1.28.2011

DIANA VREELAND: An Illustrated Biography

Diana Vreeland
Photograph (c) Priscilla Rattazzi /All Rights Reserved


Diana Vreeland in her apartment
Photograph (c) Jonathan Becker /All Rights Reserved



Diana Dalziel, 1911 "I have always had a wonderful imagination, I have thought of things that never could be..." –Diana Dalziel diary


Diana Vreeland
Photograph (c) Louise Dahl- Wolfe /All Rights Reserved

Diana's friend Horst P. Horst photographed her in her "Garden in Hell." As she said in DV, "All my life I've pursued the perfect red. I can never get painters to mix it for me. It's exactly as if I'd said, 'I want Rococo with a spot of Gothic in it and a bit of Buddhist Temple' – they have no idea what I'm talking about. About the best red is to copy a child's cap in any Renaissance portrait." Photograph (c) Horst P. Horst


"There's an excellent profile in Interview in which Jeanne Moreau says: "I shall die very young." "How young?" they ask her. "I don't know, maybe seventy, maybe eighty, maybe ninety. But I shall be very young." – DV

Legendary fashion arbiter, Diana Vreeland, born Diana Dalziel in Paris in 1906 to an American socialite mother and British father, married businessman Reed Vreeland, and with their two young children, moved to London, where they spent six years. Vreeland made frequent visits to Paris; and befriended designers such as Patou, Schiaparelli and Chanel. Returning to the states in 1935, Vreeland wrote an inventive column for Harper's Bazaar, "Why Don't You?" and later became a top editor there. Vreeland photographed models in Frank Lloyd Wright homes instead of in staged studios. In 1963, she became Vogue's editor-in-chief during the "Swinging Sixties" youth quake era, traveling to exotic locales in Africa, India, Turkey, China, Japan, and South America with famed models of the time Jean Shrimpton, Veruschka, Penelope Tree and Twiggy. In 1971, Vreeland became the consultant to the Metropolitan Museum of Art Costume Institute, creating the most exquisite exhibitions; "The Glory of the Russian Costume" prepared with Jacqueline Kennedy Onassis; "Diaghilev: Costumes and Designs of the Ballets Russes"; "Imperial Style: Fashions of the Hapsburg Era"; "Yves Saint Laurent: 25 Years of Design"; "The Eighteenth-Century Woman", among many others. Mrs. Vreeland lived an artistic life, always fashionable and immensely creative. She died in 1989.

An illustrated Biography

1.26.2011

A MONKS PHOTO JOURNAL: Preparing For HH The Dalai Lama's Visit to Mundgod


The monks of Rato Dratsang preparing for HH The Dalai Lama's visit

Rato Monastery, Mundgod, Karnataka, India

The monks of Rato Dratsang preparing for HH The Dalai Lama's visit

Preparing for HH The Dalai Lama's visit, Rato Dratsang Monastery

Preparing for HH The Dalai Lama's visit, Rato Dratsang Monastery

Rato Monastery, Mundgod, Karnataka, India

A Monk's PhotoJournalist, Nicholas Vreeland

The monks of Rato Dratsang Monastery, in Mundgod, Karnataka, India, are preparing for His Holiness the Dalai Lama to Inaugurate their Monastery January 31, 2011, followed by Teachings Febuary 1-5th. HH The Dalai Lama Schedule of teachings Here. Many of the new buildings for the Monastery were provided for from the sale of photographs by Nicholas Vreeland through the Rato Dratsang Foundation. Early in his career, Vreeland worked for both Irving Penn and Richard Avedon. An exhibition of his photographs will be shown at the Leica Gallery, New York, April 22- June 4, 2011.

