Showing posts with label Fondation Carmignac. Show all posts
Showing posts with label Fondation Carmignac. Show all posts

12.16.2018

BEST PHOTOGRAPHY BOOKS OF 2018 : ROUND-UP PART II

YURI KOZYREV AND KADIR van LOHUIZEN
Arctic: New Frontier

 Point Hope, Alaska, USA, May 2018
Yuri Kozyrev and Kadir van Lohuizen —NOOR for Fondation Carmignac

Boys at the Nakhimov Naval School in Murmansk, Russia, in September.  
Photograph © Yuri Kozyrev—NOOR for Fondation Carmignac


Arctic: New Frontier
Photographs by Yuri Kozyrev and Kadir van Lohuizen :
Co-laureate’s for the 9th edition of the Prix Carmignac Photojournalism Award

One of the most important books to come out this year! Co-laureate’s Yuri Kozyrev and Kadir van Lohuizen traveled almost 10,000 miles collectively across the Arctic to investigate the irreversible changes that are taking place in the region. With a text by Jean Jouzel, chair of The 9th edition Prix Carmignac jury, climatologist, winner of the 2012 Vetlesen Award and co-winner of the 2007 Nobel Peace Award as Director of the IPCC, this book is such a success that the distributor is almost out of the first edition after one month. 

 A Must-Read about this important work here. An exhibition of this work will be showing at Saatchi Gallery, London in May  2019. Purchase on Amazon here and at the Albertine Bookshop,  972 Fifth Ave. New York, NY.

(caption top : Polar bear skin being prepared for clothing, Point Hope, Alaska, May 2018  © Kadir van Lohuizen — NOOR for Fondation Carmignac

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SAUL LEITER In My Room (Steidl, 2018)

In My Room
Photographs by Saul Leiter. Text by Robert Benton.
Steidl, Germany, 2018

"Recent discoveries from Saul Leiter’s vast archive, In My Room provides an in-depth study of the nude, through intimate photographs of the women Leiter knew. Showing deeply personal interior spaces, often illuminated by the lush natural light of the artist’s studio in New York City’s East Village, these black-and-white images reveal a unique type of collaboration between Leiter and his subjects."

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MONA KUHN 
She Disappeared into Complete Silence
Steidl

 Photographs © Mona Kuhn

MONA KUHN  
She Disappeared into Complete Silence
Steidl, Germany, 2018
Text by Salvador Nadales, curator of Painting and Drawing, Museo Reina Sofia

She Disappeared into Complete Silence was photographed in a glass house, on the edge of Joshua Tree National Park,  where the golden light enters unobstructed. Conceptually speaking, this glass house with mirrored ceilings was an extension of my own camera and optics.

I was drawn to the desert because of its magical light and raw mystic landscape. The house itself is a minimal structure held mostly together by glass, built by architect Robert Stone. These translucent surfaces offered a great setting for reflections and at times worked as a prism for the light.

Together with a long time friend Jacintha, we experimented with reflections, shadows, illusions, and created images that push the boundaries of representation. I wanted to escape the body and photograph the human presence coming in and out of evidence, at times over exposed, at times hidden in shadows, like a desert mirage, a solitary figure who could have been the very first or last. 

 – Mona Kuhn

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BARBARA BOSWORTH The Heavens


BARBARA BOSWORTH The Heavens
Text by Margot Kelley, Joanne Lukitsh, and Owen Gingerich
Radius Books, Santa Fe, 2018 



Barbara Bosworth focus’s on the Sun, the Moon and the Sky in The Heavens. "Made over the past several years with an 8x10 camera, the star images are hour-long exposures with the camera mounted on a clock drive so that the stars are rendered as dots instead of streaks. The sun and moon images are made with a telescope attached to Bosworth's camera. The book also includes facsimile editions of three artist's books that Bosworth has made as a nod to Galileo's 17th-century publications in which he first observed the skies through a telescope."

