Showing posts with label Santa Fe Center for Photography. Show all posts
Showing posts with label Santa Fe Center for Photography. Show all posts

1.05.2012

JESSICA INGRAM: CENTER 2011 Santa Fe Prize

Koinonia
Photograph © Jessica Ingram

Koinonia Farms was founded by Clarence Jordan in 1942 in Americus, Georgia as an interracial community where people could live and work. During the Civil Rights Movement, both black and white children from Koinonia were not allowed to attend segregated schools. Koinonia withstood firebombing, night riding, Klan intimidation, and economic boycotts. Koinonia still exists today as an interracial community, dedicated to affordable housing for all. Habitat for Humanity was founded at Koinonia in the 1960s as a response to poverty in the rural American South.

Bank of the Sunflower River
Photograph © Jessica Ingram

In 1970, Rainey Poole, 54, a one-armed sharecropper from Midnight, Mississippi, was beaten by a group of white men and dumped in the Sunflower River. Five men were arrested and charged with assault and murder. The charges were dropped. In 1999, the five were re-tried. Three were convicted of manslaughter, one pleaded guilty to manslaughter, and the other was acquitted.

Armstrong Rubber Company, Natchez, Mississippi
Photograph © Jessica Ingram

On February 27, 1967, Wharlest Jackson, the treasurer of the local NAACP chapter, was killed by a car bomb left by Klansmen, shortly after he received a promotion to a position formerly reserved for whites. His son, Wharlest Jackson, Jr., heard the blast from his home nearby, and rushed to the scene to find his father dead in the road. No one has been convicted for this crime.

Court Square Slave Market, Montgomery, Alabama
Photograph © Jessica Ingram

JESSICA INGRAM // 2011 Santa Fe Prize Winner
"Five years ago, I wandered downtown Montgomery in the sweltering heat, picked up a walking tour trail, and found myself facing a large, ornate fountain, situated on a brick pavilion. A Historical Marker said that I was standing on the former Court Square Slave Market, where slave traders sold men, women, and children to the highest bidder. It presented cold facts, detailing dollar values for slaves at the time and how none were given last names.

I was speechless. The fountain was erected at a time when this site was not considered for its history, the sign placed in a gesture of reconsideration. Moreover, the language printed on the sign was so void of sentiment – in no way testifying to the experience and meaning. I am from the American South, aware of the devastating history of slavery, but this site moved something in me that caught fire. I watched people pass by and wondered if they knew or thought of the history beneath their feet. Curious about other histories and sites (marked and unmarked) I may be passing by in the American South, I began to research." – Jessica Ingram read more

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"Each submission is deserving of recognition. I urge you to look at the list of nominees; visit their websites or seek out their work; you will be affected." –Juror Maggie Blanchard, Director, Twin Palms Publishers

SANTA FE PRIZE
The biennial Santa Fe Prize recognizes a meaningful photographic project. Nominations are received by today's leading art and photographic professionals from around the world. It is an honor to be nominated for this $10,000 cash award and we are pleased to acknowledge and support all of the 2011 nominees.
FIRST PLACE
Jessica Ingram, A Civil Rights Memorial

HONORABLE MENTIONS
Christopher Capozziello, The Distance Between Us
Dona Schwartz, On The Nest
Manjari Sharma, Darshan
Emily Shur, Shizenkan
Will Steacy, Deadline
Amy Stein, Stranded
Pinar Yolacan, Untitled

6.10.2011

TAMAS DEZSO: CENTER 2011 Project Award Winner

Bricks (Budapest, 2009)
Photograph
©
Tamas Dezso

Building (Emod, North-East Hungary, 2009)
Photograph
©
Tamas Dezso

Johanna (Zsambek, North Hungary, 2009)
Photograph
©
Tamas Dezso

Tree and House (West Hungary, 2011)
Photograph
©
Tamas Dezso

Petya (Budapest, 2010)
Photograph
©
Tamas Dezso

Tamas Dezso, CENTER 2011 Project Award Winner

"The map of Hungary is speckled with capsules of time. During the political transformation twenty years ago, as the country experienced change it simply forgot about certain places – streets, blocks of flats, vacant sites and whole districts became self-defined enclosures, where today a certain out-dated, awkward, longed-to-be-forgotten Eastern Europeanness still lingers. There are places which seem to be at one with other parts of the city in a single space, but their co-existence in time is only apparent; places which decompose in accordance with their own specific chronology, determined by their past, such that what remains would then either be silently re-conquered by nature or enveloped by the lifestyles of tomorrow’s generations. Of the inhabitants, who have never fully integrated with majority society, soon only traces will remain, until they too, disappear in the course of time."–Tamas Dezso

Tamas Dezso's series, Here, Anywhere, was chosen as First Place in the 2011 Project Competition by CENTER's hand-picked international panel of esteemed jurors - Simon Baker of the Tate Modern, Alexa Becker of Kehrer Verlag Publishers and Christina Cahill of Getty Images Reportage. In this series, the Hungarian photographer gives us a first-hand look into post-Communist Hungary. The New Mexico Museum of Art showcase's Dezso's photographs in their current exhibition, The Curve: CENTER Award Winners 2011. Tamas was one of 100 photographers invited to participate in Review Santa Fe 2011.

