Showing posts with label Birds. Show all posts
Showing posts with label Birds. Show all posts

9.16.2014

YOLA MONAKHOV STOCKTON: Fields of Inquiry opens at Alice Austen House Museum

  Blue China, 2011
Northern Cardinal, Manomet, Massachusetts 
Photograph © Yola Monakhov Stockton

Tapestry, 2013
Tufted Titmouse, Manomet, Massachusetts 
Photograph © Yola Monakhov Stockton

 Ivory Gate, 2013
Yellow-Rumped Warbler, Manomet, Massachusetts
Photograph © Yola Monakhov Stockton

"By collaborating with scientists, ecologists, and naturalists, I gain access to wild birds captured for banding or captive birds in a research lab, and bring them into conversation with motifs common in religious iconography, ideas of the sublime, and transcendentalism, including horticulture, wilderness, Renaissance depictions of landscape in frescoes and tapestries, and Modernist painting and sculpture."– Yola Monakhov, "Field Guide To Bird Songs" (Schilt Publishing, 2015)

  Young Man in Quarry, 2009. Westchester, New York
Photograph © Yola Monakhov Stockton

Sing Sing Prison with Bird and Fawn, 2011.
Ossining, New York
Photograph © Yola Monakhov Stockton

"For years, New York based photographer Yola Monakhov honed her craft documenting the conflict in the Middle East and with personal projects in Russia. But after completing her MFA in photography at Columbia in 2007 and accepting a position teaching introduction to photography there, Monakhov realized that she longed for the complete control that the black and white medium allows. In Empire Pictures, she approaches her subject matter much in the same way as she did when shooting news stories abroad but chooses instead to slow down the process." read more, "Yola Monakhov's Empire State" by Natalie Matutschovsky, TIME LightBox

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Join the Alice Austen House for the opening of their newest exhibition, "Fields of Inquiry: Photographs by Yola Monakhov Stockton." The show features work from two series Field Guide to Bird Songs and Empire Picture of the Hudson. Stockton's work provides commentary on the photographic process through traditional documentary photography and constructed compositions. Curated by Natalie Matutschovsky, senior photo editor, TIME

"Fields of Inquiry"
Photographs by Yola Monakhov Stockton
09/21/14– 12/28/14

Exhibition Opening 
Sunday, September 21, 11am-5pm

2 Hylan Blvd at Edgewater Street
Staten Island, New York

Austen lived in “Clear Comfort,” a Victorian Gothic cottage that dates back to a 1690. The house, which is one of the oldest in New York and was declared a National Historic Landmark in 1973, overlooks the New York Narrows and has a stunning panoramic view of lower Manhattan, Brooklyn, and the Verrazano Bridge.

Directions from Manhattan by Staten Island Ferry: Subway to South Ferry (1), Whitehall Street (N/R), or Bowling Green Station (4/5) or bus or taxi to: Staten Island Ferry (25 minute ride). At the ferry terminal in Staten Island #S51 Bus to Hylan Boulevard (15 minute ride). Walk one block east to water and Alice Austen House.

Alice Austen House keeps alive the daring spirit of early American photographer Alice Austen (1866-1952) with exhibits and programs in her historic home. Austen was one of America's earliest and most prolific female photographers, and over the course of her life she captured about 8,000 images. Though she is best known for her documentary work, Austen was an artist with a strong aesthetic sensibility. Furthermore, she was a landscape designer, a master tennis player, and the first woman on Staten Island to own a car. She never married, and instead spent fifty years with Gertrude Tate. A rebel who broke away from the ties of her Victorian environment, Alice Austen created her own independent life.

1.29.2014

RICHARD BARNES: Murmur + Refuge at FOLEY

Murmur no. 1, 2005. 44 x 44 inches, Pigment print

Murmur no. 13, 2006. 44 x 44 inches, Pigment print

In Murmur, Barnes observes the flocks of starlings that cloud the skies of EUR, a suburb of Rome.  In this series, Barnes depicts nature as it behaves on it’s own, alive and breathing.  The photographs capture the birds’ aerial displays, which seem to take on the form of suspended mesh sculpture, and the uncontrollable fluctuation of nature as it moves on its own.

