Showing posts with label Ruddy Roye. Show all posts
Showing posts with label Ruddy Roye. Show all posts

9.11.2016

RUDDY ROYE: When Living Is A Protest

  Colours (Marlon Jones) (Immigrant Series)
New York, NY, July 4, 2014

Black Today (When Living is a Protest Series)
Union Square, New York, NY, May 1, 2015

Facing the Darkness, Bedford-Stuyvesant
Brooklyn, NY, January 18, 2016

Ruddy Roye: When Living Is A Protest
Exhibition: September 16th – October 29th, 2016
Steven Kasher Gallery 515 W. 26 St., New York, NY

The world’s first solo exhibition of photographer Radcliffe “Ruddy” Roye opens at Steven Kasher Gallery September 16th. The exhibition features 20 large scale photographs, many taken in Roye’s neighborhood of Bedford-Stuyvesant, Brooklyn. Roye’s images give visibility to the usually invisible members of his community. His portraits are infused with dignity and integrity. Each photograph is accompanied by a text written by the artist, often quoting the subjects. Roye spends significant time with each person he approaches, listening to their stories. For Roye, narrating the stories of his “collaborators” is as important as the images they produce together.  Roye’s is a unique voice in street photography, one full of anger, resistance and compassion.

Roye spends his days walking the streets and photographing the people he encounters. He is no stranger to walking. In 2000, Roye walked 121 miles in his native Jamaica, from Montego Bay to Kingston, photographing squatters alongside an abandoned train line. He pays close attention to the way people move through the environment, acutely aware of those that we usually ignore. He is closer to his subjects than is typical in street photography, both emotionally and physically. This intimacy is augmented by his complex compositions of colors, lights, lines, signage and symbols.

Ruddy Roye has amassed over 250,000 Instagram followers, and uploaded over 4,000 posts. He is a leading figure on Instagram among documentary photographer showcasing an interest in their communities. He began his social media work with a series of haunting posts of the devastation that followed Hurricane Sandy. For Roye, social media is a powerful outlet to get his message to a mass audience. “The media has a way of deleting the stories of people who society does not want to deal with. This is my humble way of putting these stories back in people’s faces — forming a real and active dialogue about these issues.” Online, Roye adds to each posted image an incisive retelling of the stories he has heard from his subjects. These captions will be reproduced in full for the exhibition.
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Radcliffe Roye (b. 1969) is a Jamaican photographer living and working Brooklyn. He has photographed dancehall musicians and fans, sapeurs of the Congo, the Caribbean Carnival J’ouvert and recent political protests in Ferguson, New York and Dallas. After moving to New York in 2001, Roye worked as a freelance photographer for the Associated Press. His photography has appeared in the New York Times, The New Yorker, Vogue, Ebony, Fast Company, BET and ESPN. His work has been included in exhibitions at the Museum of Contemporary Photography, Chicago; the Museum of Contemporary African Diasporan Arts; Silver Eye Center for Photography; Chastain Arts Center; the Vermont Feick Fine Arts Center; Alice Austen House and Photoville. He has held teaching positions at New York University and the School of Visual Arts and is an adjunct lecturer at Columbia University. Roye is one of the youngest members of the Kamoinge Workshop, the seminal and enduring black photography collective founded in 1963. Text above Courtesy Steven Kasher Gallery



Ruddy Roye: When Living Is A Protest
Exhibition: September 16th – October 29th, 2016
Steven Kasher Gallery 515 W. 26 St., New York, NY

