Showing posts with label Claire de Rouen Books. Show all posts
Showing posts with label Claire de Rouen Books. Show all posts

12.29.2016

2016 BEST PHOTOGRAPHY BOOKS : ROUND-UP PART I

Publisher: Jordan Schnitzer Museum of Art

In Brian Lanker's, From the Heart, an oversized 224-page coffee-table book documenting Lanker’s groundbreaking work, from his Pulitzer Prize-winning photo-essays at the Topeka Capital-Journal in the early 1970s to his tribute to influential African-American women, I Dream a World, one of the best-selling photo books of all time, to his best images for publications like LIFE, National Geographic and Sports Illustrated. Published by the Jordan Schnitzer Museum of Art; designed by Pentagram partner DJ Stout and designer Barrett Fry; impeccable master prints from the drum-scans and digital production mastery by Sean Perry round out this extraordinary monograph. 


Narciso Contreras "Libya : A Human Marketplace"
Co-Publishers: Fondation Carmignac | Editions SKIRA

An elegantly designed and produced book by Mexican photographer, Narciso Contreras, the 7th Laureate of the Carmignac Photojournalism Award. "Contreras lays bare an unfolding humanitarian crisis in which illegal migrants, refugees and asylum seekers are at the mercy of militias who exploit them for financial gain.” The overall book, beautifully typeset on magnificent paper, belies the dangerous situations Contreras put himself in to bring us this ongoing chronicle documenting the brutal reality of human trafficking. Texts by Narciso Contreras and Ela Stapley; Hard Cover, 102 pages, English+French.



Myles Little is an award-winning photo editor at TIME magazine. Outside of TIME, Little curated an exhibit of documentary photography about wealth inequality with an accompanying book, 1% Privilege in a Time of Global Inequality. "If you are concerned that the top 1% of the world owns 50% of all wealth, then this is the photo book for you!” Included are some of the best photographers in the world, like Christopher Anderson, Nina Berman, Michael Light and David Chancellor. Edited by Myles Little. Texts by Joseph Stiglitz, Geoff Dyer, Myles Little. Hardcover, 80 pages.


diane arbus: in the beginning
Publisher: The Metropolitan Museum of Art 

The exhibition, diane arbus: in the beginning, was curated by Jeff L. Rosenheim, Curator in Charge of the Department of Photographs at The Metropolitan Museum of Art. Rosenheim commented, "Arbus's early photographs are wonderfully rich in achievement and perhaps as quietly riveting and ultimately controversial as the iconic images for which she is so widely known.” This fully illustrated catalogue - with two essays: "in the beginning" by Jeff L. Rosenheim and "notes from the archive" by Karan Rinaldo, Senior Research Assistant - accompanied the show. Hardcover, 256 pages. Ephemera: Neal Selkirk is the only person ever authorized to make posthumous prints of the work of Diane Arbus.  Read My Interview with Neal Selkirk



Introduction by Elisabeth Biondi
Published by Damiani

"He takes wry photographs of fashion and the fashionable but without malice, he reveals robot-like models, multitasking make-up artists, a woman doing pushups on the sidelines. He truly enjoys pageantry, the foibles of the style conscious, and the over-the-top displays of vanity—they all make up the spectacle for him." - ELISABETH BIONDI



Photographs 1993–2016 
Publisher: Peanut Press

Who doesn’t love David Carol? Now a compilation of 32 photographs representing the last 25 years of his work is being published in conjunction with his first retrospective exhibition, "NO PLAN B" at the Leica Gallery in Soho, New York! The photos of David's travels include images from Russia to Turkey, Mexico to the Canadian Arctic, all with his very unique and personal vision. Afterword by Jason Eskenazi. Available in two editions: Hardback trade edition - bound in black and a Limited edition of 99 - bound in white, and includes a signed and numbered 6” x 8" gelatin silver print of Gorilla. More books from Peanut Press


