Showing posts with label Water. Show all posts
Showing posts with label Water. Show all posts

3.10.2021

SARAH SCHORR : THE COLOR OF WATER

All images © 2021 Sarah Schorr

Galleri Image presents The Color of Water 
by the American artist Sarah Schorr

The Color of Water is an investigation of one of our life sustaining elements: water. What is the color of water? The answer is part science and part emotion; yet the answer is elusive and shifting. Through the dual processes of examining gradations of color and gradations of emotion, Sarah Schorr follows the ephemeral refractions of light and mood in water. How will we preserve this resource for future generations?
 
Opaque, transparent, or translucent, entering water can delineate both a physical passage and a metaphysical pathway. The point of ingress creates surface tension. A shift in pressure causes liquid to quiver as it is pierced. Air is reduced and then removed. Sound changes: Music becomes obscured and redacted. Silver to black to emerald green: Water is often not blue. Sometimes the sea is a rolling red from deep sea algae. Assisted by the waterscape, these transitions open us to different reflective experiences, sparking introspection about attention, physicality, and mobility in our media-saturated landscape. Schorr’s work does not answer the rhetorical question: what is the color of water? Instead, this project is an invitation to engage in a process of inquiry and contemplation.

Using water as a reflecting pool for seeing color, the exhibition also includes two interactive works. “The Algorithmic Sea", a collaboration between Sarah Schorr and creative coders Gabriel Pereira and Carlos Oliveira, invites viewers to explore how both humans and computers see color. “Longing Messages,” an iterative installation work by Sarah Schorr made during Covid-19 invites participants to explore what they miss through the visual metaphor of a message in a bottle.

The Color of Water 
by the American artist Sarah Schorr

March 12 - May 2, 2021
The dates of the exhibition period are subject to change depending on Covid-19 restrictions

 

Galleri Image 
Vestergade 29, 8000 Aarhus C, Denmark
Director: Beate Cegielska

“The Color of Water” accordian book, a signed edition of 250
Published by Galleri Image
 
The exhibition features Sarah Schorr’s accordion book, “The Color of Water,” inspired by stairways into the sea and twilight colors in Denmark. The book is published by Galleri Image and printed at Narayana Press in a signed edition of 250. Words by Elizabeth Avedon and Anne Marie Kragh Pahuus.
 
The Color of Water: A virtual gallery tour with Sarah Schorr with a Q and A hosted by Aarhus University Associate Professor Stephen Joyce (March 22, 2021 at 3 pm on Zoom)
 
Galleri Image is Scandinavia’s oldest non-profit exhibition space for photography and camera based art.  
 
 
All images © 2021 Sarah Schorr  


7.17.2019

WATER 2019 : PhotoPlace Gallery

Jurors Award 
Point 660, 2, 08, 2008
© Olaf Otto Becker

Directors Award 
Rage 
© Lynn Savarese

Honorable Mention
Untitled #3. Into the Deep
© Sandra Chen Weinstein 

Honorable Mention
Running  
© Leslie Jean-Bart

Honorable Mention
Raising Goosebumps #2
© Cate Wnek

 Andrew, Rio Celeste No. 2
© db Waltrip
 
Water #6
© David Reinfeld

Nature of Water 3
© Benjamin Bobkoff

 Alien Twins
© Aimée Hoving

 Celadon
© Sarah Schorr

Juror: Elizabeth Avedon 
PhotoPlace Gallery

Seventy percent of the world's surface is covered by water. It shimmers, it soothes, it heals, it brings joy. It can be devastating in its destructive force, and equally devastating by its absence. How fortunate we are to be able to travel to places where clean water is still abundant that we can swim and play, document and create art, in and around it. It is easy to take for granted, considering it may soon be our most expensive commodity. The magic of the submitted images ranged from the very realistic, documenting the fragility of our disappearing glaciers, to the mysterious, focusing on the beauty and perfection of even the smallest precious drop.

The Juror's Award "Point 660, 2, 08,2008” goes to Olaf Otto Becker, who photographed the measuring station Swiss Camp, Greenland, where glaciologists and climate researchers work on predicting the planet's future. "Point 660, 2, 08,2008” is a formidable landscape and popular tourist spot where taking photographs of one another may soon be over. In one hundred years Becker’s photographs may be all that's left to view of this extraordinary world.

The Director's Award goes to Lynn Savarese and her black and white image "Rage" at Fossar: Icelandic Falls. Lynn has photographed some of the world’s more colossal waterfalls, this one being one of Iceland’s tallest.

Honorable Mentions goes to Leslie Jean-Bart, Sandra Chen Weinstein, and Cate Wnek.

View the entire Gallery + Online Gallery exhibition here. Thank you to all who entered.  — Elizabeth Avedon

Juror: Elizabeth Avedon
 thru August 10, 2019
PhotoPlace Gallery
3 Park Street
Middlebury, Vermont


Many images are available for purchase!
Inquire: photos@photoplacegallery.com 

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The Water Project: TheWaterProject.org
FreshWater Watch: freshwaterwatch.thewaterhub.org
4ocean Clean-up:  https://4ocean.com

 Northwestern Glacier
© Frank Zurey

 Nymph, 2019
 © Paola Telesca

 
Sea Lion
© Caren Winnall


 
Many images are available for purchase!
 
