Showing posts with label Self-Portraits. Show all posts
Showing posts with label Self-Portraits. Show all posts

9.17.2021

PORTRAIT: A Call To Enter

Photograph © Sarah Hiatt

  “PORTRAIT”  

Juried by Elizabeth Avedon

PhotoPlace Gallery 

Deadline for submissions: Oct 11, 2021

Exhibition: November 26 - December 3, 2021  

Call For Images: For this exhibit, we seek portraits, self or otherwise, that go beyond the surface to explore a deeper vision of the subject. A flicker of expression, a gesture, the surroundings, the presence of an object or another person are just a few ways in which deeper aspects of the subject can be revealed. All capture methods and processes are welcome! More information here.

LINK TO ENTER

PhotoPlace Gallery, Middlebury VT
Gallery hours: 11am to 4 pm, Tuesday through Friday.
Saturdays by appointment.

7.11.2017

ENTER PORTRAITS: South x Southeast Gallery. Deadline July 15, 2017

Photograph © Elizabeth Paul Avedon




PORTRAITS
Juror: Elizabeth Avedon
Deadline to Enter: July 15th, 2017

South x Southeast Gallery
 Exhibition: November 1 - December 15, 2017
https://www.sxsephotoexhibitions.com
 
Enter your portraits, self-portraits, and likenesses. As Juror, I'm looking for committed artists  with a clear voice; a narrative flow; an image that takes me on an unknown journey. I'm always interested in beauty, curiosity, nerve, illusion, and the magic of photography. Sponsored by Nancy McCrary, South x Southeast PhotoGallery Enter here






PORTRAITS
Juror: Elizabeth Avedon
Deadline to Enter: July 15th, 2017

South x Southeast Gallery
  Exhibition: November 1 - December 15, 2017
https://www.sxsephotoexhibitions.com

6.02.2017

PORTRAITS: A Call For Entries


"When you are making a photograph, you are taking a few hours, sometimes just a few minutes, of a person's life. But you are not part of their lives; you are a kind of witness within time and space." – Joel-Peter Witkin (Interview here)

Juror: Elizabeth Avedon
Deadline to Enter: July 15th, 2017
 Exhibition: November 1 - December 15, 2017

Please enter your portraits, self-portraits, and likenesses. As Juror, I'm looking for committed artists  with a clear voice; a narrative flow; an image that takes me on an unknown journey. I'm always interested in beauty, curiosity, nerve, illusion, and the magic of photography. Enter here

Exhibition: November 1 - December 15, 2017
Artist’s Reception: November 10, 2017
 South x Southeast Photogallery
(sxsephotogallery.com)
Molena, Georgia

 

12.12.2015

POWERHOUSE BOOKS: Vivian Maier, Dave Jordano, Quartersnacks and more....

Holiday Shopping at PowerHouse Arena Bookstore 

Photographs by Vivian Maier / Edited by John Maloof / Foreword by Geoff Dyer and Vivian Maier: Self-Portraits / Edited by John Maloof / Essay by Elizabeth Avedon.
 
Celebrated by The Wall Street Journal, Vanity Fair, The New York Times, American Photo, Town and Country, and countless other publications, the life’s work of street photographer Vivian Maier has captivated the world and spawned comparisons to photography’s masters including Diane Arbus, Helen Levitt, Lisette Model, Walker Evans, and Weegee among others. Vivian Maier: Street Photographer collects the best of her incredible, unseen body of work. Self-Portraits with over 60 never-before-seen black-and-white and color self-portraits culled from the extensive Maloof archive, presents previously unexplored artifacts from Maier’s personal collection, including handwritten notes, film lab envelopes, and scores of contact sheets bearing Maier’s comments and marks-bringing us closer to the reclusive artist than ever before. More here....

