APERTURE 40TH SPECIAL ISSUE FALL 1992: DAVID WOJNAROWICZ | Face in Dirt

David Wojnarowicz  |  Untitled (Face in Dirt) 1993

Courtesy of The Estate of David Wojnarowicz and P.P.O.W Gallery, New York

"All behind me are the friends that died; I'm breathing this air that they can't breathe; I'm seeing this ratty monkey in a cheap Mexican circus wearing a red and blue embroidered jacket and it's collecting coins and I can reach out and touch it like they can't. And time is now compressed; I joke and say that I feel I've taken out another six month lease on this body of mine; on this vehicle of sound and motion, and every painting or photograph or film I make I make with the sense that it may be the last thing I do and so I try to pull everything in to the surface of that action. I work quickly now and feel there is no time for bullshit; cut straight to the heart of the senses and map it out as clearly as tools and growth allow....I see myself seeing death; it's like a transparent celluloid image of myself is accompanying myself everywhere I go." David Wojnarowicz died of AIDS July 22, 1992

  Aperture Cover by Robert Rauschenberg
40th Year Anniversary Issue, Fall 1992

David Wojnarowicz's image "Untitled (Face in Dirt) 1990"
as seen on page 77 in Aperture's 40th Year Special Anniversary Issue

I recently came across APERTURE'S 40TH YEAR SPECIAL ANNIVERSARY ISSUE, published in Fall 1992. It's an extraordinary look back at Photography before the popularity of digital camera's came into the picture. ("Not until 2001 did Kodak begin selling mass-market digital cameras"–Ben Dobbin, AP). Michael E. Hoffman was still Director and Publisher of the Aperture Foundation. Hoffman published the legendary Diane Arbus Monograph by Marvin Israel and Doon Arbus in 1972, now in it's 40th-Year Anniversary Edition printing, as well as books by Edward Weston, W. Eugene Smith, Paul Strand and Dorothea Lange, among many other greats. In 1992, Basketball star “Magic” Johnson announced he was HIV-positive and Freddie Mercury, lead singer of Queen, died of complications from AIDS. 

The following excerpt is from Aperture's 40th Anniversary Issue:

"1992, ABOUT APERTURE: Forty Years after it's origination, Aperture celebrates the Founders' affirming spirit. Seventy photographers published in Aperture since 1952 selected photographs especially for this Anniversary Issue. One image from each artist was chosen. The photographers also wrote their thoughts on photography in general or, if they referred, about their work in particular, much as the founders suggested should happen in their first editorial."

"The process of bringing together a "forty years" celebration forces one to see photographs as, among other things, indicators of their time. Several photographers address AIDS in their text or images; the brutality of this devastating epidemic became all the more jolting when David Wojnarowicz died of AIDS during the preparation of this issue, having selected his photograph, but without having had the time to write his text."

"Whereas images cannot directly combat the overwhelming reality of such tragedies, history–recent and distant– has proven how powerful photographs are in revealing injustices, insisting upon action, and inspiring controversy and often, change. In keeping with the spirit of Dorothea Lange and other Founders who measured Aperture's success in part by the depth and expression of it's social conscience, Aperture will continue to be a forum for those photographers who are committed to confronting the crises and concerns of our time...." –THE EDITORS, Number One Hundred Twenty-Nine, Fall 1992

Also included in this issue were photographs by Josef Koudelka, Eugene Richards, Mary Ellen Mark, Eudora Welty, Sophie Calle, McDermott and McGough, Alex Webb, Sally Mann, Maggie Steber, Chuck Close, Thomas Struth, David Turnley, Helen Levitt, Henri Cartier-Bresson, Carrie Mae Weems, Joel Sternfeld, Masahisa Fukase, Jan Groover, Nick Knight, Barbara Morgan, and Margaretta K. Mitchell. There may have been others I missed.

See APERTURE'S 40TH YEAR SPECIAL ANNIVERSARY ISSUE: Part II here

The Aperture Foundation

**Text by David Wojnarowicz was from excerpts published in Aperture's 40th Year Special Issue, page 76, and originally excerpted from an interview by Barry Blinderman with David Wojnarowicz in Tongues of Flame, University Galleries, 1990, page 49,

MARK MORRISROE (1959-1989): Exhibition

Mark Morrisroe, "Jonathan (Jack Pierson)," 1982, Chromogenic print, 20 x 16 inches (sheet), 15 x 15 inches (image), Courtesy of ClampArt, New York City © Estate of Mark Morrisroe (Ringier Collection), Fotomuseum Winterthur

Mark Morrisroe, "Untitled (Self Portrait)," 1988, Photogram (Unique), 14 x 11 inches, Courtesy of ClampArt, New York City © Estate of Mark Morrisroe (Ringier Collection), Fotomuseum Winterthur

Mark Morrisroe, "Untitled (Jonathan Pierson)," 1978, Polaroid print (Unique), 3.75 x 3.75 inches, Courtesy of ClampArt, New York City © Estate of Mark Morrisroe (Ringier Collection), Fotomuseum Winterthur

Monograph: Mark Morrisroe (Twin Palms Publishers)
Photographs +Text by Mark Morrisroe, 200 plates

"It kills me to look at my old photographs of myself and my friends. We were such beautiful, sexy kids but we always felt bad because we thought we were ugly at the time. It was because we were such outcasts in high school and so unpopular. We believed what other people said. If any one of us could have seen how attractive we really were we might have made something better of our lives. I'm the only guy that I know who wanted to runaway to be a prostitute."– Mark Morrisroe

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Mark Morrisroe studied at the School of the Museum of Fine Arts in Boston, where he became life long friends with Nan Goldin, Philip-Lorca diCorcia, Davis Armstrong and Jack Pierson, now collectively called "The Boston School." He died in 1999.

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Nan Goldin wrote: "Mark was an outlaw on every front-sexually, socially and artistically. He was marked by his dramatic and violent adolescence as a teenage prostitute with a deep distrust and a fierce sense of his uniqueness. I met him in Art School in 1977; he left shit in my mailbox as a gesture of friendship. Limping wildly down the halls in his torn t-shirts, calling himself Mark Dirt, he was Boston's first punk. He developed into a photographer with a completely distinctive artistic vision and signature. Both his pictures of his lovers, close friends, and objects of desire, and his touching still lifes stand as timeless fragments of his life, resonating with sexual longing, loneliness, and loss."

MARK MORRISROE (1959-1989)
ClampArt | Exhibition
March 24 - April 30
521 west 25th st, nyc

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Monograph: Mark Morrisroe (Twin Palms)

read Twin Palms Book Publisher, Jack B. Woody profile:
La Lettre de la Photographie 3.26.2011