Inquire: photos@photoplacegallery.com 

6.05.2018

DANIEL W. COBURN: Elizabeth Houston Gallery

Untitled, 2017, from the project Becoming a Specter
Photograph © Daniel Coburn

DANIEL W. COBURN: BECOMING A SPECTER
June 6 – August 17, 2018

"Some photographs faithfully record the world in front of them. Others bend the objects presented to the camera through the mind’s lens, transforming them beyond surface appearances. This latter approach reveals the surrealism already present within the real, confronting us directly with the ambiguities we too often deny."

"Daniel Coburn’s Becoming a Specter traffics in these paradoxes, teasing out the tension below the surfaces of our most intimate conceptions of ourselves and others. Although Coburn’s photographs are domestic, they are never banal. The artist does not buy into the tepid reality of mortgages, traditional families, and material largess. Instead, Becoming a Specter speaks to us in the language of our deeper desires—and fears. It is playful, and yet eerily foreboding. Like water, its meaning is mutable, slipping through our fingers just as we begin to grasp it."

"Water, it seems, takes pride of place in Coburn’s photographs. The artist and his kin submerge themselves in the blinding light of the sea, haloed by the reflective stars of its surface. There are biblical precedents, to be sure, in baptism. But water has its own mercurial symbolism, by turns suggesting troublesome times and undifferentiated chaos as much as it does eternal salvation. The world is birthed through water, all of the best and worst of it. Coburn’s landscapes are more than meets the eye. Like the water that features in them, they are psychological terrain, and oxymoron's the law of the land." ....read more at Elizabeth Houston Gallery 

Daniel Coburn is a recipient of a 2017 John Simon Guggenheim Memorial Fellowship.  He was named as a finalist for the Arnold Newman Prize for New Directions in Photographic Portraiture the same year.

June 6 - August 17

Reception: Wed June 6, 7-9pm

190 Orchard Street, New York, NY

11.28.2011

LINDA TROELLER: MUCALINDA | Self-Portraits + Self-Reflection

Linda, Ansel Adams Bookmaking Workshop, Yosemite, Ca, 1974
Photograph by
David Bales

Self-Portrait. San Jose Purua Hot Springs, Mexico, 1976

Linda Troeller's "Healing Waters" (Aperture) won 'Pictures of the Year' Book Award for Excellence. Cover, "Floating, Terme di Saturnia, Italy, 1996"

Mucalinda: Self-Portrait + Self-Reflection


"Mucalinda was a serpent king that emerged from the earth and protected Buddha with his hood from a storm. The book title is a metaphor of coming to terms with the multiplicity and the convergences of my life, an affirmation of the different moments which are represented in these self-portraits and portraits by other photographers."

"Self-reflection is reassurance for our psyche. French psychoanalyst Jacques Lacan coined the term “the mirror stage,” which refers to early development in which an infant sees his own likeness, watches it move as he feels his body move, and thus realizes for the first time that he is the master of his own corporal form."

"Florence Nightingale, the civil war nurse, wrote that color, form and light provoke a physical effect on well-being. Photographers enter into that realm of light with their eyes and sensation. Photography can connect us to ‘oneness,’ and a ‘source.’ Research shows that photographs are recorded in the frontal lobe of the brain, which control heartbeat, blood flow, and hormones. This optic –unconscious relationship brings us visions of places yet to be discovered, universal, and yet rare. I experienced this kinship with my first camera, a Rollei, at the age of twenty at Ghost Ranch, New Mexico when Georgia O’Keeffe told me, “Let the powers out there guide you.” The impulse to snap the shutter directly links us to mythic absorption which is what the Mexican painter, Leonora Carrington named “down below.” She said if I wanted to heal from a breakup and grow as an artist I would “take the waters in San Jose Purua and Ixtapan or mushrooms in Palenque” to access things internal, archetypal, redeemable. – Linda Troeller, Mucalinda


Linda Troeller Exhibition Curated by Sabine Kutt
Art Basel/Miami Beach Dec 1- 3


Self-Portrait, Lobby, Chelsea Hotel, NYC, 2006

"Artist. Model. Author. Muse. Linda Troeller plays many parts in her photographic life. Throughout a prolific career photographing and publishing books on female sexuality, healing-water spas, the AIDS epidemic, and her home in New York’s legendary Chelsea Hotel, Troeller has regularly served as a subject for the camera, her own and those of her colleagues. Mucalinda: Self-Portrait + Self-Reflection, a collection of images by Troeller and other photographers from the 1970s to today, is an intimate, illuminating assessment of one artist’s deep engagement with seeing and understanding herself through the camera’s lens."

