Showing posts with label Photoshop. Show all posts
Showing posts with label Photoshop. Show all posts

6.18.2014

SEAN PERRY: Notes from The Picture Review II


Passion is lazy. It is grounded to earth and body, an ally of need and consumption. In a word temporal. Like other emotions, it is a state of being that will wax and wane as we travel between different experiences and conditions. It will leave you at times, only to return and disappear again.

With so many photography competitions calling for entries and other opportunities requiring writing, it might be a seductive word to scribble as you grasp for what you want your audience to feel. Though you may be tempted, be wary of it's capricious fire. Meaningful work deserves language that is more substantial – something more present, less temporary.

If we have shared time in a class, you will be familiar with themes that I introduce every few semesters. Spring Picture Review alumni and my current classes are tasked with the following observation from Warren Buffett, "Only when the tide goes out do you discover who has been swimming naked."

What a great quote and impactful message. It is about how quality is veiled when participation is easy and the fortitude needed to flourish when conditions are not so accommodating.

I am certain Mr. Buffett's success and expertise has been seasoned with something denser than passion. In my experience the artists I have studied and loved the most have little regard or reliance upon it, as well as it's sister flame, inspiration. They are too busy working and making things, under any conditions, impassioned or not. One of my heroes is particularly perspicuous about this idea, eloquently stated as "Desire trumps passion every time."
 


Thomas Keller is an American born chef, largely known for his exacting excellence and contribution to the renaissance of the farm to table movement in contemporary restaurant culture. He reminds me of Irving Penn – precise craftsmanship and the transcendence from virtuosity to expression. His first book, The French Laundry Cookbook, is a dense collection of captivating stories and photographs alongside complex recipes and techniques. It is truly awesome. I recall a blog at one time that endeavored making all of the food from it's pages, much like the film Julie and Julia – wonderfully committed and obsessed.

In his 2010 TEDxTalk, he presented his ideas on what it takes to build a successful restaurant and career. I trust you will find many parallels and truths not far removed from our world of image making. For example his equations, "Cooking = ingredients + execution" and his recipe for "Rapid Evolution." These are applicable to good photographs and the life we build around our pursuits. I remain struck by his surgical dissection of what ingredients are necessary to manifest excellence and the distinction between desire and passion. I think to myself often, I need to know this! I want to hear, understand and embody what these elements are. The way in which he assembled his team is not unlike Steve Jobs and the rebel band of artisans that launched Macintosh. 24 minutes in total, you will not be disappointed. (the time challenged can skip to 12:45, though regrettable for you to miss anything here!)


This past spring a rather curmudgeonly colleague stumbled into my classroom as we were discussing Mr. Keller. With unsurprising sarcasm the following declaration was given, "This is not photography! This is a Photoshop class, what on earth are you doing?"

Watch the video and I will ask – would you like the spirit of your photographs and practice to be cut from the same cloth as Chef Thomas Keller? Or do you, like my salty colleague, find me a mere charlatan, smitten by a clever ruse with semantics. I maintain there is a brilliantly rare ingredient here – for myself it remains a quiet meditation, as I steady the horizon and gather my resolve against stormy seas. 

Onward, forward. – Sean Perry

5.28.2014

JACK REZNICKI: Explorer of Light

Tanzania © Jack Reznicki

 Tanzania © Jack Reznicki

Tanzania © Jack Reznicki

"Tanzania was a fantastic place for images and for the experience. While the animals were amazing to photograph, it’s always the people and how they live that fascinates me the most." Jack Reznicki

China © Jack Reznicki

China © Jack Reznicki

China © Jack Reznicki

"The rich and deep history of China is something that has always interested me. I’ve enjoyed making contemporary images I take there look more like the past than the present." Jack Reznicki

Jack Reznicki is one of the original “Canon Explorers of Light comprised of some of the most influential photographers and cinematographers in the world, each a master of their creative specialty.

Based in New York City, Jack is a well-known and respected commercial photographer, as well as author of several books including “Photographer’s Survival Guide”, which deals with copyright and legal issues for photographers; “Studio and Commercial Photography - A Kodak Pro Workshop” and other books. Jack teaches "The Business of Photography" and a Canon Speedlite Workshop at the School of Visual Arts in the Masters of Professional Studies in Digital Photography program.

Born in Israel, the son of concentration camp survivors, Jack moved to the US when he was four years old and grew up in Rochester, NY. With a BFA cum laude degree in photography from the Rochester Institute of Technology, and after assisting some of the top photographers in New York, Jack opened his studio in 1980. In the early days of the Internet, he founded the Photo News Network (PNN) along with Life photographer Gary Gladstone. It was one of the very first online communities for professional photographers to share and discuss various issues pertaining to photography. He currently writes a column in Photoshop User Magazine called “The Copyright Zone” with lawyer Ed Greenberg.

Along with many other awards, Jack twice received the IPC (International Photographic Council) Leadership medal for “Excellence in Studio Photography” at the United Nations. He was appointed a guest professor at Shandong University of Art and Design in Jinan, China and named a Mo-Tse Grand Master Photographer in China. He is also honored to be named an Honorary Fellow of the New Zealand Institute of Professional Photography.

