Showing posts with label Hudson River. Show all posts
Showing posts with label Hudson River. Show all posts

3.17.2019

STEPHEN MALLON : SEA TRAIN

New York Transit Museum’s Grand Central Gallery
Opens Free for the Public March 20th, 2019

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Between August 2001 and April 2010, MTA New York City Transit deployed more than 2,500 de-accessioned train cars to underwater locations off the coasts of New Jersey, Delaware, Maryland, Virginia, South Carolina, and Georgia. The reefing program took shape in two different phases. From 2001-2003, 1,269 carbon steel “Redbird” cars and from 2008-2010, 1,311 stainless steel “B-Division/Brightliner” cars were repurposed and reefed. The cleaned shells of these subway cars created a flourishing new habitat for varied sea life including sea bass, tuna, mackerel, flounder, blue mussels, sponges, barnacle, and coral, and improved marine environments in areas of the ocean floor that were once barren deserts.

Mallon learned of the project in 2008, and spent the next two years documenting the last group of stainless steel subway cars along their journey to a new life on the ocean floor. His images follow the cars as they are cleaned and prepped by crews at New York City Transit’s 207th Street Overhaul Shop, following rigorous protocols approved by the U.S. Environmental Protection Agency, then moved onto barges in the Harlem River, and deployed using GPS off the coasts of Maryland, Delaware, Virginia, and South Carolina.

The subway car reefing program not only spurred the creation of miles of artificial reefs along the eastern seaboard from New Jersey to Georgia, it also helped the agency avoid $30 in disposal costs. The program spurred economic growth in coastal communities by successfully establishing robust underwater environments for divers and anglers. But its greatest impact affects marine life itself, benefiting different life stages for a wide variety of aquatic species, working to prevent over-fishing, and providing a broader habitat for spawning and growing fish populations.

On Earth Day 2010, the subway reefing project came to a close, having placed 2,580 obsolete subway cars on ocean reef sites from as close as 54 nautical miles off the coast of New Jersey to as far away as 742 nautical miles in Georgia’s coastal waters. While the program proved cost-effective for decommissioning large fleets all at once, it may not be as efficient going forward given New York City Transit’s current standard of decommissioning only a few cars at a time.

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Opening March 20th at the New York Transit Museum’s Grand Central Gallery, Sea Train: Subway Reef : Photographs by Stephen Mallon features nineteen large-format photographs. Mallon’s images, many exhibited for the first time, capture the seemingly impossible: iconic subway cars dropped like toys by brightly-colored cranes off hulking barges. As they are deployed to become artificial reefs, these symbols of industry and city life, which carried millions of passengers along New York City’s iron rails for decades, appear shrunken in scale against the vastness of the Atlantic seascape.

Photographs by Stephen Mallon
Opens Wednesday, March 20th
New York Transit Museum’s Grand Central Gallery
in the shuttle passage on 42nd Street and Park Avenue,
adjacent to the Station Master’s Office.

at Grand Central Terminal
Monday - Friday, 8am to 8pm
Saturday - Sunday, 10am to 7pm
Free to the public year-round.

*Text courtesy of the New York Transit Museum Gallery

9.16.2014

YOLA MONAKHOV STOCKTON: Fields of Inquiry opens at Alice Austen House Museum

  Blue China, 2011
Northern Cardinal, Manomet, Massachusetts 
Photograph © Yola Monakhov Stockton

Tapestry, 2013
Tufted Titmouse, Manomet, Massachusetts 
Photograph © Yola Monakhov Stockton

 Ivory Gate, 2013
Yellow-Rumped Warbler, Manomet, Massachusetts
Photograph © Yola Monakhov Stockton

"By collaborating with scientists, ecologists, and naturalists, I gain access to wild birds captured for banding or captive birds in a research lab, and bring them into conversation with motifs common in religious iconography, ideas of the sublime, and transcendentalism, including horticulture, wilderness, Renaissance depictions of landscape in frescoes and tapestries, and Modernist painting and sculpture."– Yola Monakhov, "Field Guide To Bird Songs" (Schilt Publishing, 2015)

  Young Man in Quarry, 2009. Westchester, New York
Photograph © Yola Monakhov Stockton

Sing Sing Prison with Bird and Fawn, 2011.
Ossining, New York
Photograph © Yola Monakhov Stockton

"For years, New York based photographer Yola Monakhov honed her craft documenting the conflict in the Middle East and with personal projects in Russia. But after completing her MFA in photography at Columbia in 2007 and accepting a position teaching introduction to photography there, Monakhov realized that she longed for the complete control that the black and white medium allows. In Empire Pictures, she approaches her subject matter much in the same way as she did when shooting news stories abroad but chooses instead to slow down the process." read more, "Yola Monakhov's Empire State" by Natalie Matutschovsky, TIME LightBox