"Troeller’s dual roles behind and in front of the camera make her an anomaly in a community where most hide behind their viewfinders. But her exceptional beauty, along with the strength, openness, and willingness to collaborate with other artists on subtle, spiritual levels manifested in each photograph, made it inevitable that she would inspire other photographers as a subject. In each fearless image Troeller depicts the creative arc of a soul in love with photography and life.”–Toby Kamps, Mucalinda

Toby Kamps, Senior Curator, Contemporary Arts Museum Houston, Texas

MUCALINDA: Self-Portraits + Self-Reflection
view and purchase here

Linda Troeller’s vast corpus of self-portraits spanning the length of her artistic career serve as testaments to the many faces that composite the idea of self. The compulsive remaking of her own image through the expanse of time (or timelessness) falls within the artist’s desire to inscribe her likeness on the visual field. It is as if Troeller is making up for the lack of the emancipated female subject in art historical discourse. Her images often elicit a dreamscape, as her body is often pictured in nature, floating in water or suspended in between the horizon line of ground and air. The transcendent quality of Troeller’s self-portraits point to her desire to achieve the liberated female subject in art through the constant re-imaging of her own body within the pictorial frame. – Kalia Brooks, Mucalinda

Kalia Brooks, Adjunct Professor, New York University, Tisch School of the Arts, Photography and Imaging Department, Exhibition Director, Museum of Contemporary African Diasporan Arts (MoCADA)

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Upcoming News
Linda Troeller Exhibition Curated by Sabine Kutt
Art Basel/Miami Beach Dec 1- 3

Exhibition Mucalinda: Self-Portrait + Self-Reflection
Hellenic Centre for Photography, Athens and
Tenerife Photography Festival, Canary Islands, Spain
through the end of 2011


Linda Troeller will teach "Self-Portraiture and Poetry" with Maureen Alsop in Palm Springs, California, April 2-5, 2012.
Many thanks to Linda for allowing me to excerpt from her book, Mucalinda: Self-Portraits + Self-Reflection

4.29.2010

ISA LESHKO: Elderly Animals

Pumpkin, Age 28
Photograph (c)
Isa Leshko /All Rights Reserved

Finn Sheep, Age 12
Photograph (c)
Isa Leshko /All Rights Reserved

Waterscape Series, Waterscape 1
Photograph (c) Isa Leshko /All Rights Reserved

Pulitzer Prize winning photo critic, Mark Feeney, wrote about Leshko's work in a review of the current shows at the Griffin Museum on Boston.com. A Conversation with Isa here.

Isa Leshko's Thrills & Chills Exhibition
Griffin Museum of Photography
to May 9th
Recent News About Isa

11.20.2009

EYTHOR ARNASON: Water Babies

Baby Swim Series
Photograph
© Eyþór Árnason

EYTHOR ARNASON is a 28 year old professional photographer in Reykjavik, Iceland. Arnason studied photography in both Iceland and Denmark. Eythor's work includes landscape, portraiture, fashion, and magazine editorial and advertising. Starting with his newborn son in swim classes, Eythor has been working on his Baby Swim series for just under a year.
More On FLICKR
EYTHOR ARNASON WEBSITE

THOMAS BROENING: Closer To Where We Want To Be

Photograph (c) Thomas Broening /All Rights Reserved

THOMAS BROENING WEBSITE

8.27.2009

MARCIA MARTIN: Lucies Nature Award

Stillness (c) Marcia Martin/All rights reserved

Leaf and Sparkles (c) Marcia Martin/All rights reserved

MARCIA MARTIN won an International Photography Award (The Lucies) in the Nature category for her Portfolio of Floating Leaves. Martin is represented by Contemporary Works. Marcia Martin Website

JOSEF HOFLEHNER: Photographs


Ocean Pools, Taiwan, 2009 (c) Josef Hoflehner/All rights reserved

Santa Monica Pier, Ca, 2009 (c) Josef Hoflehner/All rights reserved

8.23.2009

DAMION BERGER: In The Deep End

Kayta, Stade Nautique Ranier III, Monaco
(c) Damion Berger/All rights reserved

Hula Hoops, Le Roccabella, Monaco (c) Damion Berger/All rights reserved

The human body submerged underwater and illuminated by an ever-changing quality of light provide all the elements for a playful ballet seemingly detached from gravity

In 1995, Londoner DAMION BERGER was offered an assistant position with Helmut Newton while he was still at boarding school in England, a turning point in his life. Assisting both Mr. Newton and moonlighting as a student of Business at the International University of Monaco, eventually led him to New York to study Photography at Parsons School of Design. His work has been featured in PDN, American Photo, Hotshoe, B & W Magazine, The Sunday New York Times and the British Journal of Photography. Editioned Gelatin Silver prints are on view at Bonni Benrubi Gallery, 41 East 57th Street, NYC. Damion Berger was one of 100 photographers invited to participate in Review Santa Fe 2009.
Damion Berger Website
Bonni Benrubi Gallery: Hot Fun In The Summer Time to September 5th