Showing posts with label India. Show all posts
Showing posts with label India. Show all posts

1.28.2019

EINAR FALUR INGOLFSSON: Varanasi Diaries

 The Varanasi Diaries: 
Surfaces, Scenes and Society
 
The Varanasi Diaries: 
Surfaces, Scenes and Society
 
"In Surfaces, I am trying to convey the experience and feelings, starting with the 2-D surfaces of the city, in a conversation with paintings." 

" These photographs were taken in different parts of Varanasi - in the old city along the Ganges, as well as in newer neighborhoods..."

"In Scenes, I am looking at buildings and all kind of structures in Varanasi; architecture and the mark of men in this usually crowded city - but no people are included in this volume. When I found my way into it, the approach, I thought a lot of the work Atget did in Paris and Walker Evans in the US."



VARANASI DIARIES : Surfaces, Scenes and Society
Photographs by Einar Falur Ingólfsson

"Varanasi is a constantly changing array of colours and smells, a cacophony of deafening noises and dust; cows and bulls on roads, potholes, cycle-rickshaws and others with engines; trees, temples, lingams, boats and fires, tranquil and often quite run-down old houses, narrow lanes and crowded highways, advertisements, new and fairly uniform neighborhoods, and numerous gods. Then there is the mighty river, The Ganges, at center of the city - and people. Varanasi is the home of three million people and tens of thousands of pilgrims and tourists come to visit. Together, they all make up the coulorful and vibrant society that the city consists of; the pilgrims, students, policemen, rickshaw drivers, widows, toddlers, boatmen, sweepers, sadhus, trash-collectors, shopkeepers, tourists, barbers, politicians, chai wallahs..." – Einar Falur Ingólfsson

The Varanasi Diaries are a bundle of three books, Surfaces, Scenes and Society, compiled in the city of Varanasi in India last October, where the books were also designed. They were released in a limited edition of 50 numbered copies; later be repackaged in a bigger book with more work. These photographs by Ingólfsson were taken in different parts of Varanasi - in the old city along the Ganges, as well as in newer neighborhoods, and in nearby Sarnath and Ramnagar.

WEBSITE: http://efi.is/

einarfalur@gmail.com

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Pétur Thomsen, Co-Director of the Icelandic Photography Festival, and Icelandic photographer and journalist, Einar Falur Ingólfsson, author of Varanasi Diaries and Land Seen Following in the Footsteps of Johannes Larsen, Crymogea, Reykjavík, Iceland 2017.

I first met photographer Einar Falur Ingólfsson as a fellow reviewer for the Landskrona Photo Festival Portfolio Reviews in Sweden. The following year he invited me to be a reviewer at the Icelandic Photography Festival in Reykjavic. Through Ingólfsson, and his students, I've gotten to know many Icelandic photographers and curators I'll write more about in the near future.

12.16.2018

BEST PHOTOGRAPHY BOOKS OF 2018 : ROUND-UP PART II

YURI KOZYREV AND KADIR van LOHUIZEN
Arctic: New Frontier

 Point Hope, Alaska, USA, May 2018
Yuri Kozyrev and Kadir van Lohuizen —NOOR for Fondation Carmignac

Boys at the Nakhimov Naval School in Murmansk, Russia, in September.  
Photograph © Yuri Kozyrev—NOOR for Fondation Carmignac


Arctic: New Frontier
Photographs by Yuri Kozyrev and Kadir van Lohuizen :
Co-laureate’s for the 9th edition of the Prix Carmignac Photojournalism Award

One of the most important books to come out this year! Co-laureate’s Yuri Kozyrev and Kadir van Lohuizen traveled almost 10,000 miles collectively across the Arctic to investigate the irreversible changes that are taking place in the region. With a text by Jean Jouzel, chair of The 9th edition Prix Carmignac jury, climatologist, winner of the 2012 Vetlesen Award and co-winner of the 2007 Nobel Peace Award as Director of the IPCC, this book is such a success that the distributor is almost out of the first edition after one month. 

