"; Paper: 10 x 8"
Signed and annotated 'Mexico' in pencil on the reverse.
El Ensueño, 1931, printed 1980s
Gelatin silver print
Image: 9 1/2 x 7 1/2"; Paper: 10 x 8"
Signed and annotated 'Mexico' in pencil on the reverse.
Pulqueria, 1926, Printed 1946
Gelatin silver print
Photographs of Mexico by Laura Gilpin,
Edward Weston and Manuel Álvarez Bravo
Booth B06.
The Park Avenue Armory
643 Park Ave, New York, NY 10065
4.09.2024
MONA KUHN: Between Modernism & Surrealism | Edwynn Houk Gallery
Solarized gelatin silver enlargement print
“Mona Kuhn: Between Modernism and Surrealism”
An exhibition of seven solarized photographs by Mona Kuhn from her series Kings Road in dialogue with artworks by masters exploring surreal representation, including Man Ray, Láslzó Moholy-Nagy, Dora Maar, Erwin Blumenfeld, and Bill Brandt. + + +
Mona Kuhn’s portraits visualize an uncanny love story. Kuhn’s solarized photographs in this exhibition follow a young woman throughout the groundbreaking mid-century modernist home designed by architect Rudolph Schindler in West Hollywood. In this mysterious narrative, Kuhn explores the core themes of Surrealism — dreams, desire, creation, and a challenge to conventional modes — through this autonomous woman. An active subject, she seeks formal and spiritual union with the King’s Road House, an avant-garde center of its day and a symbol of community and creativity. Kuhn’s solarization pushes these scenes further into the otherworldly, dissolving the aesthetic distinction between the human body, and its presence within the building. Rendered in layers of oxidized silver, body parts and architectural elements mirror and dissolve into each other, and the woman’s silver shadow cast on the building creates a literal space of integration.
The breakthrough of Surreal explorations in photography are widely
traced to Man Ray’s experimentations, which radically expanded the
horizons of photography beyond straight representation. This show
presents two of the artist’s solarized gelatin silver prints, a
technique that he discovered with Lee Miller in 1931: a nude portrait of
Meret Oppenheim posing in front of Salvador Dalí’s painting, printed on
a carte-postale, as well as a portrait. Both the figure of the
mysterious woman and architecture were key motifs used by Surrealists
and artists influenced by the movement, and photographs by László
Moholy-Nagy, Dora Maar, Erwin Blumenfeld, and Bill Brandt open a
historical dialogue with Kuhn’s practice.
4.05.2024
JACKIE ROBINSON and the COLOR LINE | GITTERMAN GALLERY
Vintage gelatin silver print
Used in LIFE magazine, June 2, 1941
Jackie Robinson, 1950
Vintage gelatin silver print
Used in LIFE magazine, May 8, 1950, cover
Jackie Robinson and the Color Line
April 15 – May 24, 2024
• Witness the original photographs of Satchel Paige and Jackie Robinson that were used to produce the iconic images in LIFE magazine
• Explore the telegrams establishing the first contact between the Dodgers and Jackie Robinson and arranging and planning the historic meeting with Branch Rickey
• See Jackie Robinson’s journey through original photographs capturing on-field triumphs and challenges
Paul Reiferson is a dedicated collector driven by a passion for preserving American stories. “I saw that the color line transcended baseball, that it was about America struggling to solve a terrible problem, and that the stories of the people in that fight were extraordinary,” Reiferson explained.
This exhibition of photographs, complemented by historic artifacts, illuminates the pervasive racism and the fervent aspirations for integration during that era. We hope everyone from collectors to students and families with children can visit this exhibition. By experiencing these powerful images together, we hope to help foster a deeper appreciation for photography as a medium of storytelling.
Nearly 500 prints from Reiferson’s collection of photographs by Charles M. Conlon have been gifted or promised to the Metropolitan Museum of Art. Many others have been exhibited at the Brooklyn Museum, Bronx Museum of the Arts, American Folk Art Museum, and Tampa Museum of Art, among others.
2.07.2024
RUDDY ROYE: When Living Is A Protest Galerie Polaris through February 25
Support Artists, Buy Prints