All Photographs (c) Nicholas Vreeland /All Rights Reserved

1.24.2011

2011 CENTER AWARDS: Last Call for Entries

Corridors of Power / New School, New York
CENTER 2010 Project Launch Award, Honorable Mention
Photograph (c) Luca Zanier

Deadline for Review Santa Fe, Project Competition, Project Launch and The Choice Awards is January 27, 2011 VisitCenter.org

1.23.2011

ANTHONY JONES: Urban Environment

Black Dog Portfolio: Street Study II
Photograph (c) Anthony Jones /All Rights Reserved

London Taxis, 1998
Photograph (c) Anthony Jones /All Rights Reserved

Canary Wharf Station
Photograph (c) Anthony Jones /All Rights Reserved

Puddle, London
Photograph (c) Anthony Jones /All Rights Reserved

Man Walking Down a Passageway
Photograph (c) Anthony Jones /All Rights Reserved

"I still have that first roll of film (I ever took), it was of Trafalgar Square, the photographs are of the space, the built environment of the square and not the people. I return there often to photograph."
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Anthony Jones is a London based photographer known for his black and white images of the urban environment. He uses a Hasselblad medium format camera. His work has been exhibited at the Victoria and Albert Museum, the National Portrait Gallery, London, and through many galleries, including the John Stevenson Gallery in New York.

1.20.2011

HAI BO: Pace/MacGill Gallery

Shadow–2, 2009
Photograph (c) Hai Bo /All Rights Reserved


Shadow–3, 2009
Photograph (c) Hai Bo /All Rights Reserved

Untitled series–6, 2009
Photograph (c) Hai Bo /All Rights Reserved

TODAY! Jan 20th: 4:45pm
Gallery Walk-Through with Hai Bo
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Pace/MacGill Gallery
Jan 20 – Feb 26, 2011

The passage of time and its inevitable conclusion lay at the heart of Hai Bo’s art. The photographs in this new body of work form a simple, yet eloquent and highly personal meditation on man’s fleeting time on earth. The vast landscapes and quotidian portraits wax nostalgic about simpler times and capture the lingering traces of humanity that have been left behind.

Hai Bo, born in 1962 in Changchun, the capital of Jilin Province in northeastern China, received a BA in 1984 from the Fine Art Institute of Jilin, China and a MA in 1989 from the Print Department of the Central Institute of Fine Arts, Beijing, China. "He has been returning to his hometown for decades to photograph the familiar places of his youth. As China's cities grow exponentially, the artist looks poignantly at another aspect of large-scale urbanization: the increasingly desolate and aging villages of rural China. The photographs convey a sense of nostalgia for the beauty and vastness of the Chinese landscape."

Hai Bo's photographs have been the subject of numerous solo exhibitions, including the China Art Archives and Warehouse, Beijing (2002), Beijing Commune, Beijing (2007, 2008), and the Smithsonian’s Arthur M. Sackler Gallery, Washington, DC (2010).
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Other Contemporary Chinese Artists:
Jang Jinsong
Yong Li Ming
Heungman
Wang Xing
Don Hong-Oai

1.19.2011

JONATHAN SMITH: Untold Stories

Photograph (c) Jonathan Smith /All Rights Reserved

Photograph (c) Jonathan Smith /All Rights Reserved

La Lettre de la Photographie 1.18.11
Photographer Sylvia Plachy with Jonathan Smith
Hearst 2011 8x10 Photography Biennial Opening Night

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"Jonathan Smith's use of lighting and décor emotionally augment his true subjects - the colors of night air and the abandonment that floats in it."

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Eight winners and ten honorable mentions were selected for the 2011 Hearst 8x10 Photography Biennial from over 4,600 entries from across the U.S. and 70 other countries. Jonathan Smith was spotlighted as one of the eight emerging photographers, in an exhibition currently at the Hearst Towers Alexey Brodovitch Gallery, for his series Untold Stories.

Jonathan Smith studied in the United Kingdom at the Kent Institute of Design (KIAD) and the International Center for Photography in New York. Smith worked in the studio of the renowned New York photographer, Joel Meyerowitz from 2000 until 2009. He had his first solo show Untold Stories at Rick Wester Fine Art in September 2010. His work has appeared in Metropolis and View magazines, PDN, Art and Architecture and The Royal Photographic Society Magazine.

1.18.2011

BRANDON SCHULMAN: A Portrait of America Left Behind

Sugar Cane Processing Plant, Atchafalaya Delta, LA
Photograph (c) Brandon Schulman /All Rights Reserved

Windmill, Carson City, NV
Photograph (c) Brandon Schulman /All Rights Reserved

Eight winners and ten honorable mentions were selected for the 2011 Hearst 8x10 Photography Biennial from over 4,600 entries from across the U.S. and 70 other countries. Brandon Shulman was awarded an Honorable Mention for his series A Portrait of America Left Behind.