 A Must-Read about this important work here. An exhibition of this work will be showing at Saatchi Gallery, London in May  2019. Purchase on Amazon here and at the Albertine Bookshop,  972 Fifth Ave. New York, NY.

(caption top : Polar bear skin being prepared for clothing, Point Hope, Alaska, May 2018  © Kadir van Lohuizen — NOOR for Fondation Carmignac

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SAUL LEITER In My Room (Steidl, 2018)

In My Room
Photographs by Saul Leiter. Text by Robert Benton.
Steidl, Germany, 2018

"Recent discoveries from Saul Leiter’s vast archive, In My Room provides an in-depth study of the nude, through intimate photographs of the women Leiter knew. Showing deeply personal interior spaces, often illuminated by the lush natural light of the artist’s studio in New York City’s East Village, these black-and-white images reveal a unique type of collaboration between Leiter and his subjects."

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MONA KUHN 
She Disappeared into Complete Silence
Steidl

 Photographs © Mona Kuhn

MONA KUHN  
She Disappeared into Complete Silence
Steidl, Germany, 2018
Text by Salvador Nadales, curator of Painting and Drawing, Museo Reina Sofia

She Disappeared into Complete Silence was photographed in a glass house, on the edge of Joshua Tree National Park,  where the golden light enters unobstructed. Conceptually speaking, this glass house with mirrored ceilings was an extension of my own camera and optics.

I was drawn to the desert because of its magical light and raw mystic landscape. The house itself is a minimal structure held mostly together by glass, built by architect Robert Stone. These translucent surfaces offered a great setting for reflections and at times worked as a prism for the light.

Together with a long time friend Jacintha, we experimented with reflections, shadows, illusions, and created images that push the boundaries of representation. I wanted to escape the body and photograph the human presence coming in and out of evidence, at times over exposed, at times hidden in shadows, like a desert mirage, a solitary figure who could have been the very first or last. 

 – Mona Kuhn

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BARBARA BOSWORTH The Heavens


BARBARA BOSWORTH The Heavens
Text by Margot Kelley, Joanne Lukitsh, and Owen Gingerich
Radius Books, Santa Fe, 2018 



Barbara Bosworth focus’s on the Sun, the Moon and the Sky in The Heavens. "Made over the past several years with an 8x10 camera, the star images are hour-long exposures with the camera mounted on a clock drive so that the stars are rendered as dots instead of streaks. The sun and moon images are made with a telescope attached to Bosworth's camera. The book also includes facsimile editions of three artist's books that Bosworth has made as a nod to Galileo's 17th-century publications in which he first observed the skies through a telescope."

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ANDY RICHTER  Serpent in the Wilderness
Kehrer Verlag

 Photographs © Andy Richter
“Travel light, live Light, spread the Light, be the Light.”– Yogi Bhajan

ANDY RICHTER  Serpent in the Wilderness
Kehrer Verlag, Germany, 2018

"Serpent in the Wilderness is a visual exploration of yoga that emerged from photographer Andy Richter’s personal practice and experience. After studying yoga for years, he decided to use his medium – photography – to search for the essence of the teachings. For more than half a decade, he traveled to places that are historically relevant to yoga’s past and others that embody its living present, documenting a variety of yoga traditions with many of the world’s great saints and yogis. The book reveals hidden layers and rarely seen dimensions of a profoundly spiritual path and way of life, from ashrams and caves throughout India to living rooms across America." Purchase here


I've found it difficult to be impartial when it comes to Andy Richter’s collection of exceptional photographs of yogi’s, yogini’s, sadhu’s’s, students and monk’s. Shot mostly in India, along with New Mexico, California and Beijing – and beautifully photographed, beautifully designed, and beautifully printed –  this book awakens the heart and inspires the mind. Sat Nam. – EA

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PARIS VISONE  For Real 
 Peanut Press

 Photographs © Paris Visone


PARIS VISONE  For Real
Foreword by Cig Harvey 
Peanut Press, 2018

"The publication of For Real marks the first time that Paris Visone's photographs that bridge the gap between commercial photography and fine art. 61 images with a foreword by photographer Cig Harvey, For Real presents intimate portraits of famous musicians and Visone’s own family, blurring the lines between private life, fame, and public persona. In her photographs, Visone portrays her family and friends as rock stars while presenting renowned rock musicians with the intimacy of friends and family."