7 Main St, Brooklyn, NY 11201

Detroit: Unbroken Down, Photographs: Dave Jordano
Text by Nancy Watson Barr, Dawoud Bey and Sharon Zukin

Photograph © Dave Jordano
Detroit: Unbroken Down (powerHouse Books)

Detroit: Unbroken Down / Photographs: Dave Jordano / Text by Nancy Watson Barr, Dawoud Bey and Sharon Zukin

Dave Jordano returned to his hometown of Detroit to document the people who still live in what has become one of the country’s most economically challenging cities. Stricken with mass abandonment through years of white flight to the suburbs, unemployment hovering at almost three times the national average, city services cut to the bone, a real estate collapse of massive proportions that stripped the tax base bare, and ultimately filing the largest municipal bankruptcy in U.S. history, Jordano searches for the hope and perseverance of those who have had to endure the hardship of living in a post-industrial city that has fallen on the hardest of times. Read more here...

TF at 1: Ten Years of Quartersnacks



Quartersnacks, an online epicenter for the skate culture of downtown New York, never cared about “best-of-the-best skateboarding.” With acute self-awareness and biting humor, it chronicles the exploits of everyone bound together by a common interest in skateboarding in New York. In New York everyone skates with everyone else – “talent” is secondary.  TF at 1: Ten Years of Quartersnacks collects the best and worst from the site, along with new interviews, and documentation of the spots, the videos, the shops, and everything else that has changed and remained the same in New York skating in the past decade. Read more here...

Photograph ©  Jessica Yatrofsky


The subjects of I Heart Girl do not exhibit the expected stereotypes of women in mass media today. Instead, each face and each body is presented by Jessica Yatrofsky through study and repetition, examining femininity with irreverence and countering the widely accepted female image of past generations.

Purposefully capturing young subjects with varying degrees of “masculine” and “feminine” traits, Yatrofsky further ignores the clichés of conventional gender identifiers. In her series I Heart Girl, hyper-sexualized extremes of female archetypes do not exist, instead we are given a new picture of what contemporary female culture looks like. The photographs depict young women — nude, clothed, hard-featured, delicate, both alone and in pairs. Some subjects are adorned by tattoos, symbolic of their placement in history, others with hints of counter-culture peeking through extra pierced holes and candy-colored wisps of hair. It is a landscape whose breadth has extended and evolved further than ever before, but still one that is often at odds with itself.

7 Main St, Brooklyn, NY 11201


11.17.2015

FILTER PHOTO FESTIVAL 2015: Portfolio Review Round-Up / Francis Crisafio

Photograph © Francis Crisafio

Photograph © Francis Crisafio

I met Francis Crisafio while I was a Portfolio Reviewer for the 7th Annual Filter Photo Festival in Chicago. While at Filter, I reviewed over 60 photographers portfolio’s and/or book projects. I'll try to post as many as possible over the next month or so....

“These photographs are taken from an ongoing series that documents an after-school, collaborative arts curriculum rooted in self-portraiture. I co-authored and teach the collaborative to inner city children in Manchester, a neighborhood in Pittsburgh, PA. The program and documentation have run consecutively for 13 years.

"Holdup in the Hood" is both a personal and communal exploration of self. It concerns the sense of identity that comes with the realization of making one’s mark. The photographs incorporate drawings, re-cycled photographs, print media and body gesture to explore issues of race, class and gender.”

FILTER PHOTO FESTIVAL 2015: Portfolio Review Round-Up / Danielle Voirin

Photograph © Danielle Voirin

Photograph © Danielle Voirin

I met Danielle Voirin while I was a Portfolio Reviewer for the 7th Annual Filter Photo Festival in Chicago. While at Filter, I reviewed over 60 photographers portfolio’s and/or book projects. I'll try to post as many as possible over the next month or so....


I grew up in a small town in the Midwest, near Chicago.  After a degree in psychology at DePaul University, I studied photography at Columbia Collage Chicago and EFET in Paris, where I am currently based.  I shoot interiors, travel, and editorial projects.  In parallel to commissions, I have several series of self-portraits that have evolved mainly through artist residencies and are linked through the quest for allowing yourself space to create, pushing through the inner conflicts to finding your own voice. 

Whatever the subject, I aspire to create images of poetry.  Robert Frank articulated the feeling well, in the November 1951 issue of Life when he said, “When people look at my pictures I want them to feel the way they do when they want to read a line of a poem twice.”  And when Jay Maisel said, “There was a phrase that Arthur Miller used – ‘I’m trying to create the poem from the evidence.’ I’m not trying to change anything that’s in front of me, I’m trying to give it respect and I’m trying to call attention to it.”