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Join the Alice Austen House for the opening of their newest exhibition, "Fields of Inquiry: Photographs by Yola Monakhov Stockton." The show features work from two series Field Guide to Bird Songs and Empire Picture of the Hudson. Stockton's work provides commentary on the photographic process through traditional documentary photography and constructed compositions. Curated by Natalie Matutschovsky, senior photo editor, TIME

"Fields of Inquiry"
Photographs by Yola Monakhov Stockton
09/21/14– 12/28/14

Exhibition Opening 
Sunday, September 21, 11am-5pm

2 Hylan Blvd at Edgewater Street
Staten Island, New York

Austen lived in “Clear Comfort,” a Victorian Gothic cottage that dates back to a 1690. The house, which is one of the oldest in New York and was declared a National Historic Landmark in 1973, overlooks the New York Narrows and has a stunning panoramic view of lower Manhattan, Brooklyn, and the Verrazano Bridge.

Directions from Manhattan by Staten Island Ferry: Subway to South Ferry (1), Whitehall Street (N/R), or Bowling Green Station (4/5) or bus or taxi to: Staten Island Ferry (25 minute ride). At the ferry terminal in Staten Island #S51 Bus to Hylan Boulevard (15 minute ride). Walk one block east to water and Alice Austen House.

Alice Austen House keeps alive the daring spirit of early American photographer Alice Austen (1866-1952) with exhibits and programs in her historic home. Austen was one of America's earliest and most prolific female photographers, and over the course of her life she captured about 8,000 images. Though she is best known for her documentary work, Austen was an artist with a strong aesthetic sensibility. Furthermore, she was a landscape designer, a master tennis player, and the first woman on Staten Island to own a car. She never married, and instead spent fifty years with Gertrude Tate. A rebel who broke away from the ties of her Victorian environment, Alice Austen created her own independent life.

1.16.2014

STEPHEN MALLON: The Salvage of Flight 1549

Brace for Impact: The Salvage of Flight 1549 © Stephen Mallon

Five years ago, Flight 1549 landed in the Hudson River. Stephen Mallon documented it's salvage. I *spoke with Stephen Mallon about how he got started in Photography and the making of these photographs.
“Mallon’s work harkens back to the heroic industrial landscapes of Margaret Bourke-White and Charles Sheeler, who glorified American steel and found art in its industrial muscle and smoke during the Great Depression.”–David Schonauer

Stephen Mallon is a British-born, Brooklyn-based Industrial and Fine Art Photographer. Mallon first caught my undivided attention and gained enormous acclaim for his series, Brace for Impact: The Salvage of Flight 1549. His large-scale photographs documenting the salvage of Flight 1549, the plane piloted by Sully Sullenberger III who successfully emergency-landed in the Hudson River in January 15, 2009 saving all 155 people aboard.

He followed with another outstanding series, “American Reclamation - Next Stop Atlantic”. NYC Transit joined the artificial reef-building program off the east coast of the U.S. in 2000. Mallon beautifully traced the progress of the train cars on their last voyage out to sea.

Brace for Impact: The Salvage of Flight 1549 © Stephen Mallon
  
I studied Photography at the Rochester Institute of Technology from 1992-1996. When I came to New York after graduating, I was picked up by several assistants that liked my work ethic and they brought me along on a number of jobs; that was how I got started. I assisted for four years. In the late ‘90’s, I was shooting industrial landscapes, burned up power stations, airplane landing strips, oil fields, and ended up with a portfolio of Industrial Landscapes.

My wife and I came up with the concept of a body of work to propose to the recycling industry to photograph within the 50 states to interested companies and have a flushed out project that could be published as a book. I came up with the title “American Reclamation.

While I was scouting locations for the book, I spotted a barge loaded up with New York City subway cars. The stripped and decontaminated retired subway cars are thrown into the Atlantic Ocean to create a reef. They pull the windows out, they pull out the motor and the plexiglas, but the steel bodies have asbestos from the old fireproofing so it’s not cost efficient for scrap yards to purchase the steel. They can’t cut them up in a traditional scrap yard, so they dump them into the ocean. They have been doing this for centuries, since the 1600’s, with old tanks, old tires, and cement blocks. The EPA signed off on it. They start building reefs within ninety days, although there’s concern about how stable they are because the hurricane apparently pushed a lot of the subway cars around because of the strength of the currents.


American Reclamation - Next Stop Atlantic  © Stephen Mallon

American Reclamation - Next Stop Atlantic © Stephen Mallon

When I found that barge, I got in touch with Weeks Marine and showed them my existing work on the recycling project. The general manager was a fan of photography and said, “Come on down.” He introduced me to the program director of the MTA who then granted me access to the yard at 207th Street and allowed for me to go out on a series of chase boats with them and photograph when they were putting the subway cars into the ocean.