Publisher: Fall Line Press

Nancy McCrary, SouthxSoutheast Photo Magazine Publisher and Editor-in-Chief: "Bill Yates arrived at my farm one day a couple of years ago. He was one of those “finds” you make on Facebook I probably would have never met otherwise. He was carrying a large, flat box full of a magical trip back to 1972, my teenage years. Bill spent his weekends during the better part of 1972-1973 photographing kids at a roller skating rink outside of Tampa, Florida and inside this box were the b/w prints he had produced, prints that had remained in a box for all these years. In the 70’s socializing in the rural areas of America was mostly a weekend event, the roller rink was where the action was - a stew of poorly controlled emotions and raging hormones, with some fashion thrown in for flair. Bill Yates captured a place and time with all its roughness and beauty, provoking contemplation and memories. Laurie Shock’s book design and Barbara Griffin’s photo editing make it flow as if you’re back there." – NANCY McCRARY

by Byrd M. Williams IV
Foreword by Roy Flukinger. Afterword by Anne Wilkes Tucker. 
Publisher: University of North Texas Press

"Byrd M. Williams IV has compiled a fascinating look into 120 years of his family’s four generations of photographers in his monograph, Proof : Photographs from Four Generations of a Texas Family. He deftly captures the history, personality and individuality of each age, presenting all through the vernacular of photography. Williams time-travels through images that predate the Civil War, from cyanotypes and ambrotypes, to today's world of digital capture and ink jet prints.” – Elizabeth Avedon 



Homeschooled, Photographs by Rachel Papo, “A quiet meditation on the home education movement from the children's perspective,” photographed around Woodstock, New York, where a small number of families follow this path. Hardback, 128 pages; With text by Ariel Shanberg and Holly Graff; 85 color images. 


Photography As Object in the Digital Age
 Publisher: George Eastman Museum

Paul Kopeikin, Kopeikin Gallery, Owner and Director:
Lisa Hostetler’s “A Matter of Memory: Photography as Object in the Digital Age” is my favorite book of the year. It’s a comprehensive survey with impressive idiosyncratic additions of the most recognizable and important movement in photography of the last decade. The insightful text confirms Hostetler’s importance as curator and writer, while it’s layout makes it a valuable reference as well as an easy and fun read." - PAUL KOPEIKIN

"Susan S. Bank peels away the veneer from Havana, that maddening, mythical metropolis with one eye on the Florida Straits. An imaginary tropical urban paradise, Havana is flirtatious and consistently inconsistent. By-passing worn out clichés, Bank illuminates the invisible with her iconic, metaphorical black and white photographs.” Hardback, 128 pages. Photo-Eye Books

 
Published by STANLEY/BARKER

Lucy Kumara Moore, Director Claire de Rouen Books, London:
Gentlemen presents a collection of staged photographs of upper class English men in the private gentlemen's clubs that surround St James's in London. Knorr describes these as 'the most elite and exclusive enclaves of male power in Britain'. Taken between 1981 and 1983, the images foreground the semiology of language, architectural setting, fashion and pose in relation to aristocratic values. Gentlemen is published by Stanley/Barker.” – LUCY KUMARA MOORE 



Publisher: Editions Bessard

Robin Hammond’s ‘My Lagos’ introduces us to the color, energy and chaos of Africa’s largest city. An original Nollywood film poster wraps this beautifully designed book delivering an authentic piece of the city to the audience. Full bleed color photographs take us on a journey through bustling Lagos streets and into the homes of the rich, poor, and rising middle class. ‘My Lagos’ opens our eyes to an Africa rarely seen in western media. Placed over and between these views of Lagos is a series of large format Polaroid portraits accompanied by quotes from the sitters themselves. A businessman, an actor, a fisherman, a pastor, a prostitute speak of their hopes and dreams in this city of strivers. ‘My Lagos’ is intense and bold....much like the city itself. Editions Bessard



 Jacqueline Roberts: Nebula 
Published by Damiani

Reviving 19th-century photographic wet plate collodion processes, Spanish photographer Jacqueline Roberts long exposures required by the process, ease the subjects into detaching themselves from their immediate surroundings; they appear to the viewer almost as if suspended in time and in space. Nebula is a collection of portraits that capture the mist of psychological and emotional change in youth; a glimpse into their nascent sense of self. Hardback, 144 pages, 87 B+W plates 



"Absence of Being is a haunting, intensely personal and yet extremely universal exploration of the subconscious world, which began with Susan Bernstine’s highly praised first monograph, Within Shadows. Burnstine captures images that purge her dreams. Finding no existing camera that could create what her mind envisioned, she began to experiment with building her own and molding her own lenses until she arrived at the prototype for the handmade cameras she continues to use. Hardback, 120 pages, 80 black-and-white images described as 21st-century impressionism.




