Showing posts with label Spain. Show all posts
Showing posts with label Spain. Show all posts

3.21.2012

MATTHEW AVEDON: Music + Fashion Interview

Matthew Avedon An Interview for Massimo Dutti
below



Matthew Avedon/Vogue Italia Photographed by Dawidh Orlando




Matthew Avedon Film by Hunter + Gatti for Massimo Dutti
-:- YouTube Video Here -:-


A Talk With Matthew Avedon
Massimo Dutti Journal: #169

What are your passions?


While I have many interests, my main passion in life is working as a musician. I am an active member of the New York Jazz community and play gigs as many nights of the week as possible! I have my own group that plays Jazz Manouche in the style of Django Reinhardt and we call ourselves the Hot Club Time Machine, I also play some more modern things with my group the Matthew Avedon Trio, and I also play with an amazing New Orleans Jazz band called Jessy Carolina and The Hot Mess. On top of that I try to collaborate with as many musicians in other styles as I can. The life of a working musician can be very hard, and demands a lot of discipline but it is so creatively fulfilling that I wouldn't want to be doing anything else; except working for Massimo Dutti of course!


Obvious question: What is the weight of the name of the most admired photographer your grandfather?
 
Obviously my last name holds a lot of weight in the fashion industry and there's no getting around that. My grandfather played a very important role in shaping the aesthetics of modern fashion and how it presents itself, and his work as a creative force is undeniable. As a model on the other side of the camera I am understandably always asked about my grandfather, and all I can say is that as a man I didn't know him very well, but as an artist I deeply respect his contribution to photography.


Have you ever thought about taking a camera?
 
I have never seriously thought of taking up photography, it's not where my heart is so I wouldn't want to attempt it just because I have a famous last name. I leave that legacy to my younger brother Michael Avedon (michaelavedon.com) who is extremely talented and getting better every day! 


What about design? 
 
For me design is not something you do separate from everything else. Design is a way of approaching the world, everybody designs the world they live in as best they can. I have however considered working as a designer specifically as a job and it's something I think I would be quite good at, but right now I want to pour all my energy into improving as a musician, so I leave the design world to more capable hands.


New York or Paris?
 
I am a born and bred New Yorker and very proud of it! Paris is great and I love visiting, but New York will always be my home even though it has changed so much since I was a kid. It's the curse of the city that people who grow up here have a really hard time adjusting to living anywhere else and that is very true for me!


 What is your favorite part in the world where do you like to go?
 
I am very lucky that my job takes me all over the world and I get to see so many great places, the problem is I never get to stay for very long! Barcelona has always been a very fun place for me to visit and I have a few friends living there; anyone who has been there knows what a party town it can be. Through work I've spent so many years traveling around Europe and I've actually not had a chance to see that much of America besides California and a few other places, so soon I plan on taking a good long road trip across the country. I'm particularly looking forward to visiting New Orleans where the music scene is really amazing!

1.11.2012

MICHAEL CROUSER: Mid-Career Retrospective

Los Toros (Twin Palms)
Photograph © Michael Crouser

Dog Run (Viking Studio)
Photograph ©
Michael Crouser


Valladolid, Spain, 1996
Photograph ©
Michael Crouser


Mountain Ranch
Photograph ©
Michael Crouser


Michael Crouser: A Mid-Career Retrospective
January 13 - February 25
Leica Gallery 670 Broadway NYC

Michael Crouser's retrospective exhibition at New York's Leica Gallery includes work from four distinct series covering 25 years, Los Toros, Dog Run, Mountain Ranch and Sin Tiempo. Los Toros was a fifteen-year exploration of bullfighting in Spain, Mexico, South America and France. The collection was published as a monograph by Twin Palms, and won first place in the 2008 International Photography Awards, Fine Art Book category. Mountain Ranch was an exploration of the disappearing world of cattle ranching in the mountains of Colorado. This project was made possible through the generous support of Kodak. Dog Run was an experiment in seeing dogs in a new way...in the midst of their intense play in urban dog parks. Shot in Minneapolis and New York, Dog Run was published by Viking Studio, and was supported by Kodak. His series, Sin Tiempo, "without time" in Spanish, are fascinating "momentary vignettes giving no evidence of the photographs time or place." All the photographs in the exhibition were shot on Tri-X film and printed in a traditional darkroom.

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New York City's Leica Gallery has been run in partnership with Leica Camera since 1994 and is closely linked to the company. The gallery has become a leading location for both traditional and modern photojournalism in the New York gallery scene; located in an historic building in Greenwich Village that is listed in the records of the American Institute of Architects.The gallery has housed more than 115 exhibitions, including renowned photographers such as Alfred Eisenstaedt, Inge Morath, Leonard Freed, Alex Webb, Erich Hartmann, and Karl Lagerfeld.