Green Leaf Nest, 2000. Pigment print

Refuge examines the complex architecture of bird nests, constructed from elements of the natural world and debris discarded by humans.  The nests are intricate structures, unique in shape and form. Murmur and Refuge are part of Barnes' larger series, Animal Logic.
 
FOLEY GALLERY
through February 23, 2014

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Elizabeth Avedon: Is your work collaborative or do you work resolutely by yourself?

Richard Barnes: I enjoy working collaboratively. While in Rome, I entered into what was perhaps the most fruitful collaboration of my career to date. I produced “Murmur” with Alex Schweder, an architect and video artist, and Charles Mason, a composer. “Murmur” forms another chapter in my book (Animal Logic, Princeton Architectural Press) and is an investigation into the flocks of starlings which every winter fill the evening sky over Rome. No one is quite sure why the starlings stopover in Italy but before roosting for the night, they converge on the city from the countryside in flocks numbering in the hundred of thousands. This would be impressive enough in it’s own right, but they also do these incredible aerial displays that resemble drawings or computer animation written large overhead. The effect is awe-inspiring, though the Romans detest this “invasion of the starlings”.


Elizabeth Avedon: There is a surreal quality to these images. Do you regard yourself as a Surrealist or feel an affinity with the notion of the images as a kind of dream?  

Richard Barnes: I certainly have an affinity for surrealist imagery. I don’t see how it can be avoided as it’s so ubiquitous in our time, from movies and books to advertising. What sets my work apart is that it grows out of a documentary tradition and from this straight ahead or forensic approach I subvert the document through either juxtaposition or de-contextualization of an object from its surroundings, thereby rendering it hyper-real. I believe real life is strange and surreal enough if one looks a little longer and harder than to attempt to make something surreal on purpose, which usually comes off as contrived. As far as my images conjuring up the realm of a dream reality in someone, I would take this as an indication that they are working. 


Murmur Installation, 22 4th St at Market, San Francisco
Permanent installation commissioned by Jamestown LP

7.28.2011

MARK LAITA: Amaranthine, Sea, and Serpentine

Black Pakistan Cobra, 2010
Photograph (c)Mark Laita. Courtesy Fahey|Klein Gallery

Photograph (c)Mark Laita. Courtesy Fahey|Klein Gallery

Fahey|Klein Gallery will exhibit three new bodies of work from photographer Mark Laita: Amaranthine, Sea, and Serpentine. "In Amaranthine, Laita expertly documents over 100 species of birds from several natural history museums’ ornithological archives. Serpentine is a collection of images of the seductive and mythological snake. And in Sea, his photographs reveal the ethereal and otherworldly nature of sea life. Sea, will be published by Abrams in the Fall/ Winter of 2011."
Fahey|Klein Gallery
July 28 - September 3

2.27.2010

PAULA McCARTNEY: Bird Watching

Aqua Tanager
Photograph (c) Paula McCartney
/All Rights Reserved

Northern Cardinal
Photograph (c) Paula McCartney
/All Rights Reserved

Song Sparrow
Photograph (c) Paula McCartney
/All Rights Reserved

I decided to...photograph the idealized scenes that I fantasized about, where songbirds decorated the trees as I moved through the landscape.
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I'm so pleased to see Princeton Architectural Press has published Paula McCartney's first monograph, Bird Watching. “These are gorgeous images, and in that sense, they are worthy of their subjects. She’s not laughing at us by drawing us into her fantasy, rather, she’s playfully reminding us that all photographs indulge in certain fictions...she takes us on a journey that is educative and inspiring”.—Darius Himes, editor, Radius Books.

Paula McCartney will discuss her work with Darius Himes (Founding Editor of Radius Books), together with a book signing, on Saturday March 6, 1:00 pm—2:00 pm KLOMPCHING Gallery, DUMBO

EXHIBITION
KLOMPCHING GALLERY
March 4- April 23, 2010