1.19.2016

KAMOINGE: 50th Anniversary Book + Exhibition

 Judeen. Nigga Beach Series, Montego Bay, Jamaica, 2012
Photograph © Ruddy Roye

Students with Teacher. New York, 1990
Photograph © Toni Parks

Toukie Smith, model. New York, 1980
Photograph © Anthony Barboza 


Group photograph, "Portrait of Kamoinge, The Members, 1963–2014. September 21, 2014, photograph by Ronald Herard”: 1. Anthony Barboza (President), 2. Adger W. Cowans (Vice President), 3. Herb Robinson (Treasurer), 4. Ronald Herard, 5. Herbert Randall (Founder), 6. Collette V. Fournier, 7. John Pinderhughes, 8. Salimah Ali, 9. Ming Smith, 10. Beuford Smith (President Emeritus), 11. Russell Frederick, 12. Gerald Cyrus, 13. June Truesdale, 14. Mark Blackshear, 15. C. Daniel Dawson, 16. Shawn Walker (Founder), 17. Ruddy Roye, Framed: 18. Louis Draper (Founder)*, 19. James Ray Frances (Founder)*, 20. Steve Martin*, 21. Jerry Jack*, 22. Herman Howard*, 23. Calvin Wilson*, 24. Albert Fennar (Founder), 25. Toni Parks*, 26. Darryl Sivad, 27. Budd Williams, 28. Jimmie Mannas, 29. Eli Reed, 30. Frank Stewart (* Deceased) Members Jamel Shabazz and Leslie Jean-Bart not shown.



The release of the new book, "Timeless: Photographs by Kamoinge,” commemorates the 50th year of the oldest collaborative group of photographers in the nation. Kamoinge is a pioneering photographic collective of New York based African-American photographers, founded in 1963 at the height of the American Civil Rights Movement. The name basically means, “A group of people working together” in Kikuyu. This collection of over 280 photographs taken around the world, includes the groups history, along with insights and thoughts from Kamoinge’s 30 members, who include many of the nation’s most acclaimed photographers. With no particular sequencing by subject matter and not in chronological order, I found myself lost in a magical world of fine art photography dating from the early 1960’s though today.   

A brief history of the group begins with photographer Louis Draper (1835 – 2002), who played a principle role in founding this collective in New York in 1963 to address the under-representation of black photographers in the art world. Roy DeCarava (1919 – 2009), the first black photographer to win a Guggenheim Fellowship, was invited to be their Director. Herbert Randall, another founding member, had earlier studied photography under Harold Feinstein in 1957 before he documented Mississippi's Freedom Summer of 1964. Edward Steichen invited Roy DeCarava in 1964, who in turn invited the Kamoinge group, to exhibit at Danbury Academy of Art in Connecticut. The founding group included Draper, Albert Fennar, Ray Francis, Herbert Randall, Shawn Walker, with Roy DeCarava serving as its first director; later expanded to include several new members including Anthony Barboza, the current president and editor of this book; and Ming Smith, the first female member. Beuford Smith joined Kamoinge in 1965, and helped the group achieve non-profit status in 1998. “Timeless” includes an in-depth history by decade by the editor with excerpts from the writings of Louis Draper. 

In addition, a great exhibition, "Timeless: Photographs by Kamoinge,” is currently at the Wilmer Jenning Gallery, 219 East 2nd St (Ave. B), New York, NY. A lot of great images, too many to point out, of Harlem Jazz in the 90’s and Beuford Smith’s nude pregnant woman under the rain on a city rooftop. Through February 20, 2016.  


Book: Timeless: Photographs by Kamoinge (Schiffer Publishing) Edited by Anthony Barboza and Herb Robinson, Coedited by Vincent Alabiso, Foreword by Quincy Troupe, Essay by Deborah Willis. 288 b/w and color photos | 384 pp

Exhibition: “Timeless: Photographs by Kamoinge”  Wilmer Jennings Gallery, 219 East 2nd Street, (Avenue B x C), NYC Hours: Wed-Sat 11am-6pm thru February 20th, 2016.

12.31.2014

TOP 10 MOST POPULAR POSTS of 2014

Always extremely popular are the many Best Photography Book lists. It assures me books are still alive and well. Of course my list is just a small portion of the excellent photography books that were published in 2014, so check out some of the other 2014 Best Photo Book Lists I've posted links to.
 
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“Photography has never been as fashionable as now. In fact Photography IS the communication now.” – Jean-Jacques Naudet

Jean-Jacques Naudet has championed the careers of countless photographers throughout decades, first as Editor-in-Chief of French PHOTO Magazine during it’s heyday in the 1970′s and ’80′s and later as editor at large for American PHOTO, working for Hachette Filipacchi Media for forty years. A prominent figure in the overall History of Photography, Naudet moved on to found his own publications, starting with the former “Le Journal de la Photographie," and currently with the new L’Oeil de laPhotographie / The Eye of Photography, promoting legendary icons of the past along side a generation of emerging photographers. I have been fortunate to be guided by Naudet over the years. The Interview
 

 Each year, the New York Photo Festival presents PhotoWorld, a wide-ranging juried exhibition selecting the best new documentary, fine art, and motion and drone photography being produced today, determined by top photo and image professionals. Finalists chosen exhibit their work in an installation at POWERHOUSE Arena during the DUMBO Arts Festival. PhotoWorld s an unparalleled opportunity to jump start your career in Photography.