"A Portrait of America Left Behind is a photographic study that I have been conducting over the past two years. The photographs represent the presence that humanity plays on the land even when they are not in view. The objects and buildings that we create for our needs, and our discarding when they are not. Zig-zagging my way thru 13 states, 15,000 miles over 3 trips, 2 months and 100’s of hours in my darkroom it has yet come to an end."

Brandon Schulman Website

La Lettre de la Photographie
Hearst 2011 8x10 Photography Biennial: Part I
Hearst 2011 8x10 Photography Biennial: Part II

1.16.2011

SEAN PERRY: Monolith – Portraits of the New York City Skyline

200 West Street
Photograph (c) Sean Perry /All Rights Reserved

200 West Street
Photograph (c) Sean Perry /All Rights Reserved

200 West Street
Photograph (c) Sean Perry /All Rights Reserved

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"The images are presented metaphorically as cynosures,
the stars that illuminate and define our city."


"Monolith – Portraits of the New York City Skyline" is a sophisticated study of contemporary skyscrapers through the eyes of photographer Sean Perry, recasting the built environment of Manhattan into its most primal forms: concrete, glass, steel, light and air. This work furthers Perry's vision of architecture manifesting the phenomenon of sentience – presence beyond tangible design and mass."

The photographs above of Goldman Sachs new headquarters, known as "200 West Street", are a work-in-progress from Sean Perry's series, Monolith – Portraits of the New York City Skyline, in development with Art Director Greg Wakabayashi. The building, designed by Henry N. Cobb and the architecture firm, Pei Cobb Freed & Partners, was profiled in The New Yorker by Paul Goldberger.

1.15.2011

PHOTOGRAPHY AND IMAGING: Exhibition

Waiting for Train
Photograph © Susan May Tell/ All rights reserved

Man and Arm
Photograph © Susan May Tell/ All rights reserved

Gallorus Oratory, Ireland from PORTALS Series
Photograph © Margaret McCarthy/ All rights reserved

Ross Abbey, Ireland from PORTALS Series
Photograph © Margaret McCarthy/ All rights reserved

Wisdom is a butterfly and not a bird of prey– Yeats
Photograph © Clayton Price/ All rights reserved

PHOTOGRAPHY AND IMAGING
MEMBERS EXHIBITION AT THE NATIONAL ARTS CLUB, NYC
15 Gramercy Park South

Jan 5-28

1.08.2011

SNAPSHOTS: Gallery Night Out

A Tooth For An Eye: A Chorography of Violence in Orleans Parish
Photo Journals

Vince Aletti and Deborah Luster

A Tooth For An Eye: A Chorography of Violence in Orleans Parish

Artist Reception | Who Was There: Charles Ledray, Matt Weiland, Vince Aletti, Eileen and Michael Cohen, Robin Cembalest, Alexandra Anderson Spivy and Jock Spivy, Kevin Messina and Jim Brown, Charles Griffin, Merry Foresta and Andy Grundberg


4:02 PM, J Train, from Dark Day series

DAVID S. ALLEE "DARK DAY"

Artist Reception | Who Was There: Gretchen Mol, Nicholas Stern, Richard Mauro, Joel Sternfeld, Robert Polidori, Tod Williams & Billy Tsien, Kip Williams, Doug Liman, Richard Maltby, Diane Tuft, Shaun Mader

1.07.2011

MATTHEW AVEDON: Fashion of the Times

NUMÉRO HOMME Fashion Magazine
Photograph by Greg Kadel

NUMÉRO HOMME Fashion Magazine
Photograph by Greg Kadel

Fashion Photographer Greg Kadel moved to New York from Pennsylvania to study marine biology and fine art. It was only after graduation he realized his passion for photography and filmmaking. His images have appeared in every top fashion publication and advertising campaign. Kadel is represented by Marek & Associates and Trunk Archive (must-see sites) for image licensing. Matthew Avedon is represented by DNA Models, NY

