Showing posts with label Eliot Porter. Show all posts
Showing posts with label Eliot Porter. Show all posts

3.02.2023

THE PHOTOGRAPHY SHOW presented by AIPAD: Scheinbaum & Russek Ltd.

 
Wynn Bullock (1902 - 1975) 
Child in Forest, 1954 
Vintage gelatin silver print
Image: 7 7/16 x 9 7/16; Mount: 15 x 15 1/16"

 
 
Paul Caponigro (b. 1932)
Redding Stream, Redding, Connecticut, 1968 
Gelatin silver print
Image: 16 x 20"; Mount: 23 1/2 x 29"
 
Scheinbaum & Russek Ltd. will be exhibiting a significant selection of vintage and modern prints by Manuel Álvarez Bravo, Wynn Bullock, Paul Caponigro, Henri Cartier-Bresson, Walter Chappell, Eliot Porter, Alfred Stieglitz, Minor White, and others.
 
THE PHOTOGRAPHY SHOW presented by AIPAD 
March 31st - April 2nd, 2023
 
Scheinbaum & Russek Ltd.
Select Contemporary and Vintage Photography 
BOOTH 233
Center415
415 5th Avenue
(between 37th and 38th streets)
New York, NY 10016
 
To learn more about the fair and the programs, please visit https://www.aipad.com/show.

 Thursday, March 30 | 12:00 pm - 8:00 pm (VIP Opening Preview)
Friday, March 31 | 12:00 pm - 7:00 pm
Saturday, April 1 | 12:00 pm - 7:00 pm
Sunday, April 2 | 12:00 pm - 5:00 pm

Scheinbaum & Russek Ltd. | 369 Montezuma Avenue 
Box 345Santa Fe, NM 87501
 

11.20.2018

DROWNED RIVER : The Death and Rebirth of Glen Canyon on the Colorado | Photographs by Mark Klett + Byron Wolfe

© Mark Klett and Byron Wolfe
Drowned River: The Death and Rebirth of Glen Canyon on the Colorado
Radius Books, 2018
 
© Mark Klett and Byron Wolfe
Drowned River: The Death and Rebirth of Glen Canyon on the Colorado
Radius Books, 2018

© Mark Klett and Byron Wolfe
Drowned River: The Death and Rebirth of Glen Canyon on the Colorado
Radius Books, 2018

© Mark Klett and Byron Wolfe
Drowned River: The Death and Rebirth of Glen Canyon on the Colorado
Radius Books, 2018

© Mark Klett and Byron Wolfe
Drowned River: The Death and Rebirth of Glen Canyon on the Colorado
Radius Books, 2018

© Mark Klett and Byron Wolfe
Drowned River: The Death and Rebirth of Glen Canyon on the Colorado
Radius Books, 2018

DROWNED RIVER
The Death + Rebirth of Glen Canyon on the Colorado
Radius Books, 2018



Drowned River is a book about climate change, but also about how photography can describe beauty and trouble simultaneously, about depth and shallowness, about what it takes to understand a place and to come to terms with the enormous scale of the changes we have set in motion.

"Their starting point was Eliot Porter’s landmark book of color photography, The Place No One Knew: Glen Canyon the Colorado, published by the Sierra Club in 1963 as a political statement about what had been lost under the dam’s waters and why it should never happen again. Their ending point is the reemergence of the river and the rise of questions about climate, the fate of the southwest, the folly of human endeavors to control nature, and the possibility of seeing these places and problems in new ways. 
 
Like previous collaborative work using historic images, Mark Klett and Byron Wolfe retrace the physical locations where Porter made his photographs, now mostly submerged by the lake’s waters, often as deep as 400 feet beneath the surface. Unlike previous projects, this work is not a rephotographic examination of his earlier sites or scenes; by necessity, this effort involves making entirely new images in response to the original Porter works. Rebecca Solnit’s accompanying text meditates on meanings and histories, drawing from both the trio’s explorations of the place and archival research." – Radius Books

Photography by Mark Klett and Byron Wolfe
Introduction by Michael Brune
Essay by Rebecca Solnit

Hardcover / 11.25 x 13
80 images / 212 pages

Text and images courtesy of Radius Books

1.16.2016

GEORGIA O’KEEFFE: THROUGH THE LENS. Scheinbaum + Russek, Santa Fe

Eliot Porter (1901 - 1990)
Georgia O'Keeffe with Bust by Mary Callery,
Ghost Ranch, 1945
Gelatin silver print