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ANDY RICHTER  Serpent in the Wilderness
Kehrer Verlag

 Photographs © Andy Richter
“Travel light, live Light, spread the Light, be the Light.”– Yogi Bhajan

ANDY RICHTER  Serpent in the Wilderness
Kehrer Verlag, Germany, 2018

"Serpent in the Wilderness is a visual exploration of yoga that emerged from photographer Andy Richter’s personal practice and experience. After studying yoga for years, he decided to use his medium – photography – to search for the essence of the teachings. For more than half a decade, he traveled to places that are historically relevant to yoga’s past and others that embody its living present, documenting a variety of yoga traditions with many of the world’s great saints and yogis. The book reveals hidden layers and rarely seen dimensions of a profoundly spiritual path and way of life, from ashrams and caves throughout India to living rooms across America." Purchase here


I've found it difficult to be impartial when it comes to Andy Richter’s collection of exceptional photographs of yogi’s, yogini’s, sadhu’s’s, students and monk’s. Shot mostly in India, along with New Mexico, California and Beijing – and beautifully photographed, beautifully designed, and beautifully printed –  this book awakens the heart and inspires the mind. Sat Nam. – EA

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PARIS VISONE  For Real 
 Peanut Press

 Photographs © Paris Visone


PARIS VISONE  For Real
Foreword by Cig Harvey 
Peanut Press, 2018

"The publication of For Real marks the first time that Paris Visone's photographs that bridge the gap between commercial photography and fine art. 61 images with a foreword by photographer Cig Harvey, For Real presents intimate portraits of famous musicians and Visone’s own family, blurring the lines between private life, fame, and public persona. In her photographs, Visone portrays her family and friends as rock stars while presenting renowned rock musicians with the intimacy of friends and family."

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 Untitled IV © Victoria J. Dean
Winner, LensCulture Emerging Talent Awards 2017


VICTORIA J DEAN
The Illusion of Purpose

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ANDERS OVERGAARD 
Nothing Left Behind 
Burning Man Festival

 Photographs © Anders Overgaard at Burning Man Festival

ANDERS OVERGAARD  
Nothing Left Behind
A limited edition, Burning Man Festival

"Danish photographer and director, Anders Overgaard, gives a rare insight into the famed Burning Man Festival that takes place in Nevada’s Black Rock Desert with his latest book, Nothing Left Behind. Through his inspiring and daring images, Overgaard's limited edition photo book of the annual festival unites pictures and words in a poetic narrative about the bond that occurs between people, music, art and fashion. Stories and quotes are included from P.Diddy, Frederik Bockhahn, D.J Pierce, Maor Cohen and Overgaard, himself." Take $20. off with code AOXMAS here

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LISA McCARTY
Transcendental Concord
Texts by Rebecca Norris Webb and Kirsten Rian
Radius Books, Santa Fe, 2018

I chose Lisa McCarty's book Transcendental Concord several months ago to include, however photographer Lauren Henkin wrote a beautiful statement about it recently on Photo-Eye Bookstore's 2018 Best Books list:  

"Transcendental Concord is a beautiful meditation on Transcendentalism, photography and visual poetry. The book design, printing, scale, and material selection are handled with such care by Radius Books, that the viewer is left to fully engage and succumb to McCarty’s imagery and the accompanying text of Rebecca Norris Webb and Kirsten Rian. It’s a rare combination that feels unrushed — like the research and work that led to the creation of the book took years to slowly simmer"
– Lauren Henkin, Photo-Eye Best Books 2018

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Somnyama Ngonyama,  
Hail the Dark Lioness
Aperture, New York, 2018

Photographs by Zanele Muholi. Interview and essay by Renée Mussai. Contributions by Andiswa Dlamini, Carla Williams, Cheryl Clarke, Christie van Zyl, Deborah Willis, Fariba Derakhshani, Hlonipha Mokoena, Jackie Mondi, M. Neelika Jayawardane, Mapula Lehong, Milisuthando Bongela, Napo Masheane, Sindiwe Magona, Sophie Hackett, and Unoma Azuah. Purchase here

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HYE-RYOUNG MIN
Re-membrance of the Remembrance

Limited Edition. Datz Press, 2018

Re-membrance of the Remembrance, is a visual reconstruction of memories of the photographer Hye-Ryoung Min's 70 journal entries that she has written steadily since her childhood, already in the collections of the Museum of Fine Arts Houston (MFAH), the Griffin Museum of Photography, Stanford University Libraries and the National Library of Korea.

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DAVE JORDANO  A Detroit Nocturne

In a continuation of Dave Jordano's critically-acclaimed Detroit: Unbroken Down (powerHouse Books, 2015), which documented the lives of residents, Detroit Nocturne is an artist's book not of people this time, but instead the places within which they live and work: structures, dwellings, and storefronts. Made at night, these photographs speak to the quiet resolve of Detroit's neighborhoods and its stewards: independent shop proprietors and home owners who have survived the long and difficult path of living in a  post-industrial city stripped of economic prosperity and opportunity.

