Showing posts with label Irving Penn. Show all posts
Showing posts with label Irving Penn. Show all posts

6.18.2014

SEAN PERRY: Notes from The Picture Review II


Passion is lazy. It is grounded to earth and body, an ally of need and consumption. In a word temporal. Like other emotions, it is a state of being that will wax and wane as we travel between different experiences and conditions. It will leave you at times, only to return and disappear again.

With so many photography competitions calling for entries and other opportunities requiring writing, it might be a seductive word to scribble as you grasp for what you want your audience to feel. Though you may be tempted, be wary of it's capricious fire. Meaningful work deserves language that is more substantial – something more present, less temporary.

If we have shared time in a class, you will be familiar with themes that I introduce every few semesters. Spring Picture Review alumni and my current classes are tasked with the following observation from Warren Buffett, "Only when the tide goes out do you discover who has been swimming naked."

What a great quote and impactful message. It is about how quality is veiled when participation is easy and the fortitude needed to flourish when conditions are not so accommodating.

I am certain Mr. Buffett's success and expertise has been seasoned with something denser than passion. In my experience the artists I have studied and loved the most have little regard or reliance upon it, as well as it's sister flame, inspiration. They are too busy working and making things, under any conditions, impassioned or not. One of my heroes is particularly perspicuous about this idea, eloquently stated as "Desire trumps passion every time."
 


Thomas Keller is an American born chef, largely known for his exacting excellence and contribution to the renaissance of the farm to table movement in contemporary restaurant culture. He reminds me of Irving Penn – precise craftsmanship and the transcendence from virtuosity to expression. His first book, The French Laundry Cookbook, is a dense collection of captivating stories and photographs alongside complex recipes and techniques. It is truly awesome. I recall a blog at one time that endeavored making all of the food from it's pages, much like the film Julie and Julia – wonderfully committed and obsessed.

In his 2010 TEDxTalk, he presented his ideas on what it takes to build a successful restaurant and career. I trust you will find many parallels and truths not far removed from our world of image making. For example his equations, "Cooking = ingredients + execution" and his recipe for "Rapid Evolution." These are applicable to good photographs and the life we build around our pursuits. I remain struck by his surgical dissection of what ingredients are necessary to manifest excellence and the distinction between desire and passion. I think to myself often, I need to know this! I want to hear, understand and embody what these elements are. The way in which he assembled his team is not unlike Steve Jobs and the rebel band of artisans that launched Macintosh. 24 minutes in total, you will not be disappointed. (the time challenged can skip to 12:45, though regrettable for you to miss anything here!)


This past spring a rather curmudgeonly colleague stumbled into my classroom as we were discussing Mr. Keller. With unsurprising sarcasm the following declaration was given, "This is not photography! This is a Photoshop class, what on earth are you doing?"

Watch the video and I will ask – would you like the spirit of your photographs and practice to be cut from the same cloth as Chef Thomas Keller? Or do you, like my salty colleague, find me a mere charlatan, smitten by a clever ruse with semantics. I maintain there is a brilliantly rare ingredient here – for myself it remains a quiet meditation, as I steady the horizon and gather my resolve against stormy seas. 

Onward, forward. – Sean Perry

12.22.2012

2012 HOLIDAY BOOKS: A Few More Favorites II


Each subject was photographed in front of the same white backdrop, standing in a 2ft by 2ft box marked out by tape. They were asked to bring an item that disclosed something about their personality. "One guy [Senator Robert Casey] brought a basketball because he played daily with Barack Obama," says Kander. "Other people brought me ties. Ken Salazar [interior secretary] brought his cowboy hat. A lot of people said, 'Look I've got two BlackBerries.'

Photography and text by Rebecca Norris Webb
Edited with Alex Webb (Radius, 2012)

"In 2005, Rebecca Norris Webb set out to photograph her home state of South Dakota, a sparsely populated frontier state on the Great Plains with more buffalo, pronghorn, mule deer and prairie dogs than people." More here

Text Quentin Bajac. Twin Palms Publisher, 2012

 The women in "She" have a vaporous relationship with their surrounding, their house, their streets, and their landscapes. They are shut in their neurotic attitude from where it is difficult to perceive the outside world. Read more in my Interview with Lise Sarfati...


Aperture, 2011
Thames+Hudson, UK; Actes Sud, France

The Unseen Eye: Photographs from the W.M. Hunt Collection follow an unprecedented theme in which the subject’s eyes are averted, hidden, concealed, pierced, or missing in every photograph. Selected works include photographs by Man Ray, Irving Penn, Robert Frank, Diane Arbus, Richard Avedon, Edward Steichen, Robert Mapplethorpe, Berenice Abbott, and Nadar in a range of formats from daguerreotype to digital...Read more in my Interview with Wm. Hunt



Jerry Atnip's beautiful limited editioned book, "GoneSouth," images of the American South, from Tennessee to Georgia. 200 copies and includes a signed/numbered print. “Many photographers feel that they need to travel to faraway or exotic places to capture great images. I also travel the world on assignments, but enjoy recording the land I was raised in. I find I’m never at a lack for interesting subject matter throughout the South.”–Jerry Atnip


Tod Papageorge: Core Curriculum
Writings on Photography. Aperture , 2011

"Core Curriculum: Writings on Photography, a collection of essays, reviews and lectures by Tod Papageorge, one of the most influential voices in photography today. As the Walker Evans Professor of Photography at the Yale University School of Art, Papageorge has shaped the work and thought of generations of artist-photographers, and, through his critical writings he has earned a reputation as an unusually eloquent and illuminating guide to the work of many of the most important figures in twentieth century photography. Among the artists Papageorge discusses in this essential volume are Eugène Atget, Brassaï, Robert Frank (with Walker Evans), Robert Adams and his close friend Garry Winogrand."