Todd Webb (1905 - 2000)
On the Portal of O'Keeffe's Ghost Ranch House, 1962
Gelatin silver print 

Eliot Porter (1901 - 1990)
White Boulder, Black Place, New Mexico, 1945
Gelatin silver print 

Todd Webb (1905 - 2000)
Georgia O'Keeffe's Studio at the Abiquiu House, New Mexico, 1962
Dye-transfer print

 Myron Wood (1921 - 1991)
Miss O'Keeffe, Abiquiu, New Mexico, 1980
Gelatin silver print

Long recognized as one of the world’s leading artists, in her personal life she protected her privacy and maintained an air of inaccessibility and an almost reverential approach to her immediate surroundings. Scheinbaum + Russek’s Georgia O’Keeffe: Through the Lens exhibition focuses on the work of three photographers: Eliot Porter, Todd Webb and Myron Wood – all friends of Georgia O’Keeffe and all who were invited by her to photograph. Each photographer chose a different approach and in total this exhibition offers the viewer a glimpse into her private life and immediate surroundings in her home, studio and landscape.

Eliot Porter shared with O’Keeffe a love for New Mexico, it’s culture and landscape, and he, like O’Keeffe, incorporated this environment into their own art. Their deep respect for each other and life-long friendship enabled Porter to make intimate and striking portraits of O’Keeffe.  They shared an aesthetic, a life-style and a passion for living and working in New Mexico.  O’Keeffe introduced Eliot Porter to many unique sights in New Mexico that had been inspirational to her, among them the Black Place and the White Place.  Porter, in turn, shared many of his loves of the southwest with O’Keeffe by including her on several of his journeys through the Glen Canyon area. Porter had met O’Keeffe in New York while exhibiting at Alfred Stieglitz’s gallery An American Place in 1939.

Todd Webb and his wife Lucille lived in Santa Fe in the l960′s and ran a wonderful bookshop and photography gallery on Canyon Road.  Having met Stieglitz and O’Keeffe in New York, the Webb’s first came to explore New Mexico by O’Keeffe’s invitation.  Over the years of their close friendship Todd Webb was able to record O’Keeffe’s life-style and surroundings with the intimacy that only a most welcomed friend could have made.  His work explores her home, her studio and the surroundings that inspired many of her paintings.  His photographs span their thirty-year friendship, dating from 1955 to 1981.

In 1979, Georgia O’Keeffe permitted Myron Wood to photograph her home in Abiquiu and in Ghost Ranch.  New Mexico, its fierce light and big, open skies, it’s directness and toughness were qualities that O’Keeffe herself possessed.  Myron Wood has captured those qualities in his beautiful photographs that are a tribute to O’Keeffe. Wood made hundreds of pictures, of the artist herself, the people closest to her, and most especially of the house, gardens, and surrounding landscape that was so elemental to O’Keeffe’s vision.  These photographs do more than merely document the look of the house; they evoke the spirit of the place, as O’Keeffe inhabited it. (text courtesy Scheinbaum + Russek)

GEORGIA O’KEEFFE: THROUGH THE LENS
January 23rd – March 5th, 2016
Scheinbaum + Russek
369 Montezuma, #345
Santa Fe, New Mexico

10.17.2013

JANET RUSSEK: The Tenuous Stem

 Janet Russek: The Tenuous Stem (Radius Books)
Photographs by Janet Russek. Essay by MaLin Wilson Powell

 Beets on Paper, 1994

 Squash in Bowl, 1993

Twin Porcelain Dolls, 2008

The poignancy and promise of the life cycle informs Janet Russek’s long term photographic project, The Tenuous Stem. She began this work expressing sadness over loss, while noting the possibility of new life carried by a seed or a stem. In 1989, Eliot Porter—her mentor and friend—gave her a monorail camera which was too unwieldy for anything but studio work, and although she has always worked with 4 x 5 cameras, she set up still lifes for the first time.