7.15.2011

ROCIO SEGURA: When We Dream...

Photograph (c) Rocio Segura /All Rights Reserved

When we dream, our minds are free to do all the things we would never do in real life. The human brain creates a state of being in which our hidden fears and desires come to the surface. –Rocio Segura

Born in Santander, Spain, Rocio Segura received her Bachelor of Sciences in Media Studies in Madrid before assisting fashion photographers Jesus Cordero and Pablo Almansa; and collaborating with artists in Italy, London and New York. Ms. Segura recently completed her Masters of Professional Studies (MPS) in Digital Photography at The School of Visual Arts and is now based in New York City.


Current Exhibition:
“Prohibido Vivirin Collaboration with Okuda
through July 29, 2011
SC Gallery, Bilbao, Spain

Upcoming Group Exhibition:
October 21-Nov 12, 2011
Gallery Exhibition Curated by Michael Foley
209 East 23rd St, NYC


PURCHASE BOOK

2.13.2010

ROBERT RAUSCHENBERG INTERVIEW: Guggenheim Museum Bilbao "Gluts"

An Interview With Robert Rauschenberg Book Cover
Elizabeth Avedon Editions | Vintage Contemporary Artists Series
Back Cover: Robert Rauschenberg. Metal Assemblage, Swaddle Glut, 1986
Front Cover: Photograph (c) Richard Avedon /All Rights Reserved



Robert Rauschenberg, Greek Toy Glut (Neapolitan), 1987
Metallo Asemblato (c) Estate of Robert Rauschenberg



Robert Rauschenberg, West-Ho Glut, 1986, Metallo Asemblato
(c) Estate of Robert Rauschenberg

I think of the "Gluts" series as souvenirs without nostalgia. What they are really meant to do is give people an experience of looking at everything in terms of what its possibility might be. –Robert Rauschenberg

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The following text is from An Interview With Robert Rauschenberg by American Art Critic, Barbara Rose, published under the imprint "Elizabeth Avedon Editions | Vintage Contemporary Artists" by Random House (Here):

BR: There's a lot of recycling and reuse in your work. You believe that you don't have to throw something away just because it's old. There's always a possibility for a use. This isn't a common idea. People are really into "new" today.

RR: The only thing I like to keep out of a work, no matter what the materials are, is the history of the process of putting it together. I don't bring that into it. I think of the "Gluts" series as souvenirs without nostalgia. What they are really meant to do is give people an experience of looking at everything in terms of what its possibility might be.

BR: Your art has certainly always been available. You don't need to have an enormous background on Rauschenberg's history to relate to his work. There is always something there to which anybody can relate. That's why it's popular. You may not contrive to be popular, but you are.

RR: When I see the sorts of things you are referring to, I try to destroy them. I'm sure that I haven't been able to avoid developing some "classic" qualities, and I don't mind them being hidden. I just object to their being the subject.

BR: You prefer a composition that is not obviously a composition.

RR: I prefer not to brag about it's sophisticated anatomy.

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BR: I have watched you work, and it is an interaction–it is your encounter, and you interact with this material or this image or whatever, but you never plan your work. There is no plan or sketch. It's absolutely pure process. Which comes, I believe, from abstract expressionism. It's the process. You don't know until it's finished what it is, and it's done when you've decided that that's it–I think that's an aspect of your work.

RR: Actually, when I'm painting, I think that my mental attitude is to drive with the brakes on, and when I sense a funny smell, then I turn off the ignition.
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RR: For me, Tibet was a living relationship with people. It was a reaffirmation of the fact no matter what the language is or the customs are, there is a general love between human beings. I know it sounds simplistic, but you could see it in Tibet. Some places it's harder to break through that. These people–perhaps because the air is so thin, or their life is so hard, or because they are so religiously rich–have love all over the place. I mean, every step, no matter how cold it is or how hot or how muddy, is still part of the palette of friendship.
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10.16.2009

JANELLE LYNCH: Riu Llobregat

Copyright (c) Janelle Lynch /All Rights Reserved

Copyright (c) Janelle Lynch /All Rights Reserved

Copyright (c) Janelle Lynch /All Rights Reserved

With this body of work, Riu Llobregat, I continue the process of exploring and mapping themes of absence and loss as I have done over the last decade in the landscapes of the United States and Mexico.

JANELLE LYNCH received her MFA in Photography from the School of Visual Arts. Her work has been exhibited at the George Eastman House Museum, Rochester, NY, the Festival International de Mode et de Photographie à Hyères, France, and Foto Rio, Rio de Janeiro, Brazil. A solo exhibition of these photographs, Riu Llobregat, opened at 3 Punts Galería in Barcelona this past September. She used a Deardorff 8-x-10 inch field camera and color negative film to make this work. Lynch was one of 100 photographers invited to participate in Review Santa Fe 2009.
Janelle Lynch Website