A powerful collection of over 220 photographs, fusing Juno Gemes’ current and continuing work with her unique living archive, based on collaboration, revealing the true history of Australia. The uncovering of an often-invisible history of resistance and the fight for self-determination has long been at the heart of Juno Gemes’ engagement with the First Nations people she has known and worked with over decades and generations.
1.23.2025
Photographs 1970 - 2024 by Juno Gemes Until Justice Comes : Fifty Years of The Movement for Indigenous Rights.
A powerful collection of over 220 photographs, fusing Juno Gemes’ current and continuing work with her unique living archive, based on collaboration, revealing the true history of Australia. The uncovering of an often-invisible history of resistance and the fight for self-determination has long been at the heart of Juno Gemes’ engagement with the First Nations people she has known and worked with over decades and generations.
4.09.2024
MONA KUHN: Between Modernism & Surrealism | Edwynn Houk Gallery
Solarized gelatin silver enlargement print
“Mona Kuhn: Between Modernism and Surrealism”
An exhibition of seven solarized photographs by Mona Kuhn from her series Kings Road in dialogue with artworks by masters exploring surreal representation, including Man Ray, Láslzó Moholy-Nagy, Dora Maar, Erwin Blumenfeld, and Bill Brandt. + + +
Mona Kuhn’s portraits visualize an uncanny love story. Kuhn’s solarized photographs in this exhibition follow a young woman throughout the groundbreaking mid-century modernist home designed by architect Rudolph Schindler in West Hollywood. In this mysterious narrative, Kuhn explores the core themes of Surrealism — dreams, desire, creation, and a challenge to conventional modes — through this autonomous woman. An active subject, she seeks formal and spiritual union with the King’s Road House, an avant-garde center of its day and a symbol of community and creativity. Kuhn’s solarization pushes these scenes further into the otherworldly, dissolving the aesthetic distinction between the human body, and its presence within the building. Rendered in layers of oxidized silver, body parts and architectural elements mirror and dissolve into each other, and the woman’s silver shadow cast on the building creates a literal space of integration.
The breakthrough of Surreal explorations in photography are widely
traced to Man Ray’s experimentations, which radically expanded the
horizons of photography beyond straight representation. This show
presents two of the artist’s solarized gelatin silver prints, a
technique that he discovered with Lee Miller in 1931: a nude portrait of
Meret Oppenheim posing in front of Salvador Dalí’s painting, printed on
a carte-postale, as well as a portrait. Both the figure of the
mysterious woman and architecture were key motifs used by Surrealists
and artists influenced by the movement, and photographs by László
Moholy-Nagy, Dora Maar, Erwin Blumenfeld, and Bill Brandt open a
historical dialogue with Kuhn’s practice.
2.07.2024
RUDDY ROYE: When Living Is A Protest Galerie Polaris through February 25
Support Artists, Buy Prints
MOSIJAH ROYE: Black History Month
8.13.2021
Future I Past : Photolucida’s 2019 Critical Mass Top 50 Group Exhibition in 2021
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| Untitled 5 © Troy Coby |
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| Jaime & Missy © Bruce Polin |
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| Don't Look © Rebecca Moseman |
"At last, we celebrate the artists and exhibit the images from Photolucida’s 2019 Critical Mass Top 50 with "Future I Past", curated by Elizabeth Avedon. Our distinguished curator selected one image from each portfolio that represents and interweaves divergent styles from all across the world." – The Center for Photographic Art, Carmel CA.
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| Mikael Owunna |
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| Infinite Essence - James 2018 © Mikael Owunna | |
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| Cory, from Fugue State © Aline Smithson |
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| Jackson, Wyoming © Barrie Underwood |
Access Passcode: C3VS%4ma
Future Past
Photolucida’s Critical Mass Top 50 Group Exhibition
Curated by Elizabeth Avedon
Carmel, CA 93921






