One of the original “Canon Explorers of Light”,  Jack is also a Photoshop World “Dream Team” instructor, an X-Rite “Coloratti”, and a Sandisk “Photo Master”. Jack also does Beta testing and consulting with Canon, Mamiya, Microsoft, X-Rite, Leaf digital backs, onOne Software, and Adobe.

10.17.2012

ANDERSON + LOW: Manga Dreams at The Met

Edwin Low and Jonathan Anderson 
photo © Elizabeth Paul Avedon/all rights reserved
Manga Dreams
© Anderson + Low/All Rights Reserved

Untitled (Kit The Swordsman) 2009
© Anderson + Low/All Rights Reserved
 
I spoke with the incredible photography team Anderson + Low at the opening reception for "After Photoshop: Manipulated Photography in the Digital Age" at The Metropolitan Museum of Art. After Photoshop explores various ways in which artists have used digital technology to alter the photographic image over the past 20 years. Anderson + Low's photograph, Untitled (Kit The Swordsman), is on exhibition in Gallery 851 at The Met.

EA: Where did the idea originate for this piece?

Jonathan Anderson: The piece is part of a project called Manga Dreams. The original idea was in 2004, we finally shot the project in 2007 and 2008 and it was released in 2011. It’s based around the influence of Asian comics and Anime movies on youth culture worldwide, not only the Asian diaspora, but increasingly in the West as well. We have particular interest in identity and costume and the projection of self in our work; and this series is part of that.

We created this hybrid world that’s part real, part invented and headhunted people we felt had the spirit of Manga characters inside them, brought them into the studio and helped create new identities for them by negotiation and collaboration with them and this is the result.

This is one of a big series of about sixty works. About half of them are tableaux like this and about half of them are unadorned portraits.
 
Some of the work was shown in the Venice Biennale last year; there is this piece at the Met and we’ve had solo exhibitions of the project in museums including La Maison Européenne de la Photographie in Paris, in the UK [Sainsbury Centre for Visual Arts] and Canada this year, plus group shows in The Netherlands, Taiwan and Beijing. Works were also acquired by the National Gallery of Australia. There’s going to be a large exhibition in April of 2013 in Rotterdam, The Netherlands.

EA: Where did you two meet?

Anderson: We met in a photographic facility in London 25 years ago October the 12th this year. We’ve been working as the team 'Anderson + Low' for over twenty years. Edwin Low: We submitted some work for the Royal Academy Summer Exhibition. It was quite unique because it was the first time they accepted Photography as an art form in the Royal Academy. The rest is history.
Anderson: We thought we’d better take ourselves seriously and carry on, so that's where it all started.


The Metropolitan Museum of Art, NY
 September 25, 2012–May 27, 2013

1.09.2012

LANOLA KATHLEEN STONE: Memories

Memories Abandoned: Computer Room, 2009
Photograph © Lanola Kathleen Stone

Memories Abandoned, 2009
Photograph © Lanola Kathleen Stone

LANOLA KATHLEEN STONE is a New York City-based professional photographer, artist, author, and educator. Her commercial clients seek her out to photograph interiors, portraits, and lifestyle, although she is mostly known for her aptitude with children and childhood imagery.

"Memories Abandoned is a series of images of my now abandoned childhood home in Utah - portraits of my childhood experiences in the self same location with genuine artifacts of the experiences portrayed. Themes explored are the impermanence of time, the deterioration of memory and space, inevitability of change and through it all, resilience and the ability to move and exist beyond our surroundings. The project was partially funded by a cash award from the School of Visual Arts Office of Alumni Affairs, exhibited at Aqua Art/Art Basel Miami and featured in CMYK Magazine's 2010 Top 100 New Creatives Award, Issue 46."

Photographing Childhood: The Image and the Memory
By Lanola Kathleen Stone, Focal Press, 2011

KATRIN EISMANN chose Stone's new book as one of 2011's Best Photography Books: "Photographing Childhood: The Image and the Memory (Focal Press, 2011) by LaNola Kathleen Stone is thoughtful, inspiring, and unexpected. The book features an historical homage; an insightful timeline of childhood; useful information on lighting and image management; and most importantly highlights a wide variety of contemporary photographers and photographic approaches to frame and focus on the fleeting moments of childhood. Smart, beautiful and poignant!"

+ + +

Katrin Eismann is Co-Founder and Chair of the Masters of Professional Studies in Digital Photography at The School of Visual Arts; and author of Photoshop Restoration & Retouching and Photoshop Masking & Compositing, and co-author of The Creative Digital Darkroom and Real World Digital Photography. Visit her website PhotoShopDiva.com

Least Likely to be Adopted
Photograph © Lanola Kathleen Stone

Least Likely to be Adopted
Photograph © Lanola Kathleen Stone

I shot these images at the dog pound. They were, without exception, scared and cowering when they came on the set, but every so often they'd show their courage and care - who they truly were and could be with a little love –Lanola Kathleen Stone

"The concept was to make “fashionesque images” of the oldest in residence at the Dog Pound near my home (East 110th Street Animal Shelter, NYC). I asked for the dogs that were the “least likely to be adopted” and took their portraits to represent them with personality, youth and “edge” in order to aid their adoption. They were featured in PDNedu's Photo Annual & CMYK Aspiring Creatives Issue. 12 out of the 13 dogs I photographed were adopted."