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Lawrence Schwartzwald  : The Art of Reading 
Steidl, Germany, 2018

The Art of Reading presents New York photographer Lawrence Schwartzwald's candid images of readers. Partly inspired by André Kertész's On Reading (1971), Schwartzwald's subjects are mostly average New Yorkers, sunbathers, a bus driver, shoeshine men, subway passengers, denizens of bookshops and cafes. Notably Amy Winehouse at Manhattan's now-closed all-night diner Florent graces the cover.

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Dawoud Bey: Seeing Deeply
University of Texas Press, 2018

Recipient of a 2017 MacArthur Foundation “genius grant,” Dawoud Bey has created a body of photography in Seeing Deeply that masterfully portrays the contemporary American experience on its own terms and in all of its diversity.

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RUSSELL JOSLIN  Series of Dreams



Russell Joslin : Series of Dreams
Skeleton Key Press

Series of Dreams” is a beautifully printed volume features 157 striking and memorable works by artists from around the world. Now 25% off in the month of December. To order.


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STEVEN BOLLMAN  Almost True



STEVEN BOLLMAN : Almost True
Afterword by Alfredo Triff.
F8 Books, 2018

Almost True, draws from over three decades of work from many different projects. 81 black and white photos in nine groups,
diverse images that tell their own story but, through the magic of sequencing, offer new stories. The images were taken in Cuba during Fidel Castro's time, at religious processions in Sicily, and during the elections in Haiti in 1987, plus street photos from  Mississippi, New York, Oakland, Portland, Santa Fe, Seattle, Italy, Portugal, and Spain.

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There were more photography books this year than ever before! 

Here's Part I :

BEST PHOTOGRAPHY BOOKS OF 2018 : 

ROUND-UP PART I

If it's in RED it's a link.
Many descriptions are from the publishers promo's.

Follow Jonathan Blaustein’s Photography Book Reviews all year   
aphotoeditor.com

Happy Holidays!  

11.01.2017

THE TRAFFICKING OF WOMEN IN NEPAL: Exhibition by Lizzie Sadin, Laureate of the 2017 8th Carmignac Photojournalism Award

 Photograph by Lizzie Sadin

Photograph by Lizzie Sadin

Photograph by Lizzie Sadin

 Photograph by Lizzie Sadin

Lizzie Sadin won the 8th Carmignac Photojournalism Award devoted to "Modern Day Slavery Among Women.” I was extremely honored to be on the jury.

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Following a July 2016 call for applications by the Fondation Carmignac, the jury, presided over by Monique Villa, CEO of the Thomson Reuters Foundation and Founder of Trust Women, chose to give a voice to Nepalese women by selecting Lizzie Sadin’s project. After four months of reporting in the field between February and May 2017, the photojournalist has brought back a deeply moving testimony on gender-based human trafficking and how rooted it is in Nepalese society. An exhibition of this work opened October 20, 2017 at the Hôtel de l’Industrie, 4 place Saint-Germain-des-Près -75006 Paris, with an accompanying monograph.

After a devastating earthquake that killed 9,000 people and displaced 650,000 others in 2015, the daily life of many Nepalese was shattered. Unemployment and the extremely precarious living conditions have given rise to more and more traffickers every day.

To Lizzie Sadin, this trafficking, based on the sale and forced prostitution of women and girls by “friends” or even family members, is carried out not just for economic reasons, but also for cultural reasons. It affects a woman’s fundamental rights: the right to get a proper education, the right to control her own destiny, the right to live without fear of acts of physical or psychological violence inflicted by her own husband, the right not to be sold …An entire belief system that needs reversing: one that, in Nepal, defines women as being inferior to men.

The International Labour Organisation (ILO) estimates that there are more than 2.5 million victims of modern day slavery, and women make up the majority of this number. According to Amnesty International, women represent 80% of the victims of human trafficking, of whom nearly 50% are minors. The types of exploitation are numerous: sexual, forced labour, domestic slavery…

Women are all the more vulnerable in situations where they have little protection. The countries of South and South-East Asia as well as those of Central Europe and the ex-USSR are the principal purveyors of these modernday slaves. Although abduction is the most common route into slavery, women are also sold by their own families or entrapped into joining the networks of traffickers.

