Showing posts with label Photography. Show all posts
Showing posts with label Photography. Show all posts

1.23.2025

Photographs 1970 - 2024 by Juno Gemes Until Justice Comes : Fifty Years of The Movement for Indigenous Rights.

 
Until Justice Comes
PHOTOGRAPHS 1970 - 2024 by Juno Gemes
FiftyYears of The Movement for Indigenous Rights  
A landmark publication revealing the true history of Australia
 
Until Justice Comes is the summation of Juno Gemes’ career witnessing and advocating for change: a collection of photographs making visible the history of the First Nations people’s struggle for justice over the last fifty years in Australia, providing a visual history and background of The Movement leading up to the Voice referendum of late 2023. 

A powerful collection of over 220 photographs, fusing Juno Gemes’ current and continuing work with her unique living archive, based on collaboration, revealing the true history of Australia. The uncovering of an often-invisible history of resistance and the fight for self-determination has long been at the heart of Juno Gemes’ engagement with the First Nations people she has known and worked with over decades and generations.
 
These photographs include portraits of political and cultural leaders and intimate community events as well as activism played out on the streets. Continuing her collaborative approach, the book includes new writings and poems by key contributors including the Honourable Linda Burney MP, Larissa Behrendt, Djon Mundine, Fred Myers, Frances Peters-Little, John Maynard, Catherine de Lorenzo, and Ali Cobby Eckermann. Photographs covering crucial moments in history including the Redfern Revolution, the land rights campaigns, the National Apology to the Stolen Generations, the election of eleven Indigenous Members to the 47th Federal Parliament, and the preparations for the 2023 Referendum on the Voice to Parliament, form the backbone of this book. (Upswell Publishing)
 
Photographer and social justice activist Juno Gemes has spent much of her long career documenting the lives and struggles of First Nations people. Born in Budapest, Gemes moved to Australia with her family in 1949. She held her first solo exhibition, We Wait No More, in 1982; the same year she exhibited photographs in the group shows After the Tent Embassy and Apmira: Artists for Aboriginal Land Rights. In 2003 the National Portrait Gallery exhibited her portraits of Aboriginal and Torres Strait Islander reconciliation activists and personalities, Proof: Portraits from the Movement 1978–2003, and has since acquired many of her photographs. Gemes was one of ten photographers invited to document that National Apology in Canberra in 2008. The Macquarie University Art Gallery held a survey exhibition of her work, The Quiet Activist: Juno Gemes, in 2019

4.09.2024

MONA KUHN: Between Modernism & Surrealism | Edwynn Houk Gallery

 
Spectral, 2021© Mona Kuhn
Solarized gelatin silver enlargement print

 
Interleaving, 2022 © Mona Kuhn
Solarized gelatin silver print

Portrait Revealed, 2021 © Mona Kuhn
Solarized gelatin silver enlargement print
 
Photographer Mona Kuhn and Darius Himes, International Head of Photographs at Christie’s 
Photographer Mona Kuhn and Darius Himes, International Head of Photographs at Christie’s discuss her series along with artworks by masters exploring surreal representation.

“Mona Kuhn: Between Modernism and Surrealism” 

An exhibition of seven solarized photographs by Mona Kuhn from her series Kings Road in dialogue with artworks by masters exploring surreal representation, including Man Ray, Láslzó Moholy-Nagy, Dora Maar, Erwin Blumenfeld, and Bill Brandt.  +  +  +  

Mona Kuhn’s portraits visualize an uncanny love story. Kuhn’s solarized photographs in this exhibition follow a young woman throughout the groundbreaking mid-century modernist home designed by architect Rudolph Schindler in West Hollywood. In this mysterious narrative, Kuhn explores the core themes of Surrealism — dreams, desire, creation, and a challenge to conventional modes — through this autonomous woman. An active subject, she seeks formal and spiritual union with the King’s Road House, an avant-garde center of its day and a symbol of community and creativity. Kuhn’s solarization pushes these scenes further into the otherworldly, dissolving the aesthetic distinction between the human body, and its presence within the building. Rendered in layers of oxidized silver, body parts and architectural elements mirror and dissolve into each other, and the woman’s silver shadow cast on the building creates a literal space of integration.

The breakthrough of Surreal explorations in photography are widely traced to Man Ray’s experimentations, which radically expanded the horizons of photography beyond straight representation. This show presents two of the artist’s solarized gelatin silver prints, a technique that he discovered with Lee Miller in 1931: a nude portrait of Meret Oppenheim posing in front of Salvador Dalí’s painting, printed on a carte-postale, as well as a portrait. Both the figure of the mysterious woman and architecture were key motifs used by Surrealists and artists influenced by the movement, and photographs by László Moholy-Nagy, Dora Maar, Erwin Blumenfeld, and Bill Brandt open a historical dialogue with Kuhn’s practice.

