Showing posts with label Landscape. Show all posts
Showing posts with label Landscape. Show all posts

10.12.2011

ROBERT PRESUTTI: Sierra Nevada

Kissing Rocks, Sierra Nevada de Santa Marta, Columbia 2011
Photograph © Robert Presutti

Arhuaco Indian, Sierra Nevada de Santa Marta, Columbia 2011
Photograph © Robert Presutti

Arhuaco Village, Sierra Nevada de Santa Marta, Columbia 2011
Photograph © Robert Presutti

Robert Presutti Website

"If they protect their sacred mountain home, the Indians of northern Colombia believe they will keep the entire planet in balance. It's getting more and more difficult." –Wade Davis, Keepers of the World

Read more about the Arhuago Indians of the Sierra Nevada de Santa Marta in National Geographic Magazine

12.17.2009

THE RING O'BRODGAR: Andrew Ilachinski

Photograph (c) Andrew Ilachinski /All Rights Reserved

Photograph (c) Andrew Ilachinski /All Rights Reserved

Photograph (c) Andrew Ilachinski /All Rights Reserved

"I felt myself drift in and out of the time of the "here and now" into a more ancient, and ineffable, time; a time that lurks somewhere in the shadows, and is a part of the very fabric of the megaliths themselves. Mindful observers are seduced with glimpses of a parallel world that coexists with ours, but whose essence transcends the "normal" dimensions perceivable via our physical senses alone. The Ring o'Brodgar is a physical symbol of timelessness and transcendence. It is a place for serious contemplation and meditation. A boundary between all that has been forgotten and the just as mysterious unknown future history that is yet to be written."


The Ring o' Brodgar originally contained 60 stones, of which 27 still stand today. The stones range in height from 7' to 15', set within a circular ditch up to 10' deep, 30' wide and 1,200' in circumference carved out of the solid sandstone bedrock. Estimates place its origin between 2500 and 2000 BC.

WORLDS WITHIN WORLDS
Exhibit to April 16, 2010
The American Center for Physics, College Park, MD

12.09.2009

LARRY McNEIL: Alaska Native Artist Exhibition Dec 10 Alaska House NYC

Larry McNeil, a Tlingit Artist at the start of the 21st Century
Photograph (c) T'naa McNeil /All Rights Reserved

"1491" From The Feather Series

Back in 1992, the 500 year anniversary date of when Columbus arrived on the shores of the Americas, a group of artists were asked by Theresa Harlan to participate in the Message Carriers exhibition that was graciously hosted by the Photographic Resource Center at Boston University. I used a feather as a metaphor for indigenous identity and really love it that the media is black & white film because it referenced the world culture of 1992 so well. It represents the future denied us in 1491- a reminder that indigenous people still have a future that we can make our own. All of humanity for that matter. I like to think of it as kind of like a photograph on a blank page for you to fill in with how you imagine yourself to be.

YUPIK LADIES SERIES
Vintage Photograph (c) Larry McNeil
/All Rights Reserved


YUPIK LADIES SERIES
Vintage Photograph (c) Larry McNeil /All Rights Reserved

YUPIK LADIES SERIES
Vintage Photograph (c) Larry McNeil /All Rights Reserved

"I find myself simply wondering how humanity would have evolved had the humans indigenous to the Americas been allowed to continue to evolve without European interference. Can you imagine a world not in the midst of a human- induced ecological melt-down?"

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LARRY McNEIL, Tlingit/Nisgaa, was born in 1955 in Juneau, Alaska. He's won numerous awards for his photography, including the National Geographic "All Roads Photography Award", the prestigious "Eiteljorg Fellowship" and the "New Works Award" from En Foco. His biography goes on to say "his photographs are about American Mythology, Ravens, the intersection of cultures, and finding the sacred in unlikely places. It is about the sacred not being for sale, but being able to be rented at reasonable rates. It is about being able to fly by night."

Eiteljorg Video Interview / Eiteljorg Biography
Larry McNeil's WEBSITE Follow his BLOG

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Dec 10, 2009 6:30 - 8:30pm
DRY ICE: Alaska Native Artists and The Landscape
Alaska House, 109 Mercer Street (Prince x Spring), New York

An exhibition of Alaska Native artists, including Brian Adams, Susie Bevins-Ericsen, Perry Eaton, Nicholas Galanin, Anna Hoover, Erica Lord, Da-ka-xeen Mehner, and Larry McNeil. Each explores their relationship to the landscape, through a variety of interpretations and media, combining traditional and innovative forms from mask-making and skin sewing to photography and installation. Dry Ice is curated by Julie Decker, Ph.D., of Anchorage, Alaska. Decker is the director of the International Gallery of Contemporary Art in Anchorage, a frequent guest curator of the Anchorage Museum and the author of numerous publications on art and architecture of Alaska.

9.08.2009

RICHARD RENALDI: Figures and Ground

Curtis, 2007 (c) Richard Renaldi/All rights reserved

Jared and Glen, 2007 (c) Richard Renaldi/All rights reserved

Irina and Children, 2008 (c) Richard Renaldi/All rights reserved

RICHARD RENALDI graduated from New York University in 1990 with a Bachelor of Fine Arts in Photography. He is now one of the most renowned young portrait photographers working today. His first book, Figure and Ground, was published by Aperture. "Renaldi’s work melds two classic photographic genres—portrait and straight landscape—into a single descriptive frame that speaks as much to a sense of the indi­viduals before the lens as it does to the spaces they inhabit. The omnivorous film-plane of Renaldi’s 8-by-10 camera embraces not only the individuals directly in front of it, but the environment that encompasses them as well. If there is truly a center to the American social landscape, it can be found here, in Renaldi’s precisely rendered portraits." (Aperture Foundation)
Richard Renaldi Books and Website