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 Untitled IV © Victoria J. Dean
Winner, LensCulture Emerging Talent Awards 2017


VICTORIA J DEAN
The Illusion of Purpose

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ANDERS OVERGAARD 
Nothing Left Behind 
Burning Man Festival

 Photographs © Anders Overgaard at Burning Man Festival

ANDERS OVERGAARD  
Nothing Left Behind
A limited edition, Burning Man Festival

"Danish photographer and director, Anders Overgaard, gives a rare insight into the famed Burning Man Festival that takes place in Nevada’s Black Rock Desert with his latest book, Nothing Left Behind. Through his inspiring and daring images, Overgaard's limited edition photo book of the annual festival unites pictures and words in a poetic narrative about the bond that occurs between people, music, art and fashion. Stories and quotes are included from P.Diddy, Frederik Bockhahn, D.J Pierce, Maor Cohen and Overgaard, himself." Take $20. off with code AOXMAS here

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LISA McCARTY
Transcendental Concord
Texts by Rebecca Norris Webb and Kirsten Rian
Radius Books, Santa Fe, 2018

I chose Lisa McCarty's book Transcendental Concord several months ago to include, however photographer Lauren Henkin wrote a beautiful statement about it recently on Photo-Eye Bookstore's 2018 Best Books list:  

"Transcendental Concord is a beautiful meditation on Transcendentalism, photography and visual poetry. The book design, printing, scale, and material selection are handled with such care by Radius Books, that the viewer is left to fully engage and succumb to McCarty’s imagery and the accompanying text of Rebecca Norris Webb and Kirsten Rian. It’s a rare combination that feels unrushed — like the research and work that led to the creation of the book took years to slowly simmer"
– Lauren Henkin, Photo-Eye Best Books 2018

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Somnyama Ngonyama,  
Hail the Dark Lioness
Aperture, New York, 2018

Photographs by Zanele Muholi. Interview and essay by Renée Mussai. Contributions by Andiswa Dlamini, Carla Williams, Cheryl Clarke, Christie van Zyl, Deborah Willis, Fariba Derakhshani, Hlonipha Mokoena, Jackie Mondi, M. Neelika Jayawardane, Mapula Lehong, Milisuthando Bongela, Napo Masheane, Sindiwe Magona, Sophie Hackett, and Unoma Azuah. Purchase here

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HYE-RYOUNG MIN
Re-membrance of the Remembrance

Limited Edition. Datz Press, 2018

Re-membrance of the Remembrance, is a visual reconstruction of memories of the photographer Hye-Ryoung Min's 70 journal entries that she has written steadily since her childhood, already in the collections of the Museum of Fine Arts Houston (MFAH), the Griffin Museum of Photography, Stanford University Libraries and the National Library of Korea.

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DAVE JORDANO  A Detroit Nocturne

In a continuation of Dave Jordano's critically-acclaimed Detroit: Unbroken Down (powerHouse Books, 2015), which documented the lives of residents, Detroit Nocturne is an artist's book not of people this time, but instead the places within which they live and work: structures, dwellings, and storefronts. Made at night, these photographs speak to the quiet resolve of Detroit's neighborhoods and its stewards: independent shop proprietors and home owners who have survived the long and difficult path of living in a  post-industrial city stripped of economic prosperity and opportunity.

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Lawrence Schwartzwald  : The Art of Reading 
Steidl, Germany, 2018

The Art of Reading presents New York photographer Lawrence Schwartzwald's candid images of readers. Partly inspired by André Kertész's On Reading (1971), Schwartzwald's subjects are mostly average New Yorkers, sunbathers, a bus driver, shoeshine men, subway passengers, denizens of bookshops and cafes. Notably Amy Winehouse at Manhattan's now-closed all-night diner Florent graces the cover.