Using only natural light she started photographing ripe squashes, peaches , and pears, alluding to the fullness of pregnancy. She then worked with vegetables and roots, and finally, the maturing plant, whose lush ripeness harbors will spiral into decomposition and decay. In subsequent years, Russek has expanded the project to include portraits of dolls that explore the darker, more psychological side of childhood and parenting, and a memory series that includes photos of significant personal objects that harken to the past, and take this volume full circle—like the life cycle itself. (Radius Books)

This book is a gorgeous collectors edition; beautifully printed by Janet Russek and classically designed by Radius Books. Look for a copy! – EA

I attribute my renewed love and appreciation for Photography to Janet Russek and David Scheinbaum. Their educational evenings, generously given in their Gallery on the fine art of printing and the history of photography, were highlighted by the most extraordinary examples of vintage original prints by Eliot Porter, Ansel Adams, Atget, Callahan, Kertesz, among so many other great photographers. Check out the Scheinbaum and Russek Gallery on your next visit to New Mexico. 

7.02.2013

DAVID SCHEINBAUM: Hip Hop Portraits Book

 Professor Griff of Public Enemy, 2002
Photograph © David Scheinbaum

The Executioners, 2004
Photograph © David Scheinbaum

 Method Man and Redman, 2002
Photograph © David Scheinbaum

 Mos Def, 2002
Photograph © David Scheinbaum


"Since its inception in the 1970s, hip hop music and the culture surrounding it has become a hugely influential and popular musical form in America and around the world. Its popularity extends beyond the urban centers where it was born, and pervades and influences youth culture around the globe.  However, few artists have created serious and powerful photographs that explore the breadth of the phenomenon.  With this volume, David Scheinbaum has done just that.  His portraits of Erykah Badu, Chuck D., George Clinton, Common, Mos Def, Del-Tha Funkee Homosapien, Sage Francis, Professor Griff, KRS One, Mike Relm, Tajai, Wu-Tang Clan and Yelawolf (among others) approach hip hop as a positive cultural influence akin to the youth movement of the 1960s.  Scheinbaum's photographs are accompanied by essays by Gaye Theresa Johnson and Michael Eric Dyson, an artist conversation with Frank H. Goodyear III and an introduction by Brian Hardgroove of Public Enemy."


David Scheinbaum is former Director/Chair of the Photography Department at the Santa Fe University of Art and Design, and Professor Emeritus, College of Santa Fe. He is also one half of the well known fine art photography gallery, Scheinbaum and Russek LTD, the exclusive representatives for the Beaumont and Nancy Newhall Estate and for the Eliot Porter Estate.

Here is a little background. In 1978, Scheinbaum moved to Santa Fe, New Mexico with the hope of meeting and working with the pre-eminent photography scholar, Beaumont Newhall. This dream came true. Their professional relationship had many facets and a friendship quickly developed. In 1979 David began printing for Beaumont NewhallThe many people who came to work and study with Beaumont often asked to see his photographs – thus David found himself in the position of creating a “meeting place” for photographers and collectors. The idea for a gallery evolved and in 1980 when Janet Russek moved to Santa Fe they opened their doors with a retrospective of Willard Van Dyke’s work.

While David continued to work with Beaumont Newhall, Russek began assisting Eliot Porter. Their relationship also grew from the studio to the gallery and the gallery began to expand representing both local and international photographers. To date they have exhibited and worked with over 300 photographers. Scheinbaum and Russek have approached the gallery world through their roles as educators, artists, and collectors and bring to their gallery an appreciation of photographers, the fine print and the history of photography.

David Scheinbaum's other publications include, Bisti, photographs of New Mexico's Bisti Badlands (University of New Mexico Press, 1987), Miami Beach: Photographs of an American Dream (Florida International University Press, 1990), and Stone: A Substantial Witness (The Museum of New Mexico Press, 2006). He and his wife, Janet Russek, have collaborated on two projects; Ghost Ranch: Land of Light, Photographs by David Scheinbaum and Janet Russek (Balcony Press, 1997) and Images in the Heavens, Patterns on the Earth: The I Ching (The Museum of New Mexico Press, 2005). And now his most recent publication, Hip Hop: Portraits of An Urban Hymn (Damiani Editore) will be released in November 2013. This work was featured at The National Portrait Gallery of the Smithsonian Institution, entitled Recognize: Hip-Hop and Contemporary Portraiture, and at the Norton Museum of Art. His current work focused on the Lower East Side of New York.

I attribute my renewed love and appreciation for Photography to Janet Russek and David Scheinbaum. Their educational evenings, generously given in their Gallery on the fine art of printing and the history of photography, were highlighted by the most extraordinary examples of vintage original prints by Eliot Porter, Ansel Adams, Atget, Callahan, Kertesz, among so many other great photographers. Check out the Scheinbaum and Russek Gallery on your next visit to New Mexico.