8.23.2012

JOHN DELANEY: Hoboken Passing

from the series Hoboken Passing
Photograph (c) John Delaney

from the series Hoboken Passing
Photograph (c) John Delaney

from the series Hoboken Passing
Photograph (c) John Delaney

from the series Hoboken Passing
Photograph (c) John Delaney

"My love of photography began when I discovered Irving Penn's Worlds in a Small Room. Penn's work, as well that of Bruce Davidson, sparked my creative imagination. I attended Rochester Institute of Technology where I was taught the science and history of photography. But my real education began at the Richard Avedon Studio. I started as his studio assistant then eventually became his master printer. For 15 years I observed his passion, intelligence and meticulous craftsmanship.

That relationship opened the door to working with my original heroes, Irving Penn and Bruce Davidson. Each of these masters informs and inspires my work. Mr. Penn for his wide range and love for the exquisite print; Davidson for the way he immerses himself in his subject, instilling trust; and Avedon with his intense preparation and skillful cajoling, getting behind the "masks" of his subjects."
–John Delaney

Hoboken Passing
A Limited Edition Portfolio

Hoboken Passing
A Portfolio of eighteen pigment ink prints printed in a limited edition of twenty-five with two artist’s and two printer’s proofs. The prints were produced with archival pigment inks printed on Canson Plantine Fiber Rag.

+ + +

"Hoboken Passing explores the survivors of a neighborhood in transition. Through the eyes of the old establishment family business owners and workers, I aim to better understand what defines a neighborhoods identity or uniqueness.

With these portraits I aim to reflect and celebrate a community's distinct character. Hoboken, New Jersey charmed me when I first moved here in the winter of 2007. Sitting in the shadow of Manhattan, Hoboken is only a mile square and has a long and proud history. I grew particularly fond of the old Mom & Pop shops that I encountered. Many of these establishments have existed for generations and within their walls I found a quiet contemplation of a cherished history.

Hoboken’s older family businesses are succumbing to the changing economy and are closing their doors. They are inevitably being replaced by the ever ubiquitous national chain store.

As an portrait artist, my method of working consists of walking the streets, camera in hand, and visiting. Conversation and quiet observation are the foundation of my creative process. Respect and mutual trust between myself and the subject are vital for this series. It was important that the personality of the subject directed the sitting and that the subject and environment combined to tell the story together.

A recurring theme of my photography is the effort to record what is vanishing from our collective memory - a way of living, a tradition, or trade. I try to capture the fleeting present so that we can honor that which is deeply rooted in our past." –John Delaney



4.17.2009

NICHOLAS VREELAND: HH The Dalai Lama

Photograph (c) Nicholas Vreeland/All Rights Reserved

42nd Street, NYC. Photograph (c) Elizabeth Paul Avedon

THE DALAI LAMA VISITS USA APRIL- MAY 2009
Photograph of
H.H. The Dalai Lama by Nicholas Vreeland

VEN. NICHOLAS VREELAND, born in Geneva, Switzerland, a protégé of Henri Cartier - Bresson, son of American ambassador, Frederick Vreeland, and grandson of fashion icon, Diana Vreeland, has lived in Germany, Morocco, Italy, Paris, New York and India. He's fluent in Tibetan, Italian, French, Spanish, English, German, and Hindi, among other languages. He studied at NYU film school, initially worked for Irving Penn, before later working for Richard Avedon, and photographed Maharajahs and Tibetan Rinpoches over many years carrying a huge Deardorff 5 x 7 throughout India. His elegant portrait of the Dalai Lama in his flip flops above was used as a billboard all over New York City during His Holiness's 2003 visit.

Vreeland studied Buddhism at The Tibet Center, the oldest Tibetan Buddhist Center in NYC, under the tutelage of scholar Khyongla Rato Rinpoche. In 1985, he became a full-time Buddhist monk, living at the Rato Dratsang monastery in Karnataka, India. After 14 years of study, Vreeland holds the Ser Tri Geshe Degree, one of only three Westerners to ever achieve this honor. In 2001, he had the special distinction of editing An Open Heart, a New York Times Best Seller List book by His Holiness the Dalai Lama.

Vreeland helped organize and arrange, along with the Gere Foundation, HH The Dalai Lama's 1999, 2003, and 2007 Teachings in NYC. The Dalai Lama is touring the U.S. beginning in Santa Barbara, Ca April 26 and May 3 in NYC. HH The Dalai Lama's U.S. Schedule in April-May 2009