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Dawoud Bey: Seeing Deeply
University of Texas Press, 2018

Recipient of a 2017 MacArthur Foundation “genius grant,” Dawoud Bey has created a body of photography in Seeing Deeply that masterfully portrays the contemporary American experience on its own terms and in all of its diversity.

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RUSSELL JOSLIN  Series of Dreams



Russell Joslin : Series of Dreams
Skeleton Key Press

Series of Dreams” is a beautifully printed volume features 157 striking and memorable works by artists from around the world. Now 25% off in the month of December. To order.


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STEVEN BOLLMAN  Almost True



STEVEN BOLLMAN : Almost True
Afterword by Alfredo Triff.
F8 Books, 2018

Almost True, draws from over three decades of work from many different projects. 81 black and white photos in nine groups,
diverse images that tell their own story but, through the magic of sequencing, offer new stories. The images were taken in Cuba during Fidel Castro's time, at religious processions in Sicily, and during the elections in Haiti in 1987, plus street photos from  Mississippi, New York, Oakland, Portland, Santa Fe, Seattle, Italy, Portugal, and Spain.

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There were more photography books this year than ever before! 

Here's Part I :

BEST PHOTOGRAPHY BOOKS OF 2018 : 

ROUND-UP PART I

If it's in RED it's a link.
Many descriptions are from the publishers promo's.

Follow Jonathan Blaustein’s Photography Book Reviews all year   
aphotoeditor.com

Happy Holidays!  

3.02.2017

ASHOK SINHA : At Scale, Dallas

NEW YORK TO LOS ANGELES #1
© Ashok Sinha

NEW YORK TO LOS ANGELES #2
© Ashok Sinha 

 SOUTH OF CONVERGENCE #2
© Ashok Sinha 

SOUTH OF CONVERGENCE #1
© Ashok Sinha 

 
Sherle Wagner Art Gallery
Presented by Uprise Art
March 9 - April 28, 2017
Opening Reception March 9, 5-8pm
1025 Slocum Street
Dallas, TX 

Ashok Sinha (b. 1975) was born in Calcutta, India. Since 2009, he has worked as a professional photographer in New York City. Interested in portraits, travel, and architecture, Sinha has voyaged to over forty countries photographing remote tribes, vast landscapes, and local culture. Capturing a distinct sense of place is a recurring theme throughout his work, through a portrait of a person in their home or place of work, or images of the built environment. His photographs have been published by numerous publications including National Geographic, The New York Times, and Interior Design Magazine while his fine art photography has been collected and exhibited in galleries in the United States and abroad. In 2011, he founded Cartwheel Initiative, a nonprofit organization that uses photography and creative media to help young people build bridges within their communities and across ethnic and social divisions.
  
 

3.01.2016

KALPESH LATHIGRA: Lost In The Wilderness

Lost in the Wilderness
Photographs (c) Kalpesh Lathigra

Lost in the Wilderness
Photographs (c) Kalpesh Lathigra

Lost in the Wilderness
Photographs (c) Kalpesh Lathigra

Lost in the Wilderness
Photographs (c) Kalpesh Lathigra

Lost in the Wilderness
Photographs (c) Kalpesh Lathigra

 
 Lost in the Wilderness
Book Launch: Webber Space Gallery, London, March 17  

Lost in the Wilderness / Kalpesh Lathigra 

It’s funny how, as children, we don’t question the games we play or the slow burn of what we take in through films and books and the simple conversations we have. It’s hard to think of a child of my generation not playing cowboys and Indian or watching John Wayne and Gary Cooper in action against the Indians, who always were the enemy.

In these games I was always the Indian, never the cowboy. Why? Because, as a child, India – the subcontinent – is where I was seen as coming from, even though I was born and raised in Forest Gate, London and still live there today.

This fact alone made it my destiny never to be the hero. Later I would read "The Autobiography of Malcolm X" by Alex Haley, "Soul on Ice" by Eldridge Cleaver, "Notes of a Native Son" by James Baldwin; books that were not part of the school curriculum but rather the curriculum of friends who felt abandoned by the school. Those texts transformed many of us marginalized kids growing up in the 1970s and ’80s; they were the words and experiences I could genuinely identify with.