They were going out every month with a tugboat that takes the barge down. It takes about 24 hours for the tugboat to get there loaded up; so the crew boat goes out from either Cape May or Ocean City and we meet up about two hours out. Bang up right next to them. They climb up a ladder onto the barge, start up the excavator with a custom arm built by them to pick up the subway cars and start throwing them off. Then that crew boat backs off. It needs to stay in the area anyway, so I was able to ask the captain, “Can you keep me here? Get me closer, get me to this side.”

Around November of 2008, I got a call from the salvage contractor at Weeks Marine saying, “I don’t know if you’re interested, but we are picking up the Concord tomorrow”. Weeks has a floating crane, so they were able to pick up the Concord and move it back onto the pier that had been built for it. I photographed while the Concord was being moved to the newly restored Intrepid Museum.
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Jan 15, 2009, it’s my wife’s birthday, Sully lands in the Hudson River and we’re sitting in a bar in Clinton Hill looking at this on TV. Someone at the bar said, “I wonder how they’re going to get the plane out?”  I said, “I know who’s going to do this!” I called my contact at Weeks Marine and asked if they got the job. He said I’ll be in a meeting with the Coast Guard and the FBI, so I can’t pick up my phone, but call Tom Weeks, who owns all the cranes. I jumped in the car, plugged in the address on the GPS, got on a tugboat and then I went out and photographed the crash site. I ended up with exclusive access to Sullys crash because I went in there under the aspects of photographing for the construction company, Weeks Marine. As the fuselage and engine of the aircraft were later brought up intact, lifted some eighty feet out of the icy waters by a gigantic crane and a team of divers in heated wetsuits, I photographed the moment standing on the deck of a crane-barge. I went inside the aircraft to shoot and photographed inside the cockpit and the pilot’s seat. NTSB was there and granted access for me as well with the understanding they would have jpegs available for their research and presentation if needed.

 Brace for Impact: The Salvage of Flight 1549
© Stephen Mallon

Rob Haggard, of AphotoEditor.com, was the first to post press about my photographs of Flight 1549 on his blog. CBS News picked this up and then it just exploded – NBC and MSNBC, New York Magazine, Vanity Fair, PDN, the Lucie Awards, and numerous blog posts later.

They showed Flight 1549 and a couple of the subway cars at PULSEMiami. About half a dozen prints sold, half of which were the subway cars, so I went back and shot the subway cars again. I had a solo show at Front Room Gallery in Sept 2010, on the next chapter of “American Reclamation - Next Stop Atlantic”. The works have been accepted widely and have been shown in New York, Miami, San Francisco, Rome, and the Bristol Biennial, Bristol, UK.
 



*The complete article "STEPHEN MALLON: INDUSTRIAL LANDSCAPES" first appeared in iMagazine in 2012.

2.20.2011

STEPHEN MALLON: The Next Stop Atlantic

Photograph (c) Stephen Mallon/All Rights Reserved

Photograph (c) Stephen Mallon/All Rights Reserved

Photograph (c) Stephen Mallon/All Rights Reserved

Kathleen Vance, Associate Director, Front Room Gallery, in front of Stephen Mallon's "Next Stop Atlantic" image

Photograph (c) Stephen Mallon/All Rights Reserved

Photograph (c) Stephen Mallon/All Rights Reserved

UPDATE!
"Next Stop Atlantic"
Visual Arts Center of New Jersey
July 29 - September 25, 2011
68 Elm Street, Summit, NJ

NYC Transit joined the artificial reef building program off the east coast of the U.S. in 2000, sending stripped subway cars on barges to be dropped into the Atlantic Ocean to build refuge for fish and crustaceans to colonize the structures. Photographer Stephen Mallon beautifully traces the progress of the train cars on their last voyage out to sea.

Mallon gained enormous acclaim for his series, "Brace For Impact: The Salvage of Flight 1549," documenting the salvage of the U.S. Airways flight piloted by Chesley "Sully" Sullenberger, who managed to emergency-land in the Hudson River in January 15, 2009 without losing any passenger lives.

Another Mallon Must See: Stephen Mallon produced and directed this video created from over 30,000 still images, posted in The Wall Street Journal: A New York Bridge Delivered (here). Follow the progress of this massive structure as it is floated, dragged, pushed and pulled over one hundred miles of New York's historic waterways.

UPDATE!
"Next Stop Atlantic"
Visual Arts Center of New Jersey
July 29 - September 25, 2011
68 Elm Street, Summit, NJ