You can also catch Matthew playing Gypsy Jazz with his his trio at the Immigrant Bar and around Brooklyn. Photograph by Georgia Nerheim

PUBLISH YOUR PHOTOGRAPHY BOOK: With Darius D. Himes and Mary Virginia Swanson


Industry insiders Darius D. Himes and Mary Virginia Swanson demystify the process of producing and publishing a book of photographs. They provide an overview of the publishing industry; a look at the process of making a book; how to market a photo book; case studiesbuilt around discussions and interviews with published photographers; and present resources towards understanding the publishing world. Their forthcoming title Publish Your Photography Book also includes further interviews from industry professionals (artists, publishers, designers, packagers, editors, and other industry experts) who share their own publishing experiences. A must-see for anyone considering publishing their photography book.

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About mid-way into their video presentation, Swanson and Himes incorporate examples of the various states of my design process for photographer Jessica Hines photography book, My Brother's War. In order to demonstrate the evolution of the book 's design, they present examples - such as the positioning and sizing of the book's title, image choice and positioning of the art for the book cover, chapter headings and various font options - that I sent to Hines for her consideration before we settled on the final "look" for the book. At the time Jessica and I began to work on her project, we had never met and we live in different states. In the beginning, we communicated by phone and then I sent her jpegs and pdf's of the layouts by email. A perfect example that you can design and produce your book from anywhere, as Swanson and Himes mention in their lecture.

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Mary Virginia Swanson, is a consultant in licensing and marketing of fine-art photography. She also lectures, conducts workshops and educational programs for photographers. Follow her blog, Marketing Photos, a valued resource for photographers. Darius D. Himes, cofounder of Radius Books, is also a lecturer, consultant, and writer. Organized by Arezoo Moseni, Artist Career Development Series. And thank you New York Public Library.

1.06.2011

KENNETH O'HALLORAN: Fair Trade

Twins: Puck Fair, Co Kerry
Photograph (c) Kenneth O'Halloran /All Rights Reserved

Ballinasloe Fair
Photograph (c) Kenneth O'Halloran /All Rights Reserved

Cahirmee Fair
Photograph (c) Kenneth O'Halloran /All Rights Reserved

Ballinasloe Fair
Photograph (c) Kenneth O'Halloran /All Rights Reserved

Smithfield Fair
Photograph (c) Kenneth O'Halloran /All Rights Reserved

Smithfield Fair
Photograph (c) Kenneth O'Halloran /All Rights Reserved

"Fairs are more than places of trade in Ireland. Women regard them as occasions worth dressing up for...a femininity to counter weigh the spit-in-the-hand dealings of the men folk. Many of these are traveling people, part of an ancient tribe of Gaelic nomads who have never remained in one spot for very long despite numerous integration attempts by settled society. ...there's business to be done. On days like these horses and ponies are their stocks and shares; the towns and squares of Ireland morph into their trading floors...these old meeting grounds are flourishing arenas of openness and transparency."

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My father with his granddaughter Caoimhe, Corofin
from the series Life After Death
Photograph (c) Kenneth O'Halloran /All Rights Reserved

Aoife and Daniel Communion, Mother Teresa and myself, Corofin
from the series Life After Death
Photograph (c) Kenneth O'Halloran /All Rights Reserved

My father asleep, Corofin from the series Life After Death
Photograph (c) Kenneth O'Halloran /All Rights Reserved


LIFE AFTER DEATH

"My father, who is 80, having spent half his life working, recently retired, closing his drapery store. His undertaker's business continues. For me and others in the family it meant that death was never far away or overtly mysterious. We became accustomed to the dead of our parish being prepared for the final ceremonies before burial."

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Kenneth O Halloran was born in the West of Ireland, and is a graduate of the Institute of Art, Design and Technology in Dun Laoghaire. Based in Dublin, he is currently working on a number of long term projects, which include a personal portrayal of his family shot over 5 years.

His project 'Tales from the Promised Land' has been shortlisted for the Terry O'Neill Award 2010 and his portrait, Twins: Puck Fair, is being shown
until Feb 20 in The National Portrait Gallery in London, as part of the Taylor Wessing Portrait Prize 2010.