3.01.2016

KALPESH LATHIGRA: Lost In The Wilderness

Lost in the Wilderness
Photographs (c) Kalpesh Lathigra

Lost in the Wilderness
Photographs (c) Kalpesh Lathigra

Lost in the Wilderness
Photographs (c) Kalpesh Lathigra

Lost in the Wilderness
Photographs (c) Kalpesh Lathigra

Lost in the Wilderness
Photographs (c) Kalpesh Lathigra

 
 Lost in the Wilderness
Book Launch: Webber Space Gallery, London, March 17  

Lost in the Wilderness / Kalpesh Lathigra 

It’s funny how, as children, we don’t question the games we play or the slow burn of what we take in through films and books and the simple conversations we have. It’s hard to think of a child of my generation not playing cowboys and Indian or watching John Wayne and Gary Cooper in action against the Indians, who always were the enemy.

In these games I was always the Indian, never the cowboy. Why? Because, as a child, India – the subcontinent – is where I was seen as coming from, even though I was born and raised in Forest Gate, London and still live there today.

This fact alone made it my destiny never to be the hero. Later I would read "The Autobiography of Malcolm X" by Alex Haley, "Soul on Ice" by Eldridge Cleaver, "Notes of a Native Son" by James Baldwin; books that were not part of the school curriculum but rather the curriculum of friends who felt abandoned by the school. Those texts transformed many of us marginalized kids growing up in the 1970s and ’80s; they were the words and experiences I could genuinely identify with.

In 2006 I was in New York and a family friend Mark Hewko gave me a copy of "Bury My Heart at Wounded Knee," Dee Brown’s history of the American West, told from the point of view of Native Americans. I read it with an urgency that led me to Ian Frazier’s "On the Rez," about the Oglala Sioux who live on the Pine Ridge Indian Reservation in South Dakota. I became determined to visit  some of these places. I found a charity, Lakota Aid, run by Brenda Aplin in Devon, England. Brenda had spent time on Pine Ridge and seen first hand the challenges faced by the community on Pine Ridge. The charity was raising funds for propane gas (for heating) and better housing during the harsh winters. They put me in touch with Garvard Good Plume, Jr, an elder at Pine Ridge, who would become my guiding light.

I made my first trip in the summer of 2007. At first I photographed very little; I wanted to meet the community there, to see and feel the land. I was concerned about voyeurism and stereotypes and whether I would be able to connect with the people. But those fears were soon laid to rest by the ease with which people accepted me. They told me stories about life on the reservation – how it used to be, what their lives were made up of now, and about their hopes and fears for the future. They treated me with kindness, guidance and dark humor. More often that not I was called “the real Indian”.

There are serious problems on Pine Ridge: there is poverty, unemployment, alcoholism, violence and a high rate of suicide among the young men and women. But it is important to consider the belief that lies behind their determination to preserve their traditions, to keep the Lakota language alive despite the challenges faced. I wanted to make a series of photographs that would not add to the cliches about Native Americans, but would be more lyrical and metaphorical, using ideas around historical landscapes, still life and portraiture. These photographs are of people, places, moments, and things I connected with. They say something about my own experiences as the child of immigrants seen through the experiences of others that I can relate to.

“Lost in the Wilderness”
Available at kalpeshlathigra.com
 
Exhibition and Book Launch  
Webber Space Gallery, London on March 17  
 
I asked Kal about the beautiful production of his book: "My brother Jay Lathigra, who is NYC based, did the design and he has made it sing. The printer in Istanbul has done a wonderful job in their care and attention, plus John Wesley Mannion, a master printer at Light Work in Syracuse, made the match prints. All are part of the team who made the book what it is."