I hope for my photography to be a place you want to spend time. A space of grace and light.  And I think these qualities can be found anywhere we choose to look.

11.12.2014

HALEY MORRIS CAFIERO: The Watchers on Kickstarter

Dress
Photograph © Haley Morris-Cafiero

Donuts
Photograph © Haley Morris-Cafiero

Cops
Photograph © Haley Morris-Cafiero


"Her ability to draw attention to global attitudes about weight, fat shaming and other issues related to body identity is tremendously deserving of your support." — Jon Feinstein, Co-Founder of Humble Arts Foundation

THE WATCHERS: The first book of photographs by Haley Morris-Cafiero from her award winning series Wait Watchers.

WAIT WATCHERS: In 2010, I set up a camera to take a self-portrait in Times Squares in New York City. After I had the film developed, I looked at the images and found that a man was standing behind me and appeared to be sneering at me. I never thought that I would capture a glance that can last a microsecond. Since then, I have been setting up a camera in public to see if I can capture the gazes of the strangers who walk by me while I am doing everyday, mundane acts. I then look at the images to see if anyone who passed by me had a critical or questioning look on their face or in their body language. I present the images to the world to start a conversation. While I do not know what the passersby are thinking, I attempt to reverse the gaze back onto the stranger. 

In February 2013, the Wait Watchers images were published on the wonderful blog, Lenscratch. The next day, they were published on Huffington Post, then the Daily Mail in the UK, and then went viral. After my photos received viral exposure, I found that most of the articles had comment sections filled with thousands of anonymous comments criticizing my body, my clothes, my face, my hair, etc. Then the critical comments starting coming via email. Most of the comments and emails said that my life (and in some cases the world) would be better if I lost weight and got a makeover. The unsolicited criticism inspired the next phase of the Wait Watchers series.

THE PUBLICATION: In September 2015, subject to the success of this Kickstarter Campaign, The Magenta Foundation, Canada’s pioneering non-profit, charitable arts publishing house, based in Toronto, Canada, will publish THE WATCHERS (Sept. 2015), based on the Wait Watchers series of photos by Haley Morris-Cafiero. And will be available in three versions—a Regular Trade Edition, a Boxed Special Edition and a Deluxe Special Edition complete with special edition print....more info here






11.22.2013

FINDING VIVIAN MAIER: Filmmakers

 Michael Moore with "Finding Vivian Maier" filmmakers 
John Maloof and Charlie Siskel at the DOC NYC Festival

 Vivian Maier—Courtesy of John Maloof

 Undated, Chicago area.  Vivian Maier—Courtesy of John Maloof

"In some ancient civilizations, one’s shadow alludes to a doppelgänger. There are many here. Shadows on sidewalks, shadows crossing over windows, over newspaper headlines, over dried leaves where her heart should have been...." Elizabeth Avedon, Self Portrait: My Impression of Vivian Maier


Vivian Maier: Self-Portraits
Photographs by Vivian Maier, Edited by John Maloof
Essay by Elizabeth Avedon. Published by powerHouse Books

Vivian Maier: Self-Portraits was recently selected by American Photo as one of the best books of 2013 and includes my essay, Self Portrait: My Impression of Vivian Maier. See the book here 

11.16.2013

HOWARD GREENBERG GALLERY: Vivian Maier

Vivian Maier: Self Portrait Exhibition
 Photograph (c) Dina Regine

Vivian Maier: Self Portraits

 
Glass case with Vivian Maier's Rollei and small color prints

Curator Frances Vignola and Filmmaker Collector John Maloof

Also showing, Vivian Maier's unpublished work

An exhibition of self-portraits by recently discovered street photographer Vivian Maier made from 1950 – 1976 are on view at Howard Greenberg Gallery to January 4, 2014. The exhibition coincides with the publication of the book Vivian Maier: Self-Portraits (powerHouse Books, November 2013) that surveys Maier’s self-portraits, many of which are being shown and published for the first time.