 Photograph © Stephen Mallon

Stephen Mallon first caught my undivided attention and gained enormous acclaim for his series, Brace for Impact: The Salvage of Flight 1549. His large-scale photographs documenting the salvage of Flight 1549, the plane piloted by Sully Sullenberger III who successfully emergency-landed in the Hudson River in January 15, 2009 saving all 155 people aboard. http://www.stephenmallon.com


“In “Crusade For Your Art: Best Practices For Fine Art Photographers," Jennifer Schwartz has written one of the most comprehensive guides to date for both the professional and emerging fine art photographer to navigate the current world of Photography. With contributions from leading photography museum, gallery and photo directors, the expert advice given is instrumental in creating what every photographer needs to know to navigate the current art market. I absolutely love this guide. It covers all bases! I whole-heartedly recommend this masterful guide to the photographic community.” – Elizabeth Avedon. The Book
 
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Photograph © Ruddy Roye Instagram.com/ruddyroye

Relatives of both Shantel Davis and Kimani Grey burst in tears obviously overwhelmed by the moment. Protestors marched around the Barclay Center plaza chanting "I can't breathe," while encouraging Barclay fans to support their cause. Shantel Davis was killed on June 14, 2012 while Kimani Grey was killed March 9, 2013. "It hurts so much, when will the pain stop..."

Ruddy Roye is keeping us real. An "Instagram Humanist/Activist" with over 107,000 followers, Roye describes himself as a "Brooklyn photographer peeling the cornea off his eye ball to share on Instagram." Follow him here: http://instagram.com/ruddyroye. And check out @everydaypolaroid and @everydayblackamerica for more images http://www.ruddyroye.com


Photograph © Jennifer McClure

"Laws of Silence" is about Jennifer McClure's personal mythology and fear of letting go of the life she was programmed to live. Her family life was difficult and displaced, not something she wished to replicate, and left her distrustful of both people in general and the whole idea of the American Dream. "The water is an important part of this series because I had a bad experience in the water as a child; I love the water but I'm also afraid of it. I often feel the same way about people...." http://www.jennifermcclure.com/

The Clash Photograph © Amy Arbus

Over the course of ten years Amy Arbus made thousands of photographs for the Village Voice and roughly 500 were published. She describes her "On the Street" series as very raw and rough edged, but deceptively organized. Included among the luminaries are Keith Haring, Sonic Youth, Madonna, The Clash, Phoebe Legere, Susanne Bartsch, The Rosenberg Twins, Messrs. McDermott + McGough and Grace Jones. Read more: An Interview with Amy Arbus. http://www.amyarbus.com


"In FINDING VIVIAN MAIER, the film unfolds like a detective story, Director's John Maloof and Charlie Siskel reveal Maier’s mysterious life as a nanny and a loner through the recollections of her various employers and their children, and as other details of her past come to light. Through the reconstruction of a large portion of Maier’s collection of over 100,000 photographs and interviews with other well-known American street photographers and collectors, the film challenges our notions of the artist and the creative act, and how art is made and marketed. This is Maloof's and Siskel's remarkable directorial debut. Watch the Film Trailor here.


I received a beautiful book by photographer Hiroshi Watanabe.  I was very moved by both the images and the text in "The Day The Dam Collapses" and wrote an open letter to him. http://www.hiroshiwatanabe.com/

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Out of the over one hundred or so posts in 2014, those most viewed are listed above.  And as of today, the last day of 2014, there have been 1,167,699 views in the last year and a half I've been counting. Not many compared to some, but so many more than I anticipated when starting this Photo Journal for my own interest. Thank you to all who have visited and to those who continue to visit. 

Today is the last day I can say I was one of TIME Magazine's Top 140 Best Twitter Feeds of 2014! So I'm soaking it in all day. Thanks so much to Editor Mia Tramz for choosing my twitter-feed. Follow Tramz and her colleagues on TIME Lightbox to keep you informed. 

Elizabeth Avedon: Art and Photography


HAPPY NEW YEAR 2015!

