Aerial Photograph © Kacper Kowalski
Aerial Photograph © Kacper Kowalski
Aerial Photograph © Kacper Kowalski
Aerial Photograph © Kacper Kowalski
Close-up (image above)
OVER
Pumphuset Gallery, Landskrona, Sweden
Aerial photographer, Kacper Kowalski, photographed the earth just after snow had fallen and covered the landscape, turning it into a white canvas. With great attention to form, shape and pattern, Kowalski transformed the frozen landscape. Some images remind us of abstract paintings, where traces of animals or tractors looks like black brushstrokes. In others it feels like we are looking through a microscope or a telescope. The important thing is no longer to bring back proof of what the world looks like from above, neither is it important what image your eye registers mechanically.
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I was fortunate to meet Kacper Kowalski at the
2016 Landskrona Photo Festival Portfolio Review. His portfolio
was nominated as the best of all the work viewed by the Reviewers, and
he was chosen as the Winner of the Review. His work was exhibited during the
2017 Landskrona Photo Festival until October 21, 2017.
Aerial Photographer, Kacper Kowalski
Landskrona Portfolio Review Winner 2016
Kacper Kowalski
through October 21, 2017
Pumphuset Gallery
Landskrona, Sweden
November 16, 2017 – January 31, 2018
Anzenberger Gallery / Vienna
Kacper Kowalski discovered flying 20 years ago. To him, it was like discovering an enchanted garden. He found himself paragliding with an engine strapped to his back and entered a space he didn’t have to share with anybody. He could taste and smell the wind. Flying became a drug, and photography became the justification for being up there alone amid the endlessness. There were no digital cameras or drones at that time, so the images he captured became trophies which he brought back to show those who had never seen the world from his vantage point.
However, after two decades of flying, and taken into account all the risks that he exposed himself to, he lost faith in what he was doing. How did he justify taking such risk? Did it still make sense what he was doing? Drones crowded the sky and his enchanted garden had become full of intruders.
Then came the snow and covered the landscape, turning it into a white canvas. Kowalski found another purpose. A new point of view, which was much more personal and filled with emotion. In his new series ‘Over’, Kowalski photographed the earth with great attention to form, shape and pattern, Kowalski transformed the frozen landscape. Some images remind us of abstract painting, where traces of animals or tractors look like black brushstrokes. In others it feels like we are looking through a microscope or a telescope. The important thing is no longer to bring back proof of what the world looks like from above, neither is it important what image your eye registers mechanically. For Kowalski, it is vital what your consciousness perceives. – Anzenberger Gallery
However, after two decades of flying, and taken into account all the risks that he exposed himself to, he lost faith in what he was doing. How did he justify taking such risk? Did it still make sense what he was doing? Drones crowded the sky and his enchanted garden had become full of intruders.
Then came the snow and covered the landscape, turning it into a white canvas. Kowalski found another purpose. A new point of view, which was much more personal and filled with emotion. In his new series ‘Over’, Kowalski photographed the earth with great attention to form, shape and pattern, Kowalski transformed the frozen landscape. Some images remind us of abstract painting, where traces of animals or tractors look like black brushstrokes. In others it feels like we are looking through a microscope or a telescope. The important thing is no longer to bring back proof of what the world looks like from above, neither is it important what image your eye registers mechanically. For Kowalski, it is vital what your consciousness perceives. – Anzenberger Gallery
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1 comment:
So interesting !!! Thanks for sharing :)
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