Photograph (c) Mike + Doug Starn /All Rights Reserved
Photograph (c) Mike + Doug Starn /All Rights Reserved
Photograph (c) Mike + Doug Starn /All Rights Reserved
Photograph (c) Mike + Doug Starn /All Rights ReservedBig Bambú is connotative of an autonomous, spontaneous, self-governing, disorganized network responding to itself to better navigate the environment. “It represents me- in that I am who I was, and, I am completely different than I was when I was a little boy.” – Doug Starn
"In September 2008, the Starns took over the former Tallix Foundry in Beacon, New York (50 foot high ceilings by 320-foot long by 65 foot wide), and the construction of Big Bambú immediately started. As of November 15th, more than 2,000 bamboo poles have been assembled creating an extraordinary intricate mental and physical network system
This artwork, in the realm of architecture and performance, starts as a massive tower created from lashed together bamboo poles and brings into space representations of complexity and chaos. At its pinnacle, the continually evolving architecture being built from within (no outside scaffolding or support) will cantilever out as far as the bamboo poles network allows, and then will bridge down to the floor. At this point the first tower will be dismantled pole by pole and carried through the structure and down to create another monumental tower and then on again, walking down the 320 feet space, almost like a Slinky and then back again. Big Bambú will evolve through the continuous rebuilding and rethinking of the structure at all times.
The Starns are directing 8 to 15 rock climbers at a time, who are assembling the structure’s vernacular network in an ongoing action. Big Bambú is consistent with the idea of a self-healing organism; within this “fabric” of bamboo pole network, the artists expect that some poles will stress and fail, but that the structure (the bamboo poles are fibrous and flexible unlike wooden boards that crack and break apart) will maintain some integrity. The tower represents the concepts of self-organization, adaptation and the interconnectedness of all things." ...from starnstudio.com
This artwork, in the realm of architecture and performance, starts as a massive tower created from lashed together bamboo poles and brings into space representations of complexity and chaos. At its pinnacle, the continually evolving architecture being built from within (no outside scaffolding or support) will cantilever out as far as the bamboo poles network allows, and then will bridge down to the floor. At this point the first tower will be dismantled pole by pole and carried through the structure and down to create another monumental tower and then on again, walking down the 320 feet space, almost like a Slinky and then back again. Big Bambú will evolve through the continuous rebuilding and rethinking of the structure at all times.
The Starns are directing 8 to 15 rock climbers at a time, who are assembling the structure’s vernacular network in an ongoing action. Big Bambú is consistent with the idea of a self-healing organism; within this “fabric” of bamboo pole network, the artists expect that some poles will stress and fail, but that the structure (the bamboo poles are fibrous and flexible unlike wooden boards that crack and break apart) will maintain some integrity. The tower represents the concepts of self-organization, adaptation and the interconnectedness of all things." ...from starnstudio.com
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7 comments:
Great piece of sculpture and beautiful images. Its interesting to see the play of the piece overall in a space and its parts in close up/abstract. Great post! Thanks, Daniel
Interesting and beautiful series: Thanks!
the text pretty much says all , just forgot to say one little thing :
Fantastic .
I have a fascination with bamboo. I love to see the scaffolding in Asian construction projects, I like to hold and use items made from it, and I've planted a "wall" of bamboo on one perimeter of my yard. Truth be told, if I could I would fill my yard with it and have a bamboo forest. Keep us posted on this one.
It's the building, dismantling and re-building that I find interesting.
And it still has echoes of their earlier, over-sized and constructed photographs.
Interesting piece of art. I am curious. If they want to move it to another gallery, can they do it the same? :)
and they're twins! :)
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