Armed conflicts exacerbate discriminatory and violent behaviour towards women. In Lebanon, Jordan and Turkey, numerous camps of Syrian refugees have emerged. These refugees provide easy prey for networks on the lookout for ‘merchandise’. In Nigeria, in the Darfur region of western Sudan and in the Democratic Republic of Congo,  women and girls are subject to abductions carried out to provide their kidnappers with sexual or domestic slaves.

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Many thanks to Edouard Carmignac, President of The Fondation Carmignac; as well as to Emeric Glayse, Director of the Carmignac Photojournalism Award at Fondation Carmignac. The jury, chaired by Monique Villa, CEO of the Thomson Reuters Foundation and Founder of Trust Women, comprised of Elizabeth Avedon, independent curator specialized in photography • Francesca Fabiani, Photography Special Projects, Department for Contemporary Art and Architecture, Ministry of Culture, Italy • Thierry Grillet, Chief Curator of Bibliothèque Nationale de France (BNF) • Olivier Laurent, Editor-in-chief of Time Lightbox (now at the Washington Post) • Elisabeth Quin, journalist, writer and Arte TV Presenter (28 Minutes) • Narciso Contreras, laureate of the 7th edition of the Carmignac Award'

LIZZIE SADIN : EXHIBITION
The Trafficking of Women in Nepal
Laureate of the 8th Carmignac Photojournalism Award
October 20, 2017 to  November 12, 2017
Hôtel de l’Industrie, Paris
with an accompanying Monograph
Text courtesy of The Fondation Carmignac

9.23.2017

LIZZIE SADIN: The Carmignac Foundation 8th Edition of the Photojournalism Award

Photograph by Lizzie Sadin

is devoted to Modern Day Slavery and its Incidence Among Women

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As part of the 2017 Visa pour l’Image Festival in Perpignan, the Fondation Carmignac announced the Laureate of the 8th Carmignac Photojournalism Award to France’s Lizzie Sadin, for her project on the enslavement of women and girls in Nepal.

Following a July 2016 call for applications, the jury (listed below), presided by Monique Villa,  chose to give a voice to Nepalese women by selecting Lizzie Sadin’s project. After four months of reporting in the field between February and May 2017, the photojournalist has brought back a deeply moving testimony on gender-based human trafficking and how rooted it is in Nepalese society.

After a devastating earthquake that killed 9,000 people and displaced 650,000 others in 2015, the daily life of many Nepalese was shattered. Unemployment and the extremely precarious living conditions have given rise to more and more traffickers every day.

To Lizzie Sadin, this trafficking, based on the sale and forced prostitution of women and girls by “friends” or even family members, is carried out not just for economic reasons, but also for cultural reasons. It affects a woman’s fundamental rights: the right to get a proper education, the right to control her own destiny, the right to live without fear of acts of physical or psychological violence inflicted by her own husband, the right not to be sold …An entire belief system that needs reversing: one that, in Nepal, defines women as being inferior to men.

The International Labour Organisation (ILO) estimates that there are more than 2.5 million victims of modern day slavery, and women make up the majority of this number. According to Amnesty International, women represent 80% of the victims of human trafficking, of whom nearly 50% are minors. The types of exploitation are numerous: sexual, forced labour, domestic slavery…

Women are all the more vulnerable in situations where they have little protection. The countries of South and South-East Asia as well as those of Central Europe and the ex-USSR are the principal purveyors of these modernday slaves. Although abduction is the most common route into slavery, women are also sold by their own families or entrapped into joining the networks of traffickers.

Armed conflicts exacerbate discriminatory and violent behaviour towards women. In Lebanon, Jordan and Turkey, numerous camps of Syrian refugees have emerged. These refugees provide easy prey for networks on the lookout for ‘merchandise’. In Nigeria, in the Darfur region of western Sudan and in the Democratic Republic of Congo,  women and girls are subject to abductions carried out to provide their kidnappers with sexual or domestic slaves.

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Chaired by Monique Villa, CEO of the Thomson Reuters Foundation and Founder of Trust Women, the 8th edition of the Carmignac photojournalism Award aims to make visible these forms of modern day slavery, by supporting a project with the potential to become a tool for reflection and concrete change in the fight against the trafficking of women.

The panel comprised • Elizabeth Avedon, independent curator specialized in photography • Francesca Fabiani, Photography Special Projects, Department for Contemporary Art and Architecture, Ministry of Culture, Italy • Thierry Grillet, Chief Curator of Bibliothèque nationale de France (BNF) • Olivier Laurent, Editor-in-chief of Time Lightbox • Élisabeth Quin, journalist, writer and Arte TV Presenter (28 Minutes) • Narciso Contreras, laureate of the 7th edition of the Carmignac Award
Laureate of the 8th Carmignac Photojournalism Award
Opens October 20, 2017 
Hôtel de l’Industrie, Paris
with an accompanying Monograph

more details to follow....