In 2006 I was in New York and a family friend Mark Hewko gave me a copy of "Bury My Heart at Wounded Knee," Dee Brown’s history of the American West, told from the point of view of Native Americans. I read it with an urgency that led me to Ian Frazier’s "On the Rez," about the Oglala Sioux who live on the Pine Ridge Indian Reservation in South Dakota. I became determined to visit  some of these places. I found a charity, Lakota Aid, run by Brenda Aplin in Devon, England. Brenda had spent time on Pine Ridge and seen first hand the challenges faced by the community on Pine Ridge. The charity was raising funds for propane gas (for heating) and better housing during the harsh winters. They put me in touch with Garvard Good Plume, Jr, an elder at Pine Ridge, who would become my guiding light.

I made my first trip in the summer of 2007. At first I photographed very little; I wanted to meet the community there, to see and feel the land. I was concerned about voyeurism and stereotypes and whether I would be able to connect with the people. But those fears were soon laid to rest by the ease with which people accepted me. They told me stories about life on the reservation – how it used to be, what their lives were made up of now, and about their hopes and fears for the future. They treated me with kindness, guidance and dark humor. More often that not I was called “the real Indian”.

There are serious problems on Pine Ridge: there is poverty, unemployment, alcoholism, violence and a high rate of suicide among the young men and women. But it is important to consider the belief that lies behind their determination to preserve their traditions, to keep the Lakota language alive despite the challenges faced. I wanted to make a series of photographs that would not add to the cliches about Native Americans, but would be more lyrical and metaphorical, using ideas around historical landscapes, still life and portraiture. These photographs are of people, places, moments, and things I connected with. They say something about my own experiences as the child of immigrants seen through the experiences of others that I can relate to.

“Lost in the Wilderness”
Available at kalpeshlathigra.com
 
Exhibition and Book Launch  
Webber Space Gallery, London on March 17  
 
I asked Kal about the beautiful production of his book: "My brother Jay Lathigra, who is NYC based, did the design and he has made it sing. The printer in Istanbul has done a wonderful job in their care and attention, plus John Wesley Mannion, a master printer at Light Work in Syracuse, made the match prints. All are part of the team who made the book what it is."

9.09.2014

NICHOLAS VREELAND: Street Photography

Navigating Monsoons, Hubli, India
Photograph © Nicholas Vreeland
(please double-click to enlarge!)

Lodi Gardens, Delhi, India
Photograph © Nicholas Vreeland

Lodi Gardens, Delhi, India
Photograph © Nicholas Vreeland

Nicholas Vreeland is a Buddhist monk who loves photography. He's had a long history on that front acquiring skills assisting Irving Penn and Richard Avedon, and from his friends Henri Cartier-Bresson and wife Martine Franck - before and after becoming a Buddhist monk. He is now a rather famous monk, having several titles. He is also known as Ven. Geshe Thupten Lhundup, a fully ordained Tibetan Buddhist monk, who is now the abbot of Rato Dratsang.

In May of 2012, the Dalai Lama gave Nicholas, then Director of The Tibet Center in New York, a daunting new assignment. He was enthroned as the new Abbot of Rato Monastery in southern India, one of the most important monasteries in Tibetan Buddhism. He is the first Westerner to hold the position as Khen Rinpoche.

 Nicholas Vreeland, Bodhgaya, India 1986
Photograph © Elizabeth Paul Avedon

Nicholas Vreeland (above as a novice monk) leaving to receive his full ordination bestowed by H.H. 14th Dalai Lama, early morning, December 1986, The Ashoka Hotel, Bodhgaya, India. Accompanied by Jamyang Chojor of Tibet, nephew of Khyongla Rato Rinpoche. Photograph © Elizabeth Paul Avedon.

 Nicholas Vreeland, Broadway, NY 2012
 Photograph © Elizabeth Paul Avedon

Nicholas Vreeland on his way to his solo photography exhibition at the Leica Gallery, Broadway, New York, 2012.