6.15.2009

GEORG KUETTINGER: Landscapes Remixed

Salinas del Janubio © Georg Kuettinger/ All rights reserved
(click to enlarge)
Cols © Georg Kuettinger/ All rights reserved
(click to enlarge)
Ski Trails © Georg Kuettinger/ All rights reserved
(click to enlarge)

GEORG KUETTINGER: "The project landscape: remixed is an examination of perception, density of space and time, horizons and stories of landscapes. Concentrating on landscapes as a result of human interactions the concept and term of landscapes: remixed is similar to a song remix by a DJ: The remix is re-editing the rhythm and shape of the motif as well as the changing of the time, tracking the main aspect of a designed landscape to be elaborated as the concept or idea of the structure of the image. Taking always a number of single photos of one motif from many different points of view the goal of the work is creating images as possibilities of the landscapes they are based on.

Compressed into one picture frame the single images and different perspectives are melted together to one image- each single shot given a new context within the structure of the image, creating a complex web of perspectives and overlappings. The perspectives are stretched, shifted and compressed-remixed-by dissolving the confines of a static space/time model while blurring the boundaries of the reality of the places the single images are taken from and their possible perceptions. Basically the themes which are used are methods of engineering phenomena-thus generating augmented reality. These images are created analogously to the selective perception by the observer and the thus impressed memory: simultaneous dynamic panoramas, possibilities of the represented landscapes: remixed. Georg was one of 100 photographers invited to participate in Review Santa Fe 2009.

Georg Kuettinger Munich
Galerie Pascal Janssens, Gent (solo show) / june 20 - september 5
Galerie Le Point Rouge, Lausanne (solo show) / may 8 - june25
Artgalerie7, Koeln (group show) / june 5 - august 8
KIC-Nordart, Büdelsdorf (group show) / june 13 - september 27

5.04.2009

MUENCH FAMILY: Three Generations of Photographers in Monument Valley

Father
The Double Arch, Arches Nat'l Park, Utah.
Photograph (c) Josef Muench/All rights reserved

(Click Image to Enlarge)

Son
Wilson Arch, Moab, Utah. Photograph (c) David Muench/All rights reserved


Grandson
Stevens Arch, Utah. Photograph (c) Marc Muench/All rights reserved


JOSEF MUENCH was born in Bavaria in 1904. At the age of 11 he received his first camera and began a lifelong interest in capturing nature on film. He arrived in the United States with his brother in 1928 and eventually settled in California.

In the 1930's, Monument Valley remained virtually unknown (except to the Navajo whose name for it is Tsé Bii' Ndzisgaii Valley of the Rocks) until Muench took some of the most memorable photographs of it beginning in 1936 and returning over 350 times to photograph there. In 1938, he met with the editor of Arizona Highways Magazine who ran Josef's photograph of the Rainbow Bridge National Monument. Not long after, Muench's name became synonymous with Arizona Highways Magazine where he worked for more than 50 years, using mostly his 4x5 camera.

Later he also photographed in Africa, Alaska, Asia, Canada, Europe, Hawaii, the Rocky Mountains and beyond. The unmanned Voyager Expeditions, launched in 1977, included his photo of a snow-covered Sequoia redwood taken in Kings Canyon National Park. Josef Muench died in 1998 at the age of 94, but his legacy remains.
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DAVID MUENCH, an innovator in landscape photography, has said that nature is his greatest teacher. Son of the founding father of color landscape photography, Josef Muench, and father of Marc Muench, David contributes to the world of photography by illustrating the beauty of land. Best known for his unique view of the American western landscape, he has presented us with the clear lakes and wild rivers of this country for more than 50 years. Muench's formal schooling included the Rochester Institute of Technology, Rochester, New York, The University of California at Santa Barbara and the Art Center School of Design, Los Angeles, California.

No permits or plane tickets were contemplated when Muench first traversed the Western landscape with his adventurous parents. His father photographed, while his mother, Joyce, wrote about their experiences. The family would travel from their home in Santa Barbara to the eastern Sierras, still one of David’s favorite places, or to the desert Southwest, taking airboats up the Colorado River or animal pack trips deep into the canyon lands.

William Conway, the former president of the Wildlife Conservation Society, praised David as one of the most “prolific and sensitive recorders of a rapidly vanishing natural world” while setting the standard and raising the bar for color landscape photography. David was commissioned to provide photographs for 33 large murals on the Lewis and Clark Expedition that hangs in the Jefferson Expansion Memorial in St. Louis. He is widely published in more than 60 books and publications.

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MARC MUENCH, as a third-generation photographer, could easily have fallen under the shadow of his talented father and grandfather. Instead, he's emerged as an acclaimed landscape and sports photographer in his own right since finishing his studies at Pasadena Art Center College of Design.

Muench estimates that his family has archived 250,000 individual 4x5 transparencies over the years, which is the primary statistic that drove the family studio to a digital workflow. Muench explains that their first foray into digital photography was to hire an employee to run the drum scanner they had purchased and digitize their work. Since that time their family photography studio has fully embraced digital work from capture to print.

Working alongside his parents at the studio, Marc has collaborated on and published several landscape photography books with his father, and his photography has appeared on the covers of Time, National Geographic, Traveler, Arizona Highways, Ski, Skiing, Outside, and Sierra Magazine. He was designated as a Kodak Photo Icon and recently published his 9th book. Marc leads 5 day intensive Photography Workshops, exploring areas like Patagonia, Scotland and Utah, among other remote and beautiful landscapes.

Marc Muench
"Wild Utah" Photography Workshop October 1-5, 2009
Muench Stock Photography
Monument Valley in Vanity Fair Magazine