12.29.2016

2016 BEST PHOTOGRAPHY BOOKS : ROUND-UP PART I

Publisher: Jordan Schnitzer Museum of Art

In Brian Lanker's, From the Heart, an oversized 224-page coffee-table book documenting Lanker’s groundbreaking work, from his Pulitzer Prize-winning photo-essays at the Topeka Capital-Journal in the early 1970s to his tribute to influential African-American women, I Dream a World, one of the best-selling photo books of all time, to his best images for publications like LIFE, National Geographic and Sports Illustrated. Published by the Jordan Schnitzer Museum of Art; designed by Pentagram partner DJ Stout and designer Barrett Fry; impeccable master prints from the drum-scans and digital production mastery by Sean Perry round out this extraordinary monograph. 


Narciso Contreras "Libya : A Human Marketplace"
Co-Publishers: Fondation Carmignac | Editions SKIRA

An elegantly designed and produced book by Mexican photographer, Narciso Contreras, the 7th Laureate of the Carmignac Photojournalism Award. "Contreras lays bare an unfolding humanitarian crisis in which illegal migrants, refugees and asylum seekers are at the mercy of militias who exploit them for financial gain.” The overall book, beautifully typeset on magnificent paper, belies the dangerous situations Contreras put himself in to bring us this ongoing chronicle documenting the brutal reality of human trafficking. Texts by Narciso Contreras and Ela Stapley; Hard Cover, 102 pages, English+French.



Myles Little is an award-winning photo editor at TIME magazine. Outside of TIME, Little curated an exhibit of documentary photography about wealth inequality with an accompanying book, 1% Privilege in a Time of Global Inequality. "If you are concerned that the top 1% of the world owns 50% of all wealth, then this is the photo book for you!” Included are some of the best photographers in the world, like Christopher Anderson, Nina Berman, Michael Light and David Chancellor. Edited by Myles Little. Texts by Joseph Stiglitz, Geoff Dyer, Myles Little. Hardcover, 80 pages.


diane arbus: in the beginning
Publisher: The Metropolitan Museum of Art 

The exhibition, diane arbus: in the beginning, was curated by Jeff L. Rosenheim, Curator in Charge of the Department of Photographs at The Metropolitan Museum of Art. Rosenheim commented, "Arbus's early photographs are wonderfully rich in achievement and perhaps as quietly riveting and ultimately controversial as the iconic images for which she is so widely known.” This fully illustrated catalogue - with two essays: "in the beginning" by Jeff L. Rosenheim and "notes from the archive" by Karan Rinaldo, Senior Research Assistant - accompanied the show. Hardcover, 256 pages. Ephemera: Neal Selkirk is the only person ever authorized to make posthumous prints of the work of Diane Arbus.  Read My Interview with Neal Selkirk



Introduction by Elisabeth Biondi
Published by Damiani

"He takes wry photographs of fashion and the fashionable but without malice, he reveals robot-like models, multitasking make-up artists, a woman doing pushups on the sidelines. He truly enjoys pageantry, the foibles of the style conscious, and the over-the-top displays of vanity—they all make up the spectacle for him." - ELISABETH BIONDI



Photographs 1993–2016 
Publisher: Peanut Press

Who doesn’t love David Carol? Now a compilation of 32 photographs representing the last 25 years of his work is being published in conjunction with his first retrospective exhibition, "NO PLAN B" at the Leica Gallery in Soho, New York! The photos of David's travels include images from Russia to Turkey, Mexico to the Canadian Arctic, all with his very unique and personal vision. Afterword by Jason Eskenazi. Available in two editions: Hardback trade edition - bound in black and a Limited edition of 99 - bound in white, and includes a signed and numbered 6” x 8" gelatin silver print of Gorilla. More books from Peanut Press