Edwynn Houk Gallery, 745 Fifth Ave NY 
through May 11, 2024
 
Mona Kuhn: Kings Road, Published by Steidl
Mona Kuhn’s lyrical and formally daring portrait of the iconic Schindler House in Los Angeles, supplemented with letters, blueprints and more. In Kings Road, Californian photographer Mona Kuhn (born 1969) reconsiders the realms of time and space within the architectural elements of the Schindler House in Los Angeles. Built by Austrian architect Rudolph M. Schindler in 1922, the house was both a social and design experiment and an avant-garde hub for intellectuals and artists in the 1920s and 1930s.

2.07.2024

RUDDY ROYE: When Living Is A Protest Galerie Polaris through February 25

When Living is a Protest • Galerie Polaris, Paris
Photograph © Ruddy Roye


'This Too Is An American Story II, November 18, 2021'
 Photograph © Ruddy Roye /  Ed. of 5

'Isolated in Ferguson, August 28, 2014'
 Photograph © Ruddy Roye /  Ed. of 5 

'Twenty year-old Robert Scott' /  'When Living is a Protest Series'
Photograph © Ruddy Roye

"When Living Is A Protest"
 Photographs by Ruddy Roye
 Exhibition through February 25th, 2024 
 Galerie Polaris • 15 rue des Arquebusiers • 75003 Paris 

Support Artists, Buy Prints

Follow Ruddy Roye on Instagram @ruddyroye

MOSIJAH ROYE: Black History Month

 
 Antonio © Mosijah Roye
Black History Month to Antonio means celebrating his lineage
and honoring those who have walked the path 
that many of us are walking through our lives today.

 
Rell © Mosijah Roye
Black History Month for Rell is community, he says 
it’s sad that we allow our culture to be celebrated for only a month 
when in reality it should be celebrated everyday.

 
Bryce © Mosijah Roye
Black History Month to me is a celebration of 
all the black people who died for us and to give up their lives for us 
to be where we are today. People like Martin Luther King , and Nelson Mandela.
 
'Kin' © Ruddy Roye
Portrait of Mosijah Roye by his father Photographer Ruddy Roye
 
Photographer and student Mosijah Roye asks, "What is Black History Month to you? For the month of February I would like to post one black person every day detailing what this month, our month means to us. Every weekday I will post a person and write a short caption about what this month means to them" 
 

8.13.2021

Future I Past : Photolucida’s 2019 Critical Mass Top 50 Group Exhibition in 2021

Untitled 5 © Troy Coby

Jaime & Missy © Bruce Polin

Don't Look © Rebecca Moseman

 "At last, we celebrate the artists and exhibit the images from Photolucida’s 2019 Critical Mass Top 50 with "Future I Past", curated by Elizabeth Avedon. Our distinguished curator selected one image from each portfolio that represents and interweaves divergent styles from all across the world." – The Center for Photographic Art, Carmel CA.

Mikael Owunna

Infinite Essence - James 2018 © Mikael Owunna 

Cory, from Fugue State © Aline Smithson

Jackson, Wyoming © Barrie Underwood

 
The exhibition features works by: Rhiannon Adam, Sara Bennett, David Bloomer, Carl Bower, Tracy L. Chandler, Troy Colby, Rachel Cox, Monica Denevan, Rory Doyle, Kristen Emack, Amy Friend, Rich Frishman, Jennifer Garza-Cuen, Dominika Gesicka, Joshua Dudley Greer, William Harris, Sarah Hobbs, Glenna Jennings, Jamie Johnson, Priya Kambli, Tom Kiefer, Mark Lyon, Noelle Mason, Kristen Matuszak, Jennifer McClure, Ingvild Melby, Robin Michals, Rebecca Moseman, Karen Navarro, Nancy Newberry, Mikael Owunna, Catherine Panebianco, Rachel Papo, Barbara Peacock, Bruce Polin, Kaja Rata, Astrid Reischwitz, Paula Riff, Michelle Rogers Pritzl, Aline Smithson, Caleb Stein, Barbara Strigel, Krista Svalbonas, JP Terlizzi, Bryan Thomas, Annie Tritt, Barry Underwood, Ian Van Coller, Ira Wagner, Becky Wilkes. Congratulations to all the artists!


 Gallery view © Patrice Taylor

Many thanks to Ann Jastrab and her magical crew that sequenced and hung this exhibition made up of so many diverse subjects and genre's, into such a beautiful cohesive exhibition! Also many thanks to photolucida's Laura Moya and Audra Osborne Norberg. Photolucida is an arts nonprofit based in Portland, Oregon.
Stop by and see the Show or Watch the Opening Walk-Through Video recording:
View the recording of the Virtual Opening by clicking here >
Access Passcode: C3VS%4ma


 Future Past
Photolucida’s Critical Mass Top 50 Group Exhibition
Curated by Elizabeth Avedon

Center for Photographic Art
At The Sunset Center,San Carlos Ave & 9th Ave
Carmel, CA 93921
Wed-Sun. 12pm - 4pm
On view through September 12, 2021