Showing posts with label Picasso. Show all posts
Showing posts with label Picasso. Show all posts

11.17.2018

ARNOLD NEWMAN : ONE HUNDRED

Pablo Picasso, Vallauris, France, 1954
© Arnold Newman

Eikoh Hosoe, 1971 © Arnold Newman

Georgia O'Keefe, Ghost Ranch, New Mexico, 1968
© Arnold Newman

 Yasuo Kuniyoshi, New York City, 1941
© Arnold Newman

Helen Levitt, 1944 © Arnold Newman


Georgia O'Keefe, NYC, 1944 © Arnold Newman


"Arnold Newman (1918-2006) was born in New York City. He began his career in photography in 1938 working at chain portrait studios in Philadelphia, Baltimore, and West Palm Beach, and immediately began working in abstract and documentary photography on his own. In June of 1941, Beaumont Newhall of the Museum of Modern Art, New York, and Alfred Stieglitz “discovered” him, and he was given an exhibition with at the A.D. Gallery in September. In 1945 his Philadelphia Museum of Art one-man show, Artists Look Like This, attracted nationwide attention. Newman’s new approach to portraiture began its influence through key publications in America and abroad. Exhibitions and purchases of his work by major museums quickly followed." 

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"Published to coincide with the centennial of Arnold Newman’s birth, Arnold Newman: One Hundred offers a celebratory look at 100 of the photographer’s most provocative and memorable images. Arnold Newman (1918–2006) is generally acknowledged as the pioneer of the environmental portrait. He spent time exploring the essence of his subjects, finding the best environment to express who they were, and integrating them with their work into compositions that referenced the work. He structured his own visual language, setting up photographs with jaunty geometric grace and inventing visual elements where none existed thus adding complexity and depth to his portraits. His sense of tension, rhythm, and balance, guides the eye through his command of composition."

"The book interweaves the portraits with a selection of Newman’s earlier abstractions and still lifes and thus illuminates the photographer’s development and creative process. The carefully composed formal elements of his early images are echoed in his portraiture and demonstrate his understanding and assimilation of the modernist and cubist ideas that were manifest in the work of many of the artists he photographed and befriended.” 
– Howard Greenberg Gallery

"Arnold Newman: One Hundred" 
Cover: William de Kooning, New York, 1959

Photography by Arnold Newman
Introduction by Gregory Heisler
Hardcover / 10 x 12 inches
100 images / 224 pages
Radius Books, 2018


#BestPhotoBooks2018

All text courtesy of Howard Greenberg Gallery

4.02.2013

AMY ARBUS: After Images ( two ) Exhibitions

 Nina / After Jeanne, 2012
Photograph © Amy Arbus

Libby / After Therese, 2012
Photograph © Amy Arbus

"I chose portraits that I found emotionally intense 
and heartbreakingly beautiful," says Arbus

 Nina / After Melancholy, 2012
Photograph © Amy Arbus

"Amy Arbus is fearless…Her astonishing and pitch-perfect pictures say as much about the sweetly treasured past of painting as they do about the unpredictably hybrid future of photography." –Brian Wallis, Chief Curator, International Center of Photography

PHOTOGRAPHS: AMY ARBUS
Amy Arbus is no stranger to portraiture but this latest series takes her work to a new level. These photographs are a discussion of what occurs in the lens between the real, the represented, and how memory influences perception. It is an homage to classic paintings by masters such as Picasso, Modigliani, Cezanne, and Courbet wherein Arbus extends photography's range. Her chiaroscuro lighting and lush colors produce emotionally dark trompe l'oeil portraits in which the live models appear to be trying to escape the confines of the picture.

"Re-enacting a painting requires a very deliberate kind of scrutiny,” says Amy, "It's like dissecting and re-assembling. The challenge for me has been to use extremely soft lighting and to figure out how to represent the sloped shoulders, elongated necks and fingers that don't exist in real life. I was always too intimidated to create portraits in the style of another photographer, yet ironically with this series, in taking liberties from the original, I feel I was able to make my most unique body of work yet. When people first see them, they are convinced they are paintings."

Amy Arbus has published four  books, including the award winning On the Street and The Inconvenience of Being Born. The New Yorker called her most recent book, The Fourth Wall, her masterpiece. Her photographs have appeared in more than 100 hundred periodicals around the world, including New York Magazine, People, The New Yorker and The New York Times Magazine. She teaches portraiture at the International Center of Photography, and The Fine Arts Work Center and NORDphotography. Arbus is represented by The Schoolhouse Gallery and The Griffin Museum of Photography in Massachusetts. She has had 24 solo exhibitions worldwide and her photographs are a part of the collection of The National Theater in Norway, The New York Public Library, and The Museum of Modern Art in New York. (NYDC/1stdibs)

Books and prints available: Blair Douglas blair@nydc.com + 1stdibs.com

200 Lexington Avenue • 10TH FLOOR • NY NY  
April 2 to 29th

67 Shore Road, Winchester, MA 
Artist Talk: April 12, 7PM
April 9 to June 2

ICP Book Signing: Amy Arbus "After Images"
ICP Store, 1133 Avenue of the Americas
Friday, April 26, 6:00pm–7:30pm  

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And one of my favorite AMY ARBUS books...
 The Fourth Wall * Amy Arbus * Welcome Books