Publisher: Fall Line Press

Nancy McCrary, SouthxSoutheast Photo Magazine Publisher and Editor-in-Chief: "Bill Yates arrived at my farm one day a couple of years ago. He was one of those “finds” you make on Facebook I probably would have never met otherwise. He was carrying a large, flat box full of a magical trip back to 1972, my teenage years. Bill spent his weekends during the better part of 1972-1973 photographing kids at a roller skating rink outside of Tampa, Florida and inside this box were the b/w prints he had produced, prints that had remained in a box for all these years. In the 70’s socializing in the rural areas of America was mostly a weekend event, the roller rink was where the action was - a stew of poorly controlled emotions and raging hormones, with some fashion thrown in for flair. Bill Yates captured a place and time with all its roughness and beauty, provoking contemplation and memories. Laurie Shock’s book design and Barbara Griffin’s photo editing make it flow as if you’re back there." – NANCY McCRARY

by Byrd M. Williams IV
Foreword by Roy Flukinger. Afterword by Anne Wilkes Tucker. 
Publisher: University of North Texas Press

"Byrd M. Williams IV has compiled a fascinating look into 120 years of his family’s four generations of photographers in his monograph, Proof : Photographs from Four Generations of a Texas Family. He deftly captures the history, personality and individuality of each age, presenting all through the vernacular of photography. Williams time-travels through images that predate the Civil War, from cyanotypes and ambrotypes, to today's world of digital capture and ink jet prints.” – Elizabeth Avedon 



Homeschooled, Photographs by Rachel Papo, “A quiet meditation on the home education movement from the children's perspective,” photographed around Woodstock, New York, where a small number of families follow this path. Hardback, 128 pages; With text by Ariel Shanberg and Holly Graff; 85 color images. 


Photography As Object in the Digital Age
 Publisher: George Eastman Museum

Paul Kopeikin, Kopeikin Gallery, Owner and Director:
Lisa Hostetler’s “A Matter of Memory: Photography as Object in the Digital Age” is my favorite book of the year. It’s a comprehensive survey with impressive idiosyncratic additions of the most recognizable and important movement in photography of the last decade. The insightful text confirms Hostetler’s importance as curator and writer, while it’s layout makes it a valuable reference as well as an easy and fun read." - PAUL KOPEIKIN

"Susan S. Bank peels away the veneer from Havana, that maddening, mythical metropolis with one eye on the Florida Straits. An imaginary tropical urban paradise, Havana is flirtatious and consistently inconsistent. By-passing worn out clichés, Bank illuminates the invisible with her iconic, metaphorical black and white photographs.” Hardback, 128 pages. Photo-Eye Books

 
Published by STANLEY/BARKER

Lucy Kumara Moore, Director Claire de Rouen Books, London:
Gentlemen presents a collection of staged photographs of upper class English men in the private gentlemen's clubs that surround St James's in London. Knorr describes these as 'the most elite and exclusive enclaves of male power in Britain'. Taken between 1981 and 1983, the images foreground the semiology of language, architectural setting, fashion and pose in relation to aristocratic values. Gentlemen is published by Stanley/Barker.” – LUCY KUMARA MOORE 



Publisher: Editions Bessard

Robin Hammond’s ‘My Lagos’ introduces us to the color, energy and chaos of Africa’s largest city. An original Nollywood film poster wraps this beautifully designed book delivering an authentic piece of the city to the audience. Full bleed color photographs take us on a journey through bustling Lagos streets and into the homes of the rich, poor, and rising middle class. ‘My Lagos’ opens our eyes to an Africa rarely seen in western media. Placed over and between these views of Lagos is a series of large format Polaroid portraits accompanied by quotes from the sitters themselves. A businessman, an actor, a fisherman, a pastor, a prostitute speak of their hopes and dreams in this city of strivers. ‘My Lagos’ is intense and bold....much like the city itself. Editions Bessard



 Jacqueline Roberts: Nebula 
Published by Damiani

Reviving 19th-century photographic wet plate collodion processes, Spanish photographer Jacqueline Roberts long exposures required by the process, ease the subjects into detaching themselves from their immediate surroundings; they appear to the viewer almost as if suspended in time and in space. Nebula is a collection of portraits that capture the mist of psychological and emotional change in youth; a glimpse into their nascent sense of self. Hardback, 144 pages, 87 B+W plates 



"Absence of Being is a haunting, intensely personal and yet extremely universal exploration of the subconscious world, which began with Susan Bernstine’s highly praised first monograph, Within Shadows. Burnstine captures images that purge her dreams. Finding no existing camera that could create what her mind envisioned, she began to experiment with building her own and molding her own lenses until she arrived at the prototype for the handmade cameras she continues to use. Hardback, 120 pages, 80 black-and-white images described as 21st-century impressionism.