The Curve: New Mexico Museum of Art
Santa Fe, NM, through August 7, 2011
Tamas Dezso website

La Lettre de la Photographie:
Review Santa Fe Part I
/ Part II

3.30.2010

JAMEY STILLINGS: Bridge At Hoover Dam Series CENTER Awards

project: the bridge at hoover dam
Photograph (c) Jamey Stillings /All Rights Reserved
click on images
to enlarge
project: the bridge at hoover dam
Photograph (c) Jamey Stillings /All Rights Reserved

project: the bridge at hoover dam
Photograph (c) Jamey Stillings /All Rights Reserved

project: the bridge at hoover dam
Photograph (c) Jamey Stillings /All Rights Reserved

CENTER (formerly the Santa Fe Center for Photography) awarded Jamey Stillings The Bridge at Hoover Dam series First Prize in the 2010 Editor’s Choice Award. Kathy Ryan, Picture Editor, The New York Times Magazine and Scott Thode, Editor-in-Chief, VII were the jurors. CENTER also awarded The Bridge at Hoover Dam series Honorable Mention in the 2010 Curator's Choice Award. The juror was Roxana Marcoci, Curator, Department of Photography, Museum of Modern Art. The Bridge At Hoover Dam Gallery

project: vanuatu
Photograph (c) Jamey Stillings
/All Rights Reserved

When my wife, Esha Chiocchio, and I first shared our photography with each other (prior to any official courtship!), she looked at the unlabeled image and asked, "Is that Vanuatu?" Turns out she had been on the same river on the island of Santos in Vanuatu a number of years before me. The world is full of mystery and synchronicity! Jamey Stillings Vanuatu Gallery

12.18.2009

JONATHAN BLAUSTEIN/CENTER SLIDELUCK POTSHOW: The Value Of A Dollar

The Value Of A Dollar: One Dollar's Worth of Food From Around The Globe
VIEW CENTER SLIDESHOW

Photograph (c) Jonathan Blaustein /All Rights Reserved

Photograph (c) Jonathan Blaustein /All Rights Reserved

Photograph (c) Jonathan Blaustein /All Rights Reserved

JONATHAN BLAUSTEIN WEBSITE
CENTER/Santa Fe Center for Photography / Slideluck Potshow

12.14.2009

SARA STATHAS: Collecting Moments

Photograph (c) Sara Stathas /All Rights Reserved

Photograph (c) Sara Stathas /All Rights Reserved

Photograph (c) Sara Stathas /All Rights Reserved

Making portraits is like collecting moments of life. I see myself as a cultural anthropologist when I approach an assignment, and my job is a hugely addictive challenge every time.

SARA.STATHAS.NYC WEBSITE

10.15.2009

EWA ZEBROWSKI: Another Place

Vedute di Venezia Project
Copyright (c) Ewa Zabrowski
/All Rights Reserved


The Girl In The Landscape Project
Copyright (c) Ewa Zabrowski
/All Rights Reserved


The Girl In The Landscape Project
Copyright (c) Ewa Zabrowski
/All Rights Reserved


In the last few years writers like Robert Frost, Anne Michaels, Joseph Brodsky, and Mark Strand have influenced my way of looking and have brought me inspiration. Reading continually nurtures my artistic practice.

"EWA ZEBROWSKI's thoughtful photographs are like her elegant books - each one is a refined world within itself. Her work imparts in us a quiet and ineffable desire. We wish to be within the world she photographs."– Sam Abell

Books by Ewa Zebronski
Ewa Monika Zebrowski Website

10.14.2009

ALINE SMITHSON: Unexpected

Copyright (c) Aline Smithson /All Rights Reserved

Copyright (c) Aline Smithson /All Rights Reserved

Copyright (c) Aline Smithson /All Rights Reserved

I look to tell stories that are familiar, yet unexpected. The poignancy of childhood, aging, relationships, family, and moments of introspection or contemplation continue to draw my interest.

After a career as a New York Fashion Editor, working along side the greats of fashion photography, including Horst, Mario Testino, Patrick Demarchelier, Arthur Elgort, and Bert Stern, ALINE SMITHSON discovered the family Rolleiflex and never looked back. She has exhibited widely including solo shows at the Griffin Museum of Photography, the Oswald Gallery, and Wallspace Gallery in Seattle. Aline has been Gallery Editor for Light Leaks Magazine and curated a number of exhibitions for galleries and on-line magazines. She was nominated for the Excellence in Teaching Award in 2008 and 2009 and the Santa Fe Prize for Photography in 2009 by the Santa Fe Center for Photography.

Smithson's series INSIDE/OUT explores the human experience–motherhood, puberty, childhood, work, aging, death, loss–by using masks to create a more universal image and explore what part of a person comes through the mask, what they can and care to project
. Plates To Pixels Interview

Aline Smithson WEBSITE
Aline Smithson's Photography blog: LENSCRATCH