The story of Vivian Maier has practically become a photography legend:  Born in New York City in 1926, she spent much of her youth in France. Returning to the U.S. in 1951, she worked as a nanny in Chicago and New York for 40 years. Reclusive and eccentric, she took pictures all the time, yet never showed them to anyone. From the 1950s to the 1990s, with a Rolleiflex dangling from her neck, she made over 100,000 images, primarily of people and cityscapes.

Maier’s massive body of work, which could have been destined for obscurity, was housed in a storage locker in Chicago for many years. Unbeknownst to her caretakers (three of the grown children she had looked after), the contents of her storage locker had been dispersed due to non-payment. Her negatives were discovered by Chicago-based realtor and historian John Maloof at an auction house in Chicago in 2007. Maloof pieced together the identity of the mysterious photographer, but Vivian Maier died in 2009, before Maloof was able to speak with her. In the years that followed, Maloof has brought her work to the attention of the art world and the general public; and since 2010, nearly 20 exhibitions of photographs by Vivian Maier have been mounted in the U.S. and Europe. Numerous critics have written that her work will be remembered as some of the best 20th-century street photography.

Vivian Maier: Self-Portrait at Howard Greenberg Gallery is the first exhibition to explore the photographer’s numerous self-portraits and the first U.S. gallery exhibition of her color work.  

Vivian Maier: Self-Portrait
Exhibition: Nov 7 – January 4, 2014

Howard Greenberg Gallery
41 East 57th Street
New York, NY
Vivian Maier: Self-Portraits
Photographs by Vivian Maier, Edited by John Maloof
Essay by Elizabeth Avedon. Published by powerHouse Books

(Text courtesy Howard Greenberg Gallery)

10.19.2013

VIVIAN MAIER | SELF PORTRAITS: Exhibition and Book Signing at Howard Greenberg Gallery

Vivian Maier: Self-Portrait, September 10, 1955–Anaheim, California
Courtesy Howard Greenberg Gallery

"An exhibition of self-portraits by recently discovered street photographer Vivian Maier made from 1950 – 1976 will be on view at Howard Greenberg Gallery from November 8 – January 4, 2014. The exhibition coincides with the publication of the book Vivian Maier: Self-Portraits (powerHouse Books, Nov. 2013) that surveys Maier’s self-portraits, many of which are being shown and published for the first time. Opening reception will be Thursday, November 7, from 6-8 p.m"


"The story of Vivian Maier has practically become a photography legend:  Born in New York City in 1926, she spent much of her youth in France. Returning to the U.S. in 1951, she worked as a nanny in Chicago and New York for 40 years. Reclusive and eccentric, she took pictures all the time, yet never showed them to anyone. From the 1950s to the 1990s, with a Rolleiflex dangling from her neck, she made over 100,000 images, primarily of people and cityscapes."


"Maier’s massive body of work, which could have been destined for obscurity, was housed in a storage locker in Chicago for many years. Unbeknownst to her caretakers (three of the grown children she had looked after), the contents of her storage locker had been dispersed due to non-payment. Her negatives were discovered by Chicago-based realtor and historian John Maloof at an auction house in Chicago in 2007. Maloof pieced together the identity of the mysterious photographer, but Vivian Maier died in 2009, before Maloof was able to speak with her. In the years that followed, Maloof has brought her work to the attention of the art world and the general public; and since 2010, nearly 20 exhibitions of photographs by Vivian Maier have been mounted in the U.S. and Europe. Numerous critics have written that her work will be remembered as some of the best 20th-century street photography." – Text courtesy of the Howard Greenberg Gallery


Vivian Maier: Self-Portrait at Howard Greenberg Gallery is the first exhibition to explore the photographer’s numerous self-portraits and the first U.S. gallery exhibition of her color work.

Exhibition: Nov 7 – January 4, 2014

Howard Greenberg Gallery
41 East 57th Street
New York, NY

 powerHouse Books, November 2013
Photographs by Vivian Maier
Edited by John Maloof, Essay by Elizabeth Avedon

Vivian Maier: Self-Portraits
Howard Greenberg Gallery
41 East 57th Street
New York, NY