2.02.2014

RADCLIFFE 'RUDDY' ROYE: Instagram Activist

 
January 10, 2014 Gabriel -- self proclaimed son of David.
Photograph © Ruddy Roye Instagram.com/ruddyroye

December 31, 2013 The Designer (Unfinished and Unedited) I believe by design I am a designer. Shiny as a petal that was stained from last mornings early rain: Polluted water, skipping on second hand smoke to fill the banks of the raging rivers, rising again like streaming steam, steeped in soilings, to fall again like a Congolese Sapeur on flavoured flowers. I am by design, a designer. Grounded as any root pushing pass dirt and the contaminated loot we pretend to be fodder We call it organic, stringing, and slinging, profane pharmaceuticals into the earth to fertilize our minds I am by design, a designer. Made by man reaching to be higher, but being developed by our local sponsors Acting like we are better than the four legged creatures we carry in our DNA like that man Adam or was it Noah? Watching the world from our hand as we click away blindly with our index finger, Our gaze firmly pointed at the other. Instagram.com/ruddyroye

November 19, 2013 Extract from The Four Seasons (Unfinished, Unedited) Fall And he carried a broken black bag, with his needs and things. A bag that carried no food or clothes, But was filled with his dreams and pills. It is his whole-- Filled with all his earthly possession. Clutching tight it's twisted secrets He uses it to deflect life's cruel weapons. It's is a traveled bag, A carried bag Through centuries and Cross terrains It has been a beaten bag A mistreated bag left to hang in the harsh sun and the pouring rain. I watched him, face blackened, hidden by frustration, he is Everyman invisible and worn. Slowly, I watch him run from the sun and straight into the shadow and pleats of his broken black bag. Instagram.com/ruddyroye

January 29, 2014 "Another Year" -- Happy Birthday, Mom. Every year time sifts each atom that magically shapes her cheeks. It bunches up her brows And tries to redraw the smile etched across her two molded peaks used to pull the universe in. It pulls her eyes forward and forces her to weep Changed in a blink, stopped with a click. She was someone's moon, The waning pregnant shape now wrinkled and barren Was what I first howled at. I wore my first crown sliding down her future while she laid on her back. These days I bemoan time spent chasing a liquid dream hugging this brittle basket of American pies and picket fences watching my dough slip through unraveling seams. I am missing all her seasons. She sits for my camera singing, about a day to come when she will again see her beginning. So I steal a page, and her cheeks flick forward to mimic the click of another year. Straining itself through the magical sift of atoms I see her age peeling away with the tears That drip in this basket called distance and absence drying up to flake away like her life captured in a stare. Instagram.com/ruddyroye

December 27, 2013 Cyclops -- Walking with my eight year old today and talking pictures. He was trying to convince me that he knew what ingredients should be in a good picture. It was a fantastic couple of miles worth of conversation. Instagram.com/ruddyroye

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Radcliffe 'Ruddy' Roye is a Brooklyn based documentary photographer specializing in editorial and environmental portraits and photo-journalism photography. "Radcliffe is inspired by the raw and gritty lives of grassroots people, especially those of his homeland of Jamaica. He strives to tell the stories of their victories and ills by bringing their voices to matte fiber paper." With over 64,000 Instagram followers, Roye has redefined the art of communicating through images and words.

The photographs on this website are a Must-See!

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SVA, 136 West 21st Street, room 418F, NYC
i3: Images, Ideas, Inspiration Lecture Series
presented by MPS Digital Photography 

Photograph © Ruddy Roye
As seen in "The Street Types of New York"exhibition
co-curated by Paul Moakley and Anthony LaSala
Alice Austen House Museum, 2013

Photograph © Ruddy Roye
As seen in "The Street Types of New York"exhibition
co-curated by Paul Moakley and Anthony LaSala
Alice Austen House Museum, 2013 

I first saw Roye's portraits in an exhibition last summer curated by Time Magazine Deputy Photo Editor Paul Moakley and Photo Editor Anthony LaSala. I was blown away by his work and very honored he recently accepted my invitation to talk to my School of Visual Arts BFA Photography program students.
 
Ruddy Roye gave my students an inspirational, moving and informative talk and presentation of his work. He generously shared his own life experiences and career path. Thank you so much, Ruddy Roye.