Showing posts with label Portfolio Review. Show all posts
Showing posts with label Portfolio Review. Show all posts

9.26.2017

WORKSHOP: Preparing For Portfolio Reviews

Photographer Latoya Ruby Frazier exhibiting her photographs
at Review Santa Fe Photowalk, 2009 © Elizabeth Avedon

Preparing for Portfolio Reviews is a 2-day Workshop with Elizabeth Avedon dedicated to helping photographers refine and perfect their portfolios to maximize their time in reviews and other professional meetings. http://visitcenter.org/preparing-for-reviews/

The Workshop will explore the nuances in presenting multiple projects to different reviewers, customizing your professional presentations, and the most effective methods for highlighting your strengths as an image-maker. With a comprehensive view of the industry, the instructor will focus on honing and amplifying your visual voice, and will discuss editing and sequencing your work for different clients. This workshop also includes a one-on-one portfolio editing and sequencing session with Elizabeth Avedon.

October 25 -26, 2017, 10am-5pm
CENTER
Drury Plaza Hotel
828 Paseo de Peralta
Santa Fe, NM
 
CENTER, founded in 1994, honors, supports, and provides opportunities to gifted and committed photographers.

9.03.2017

DAN LOPEZ: Constellation Road at LACP

 Photograph © Dan Lopez

 Photograph © Dan Lopez

Photograph © Dan Lopez

DAN LOPEZ WEBSITE 



CONSTELLATION ROAD
Photographs by Dan Lopez
Published by Bywater Bros.


I met photographer Dan Lopez at the Los Angeles Center for Photography's Portfolio Reviews.  Check out all of LACP's programs: Los Angeles Center of Photography, 1515 Wilcox Ave, Los Angeles, CA 90028 Instagram: @la_centerofphoto

4.11.2017

WOODSTOCK PORTFOLIO REVIEW WEEKEND: May 19-21 2017


The Center for Photography at Woodstock
May 19-21, 2017

Meet with some of the most illustrious photography professionals in the field, who will provide feedback, advice and potential opportunities.

A Q+A Mixer will be held at CPW on Friday, May 19, with review sessions taking place Saturday, May 20 and Sunday, May 21, 10-4PM. Review sessions are 20 minutes each. 

REVIEWERS: Elizabeth Avedon, independent curator and contributor to L’oeil de la Photographie;  Jesse Blatt, photography agent; Elliott Brown, fine-art photographer and Curator and Exhibitions Coordinator at MoCADA; Clinton Cargill, Bloomberg Publishing; Karen Davis, Davis Orton Gallery; Elizabeth Dubben, Executive Director, Collar Works; Elizabeth Ferrer, BRIC Arts Media;  Hannah Frieser, CPW; Charles Guice, gallerist;  Jan Nagle, CPW; Fabienne Powell, Assistant Curator of the Governor Rockefeller Empire State Plaza Art Collection; Elizabeth Renstrom, VICE Magazine; and Roger Ricco, Ricco/Maresca Gallery; Miriam Romais, CPW. 

May 19-21, 2017 

59 Tinker St, Woodstock
New York 12498

12.13.2016

BEN ARNON: Documents Life at PhotoNola

A classic hat lays next to the pew beside the foot of a 102-year old gentleman at Berean Baptist Church in Philadelphia. Photograph (c) Ben Arnon

"Police Your Racism" - Protestors demonstrate against police brutality at Union Square in New York City in July 2016, days after the back-to-back killings of Alton Sterling and Philando Castille. Photograph (c) Ben Arnon

Several teams of girls await their Irish dance performances backstage in the 8-hand Mid-Atlantic Regional Competition in Philadelphia. Photograph (c) Ben Arnon

A bucking bronco throws tosses a rider and his hat to the ground at the Friday Night Rodeo in Dubois, Wyoming. Photograph (c) Ben Arnon
 
I met Ben Arnon, a New York City-based visual journalist, at PhotoNola 2016 Portfolio Reviews. His work focus's documentary reportage, street portraiture, and the impact of human existence on urban landscapes. He documents the unflinching honesty of people’s lives and is particularly interested in examining themes of socio-economic, racial and class dynamics amongst and within communities of people.

Photographs from Ben’s most recent work, entitled "RIO," are on view throughout New York’s Chelsea Market to December 31, 2016. Photographs from Ben’s “Black Lives Matter” series were exhibited at Davis Orton Gallery from October 8 to November 13, 2016, and were exhibited during the 2016 DNC Convention in Philadelphia at an exhibition called Truth To Power.  

Ben writes frequently for the Huffington Post, offering social commentary on a wide array of topics including visual arts, culture, society, digital media, and politics.    


2.27.2016

CENTER : Review Santa Fe Photo Festival : November 3-6, 2016 Enter Now!

 © Image Detail Antoine Bruy 
Review Santa Fe 2016 Portfolio Reviews
Applications due March 25th!

Photo (detail) Credit Natalie Krick  

REVIEW SANTA FE PHOTO FESTIVAL
ENTRY DEADLINE: MARCH 25, 2016

The Review Santa Fe Photo Festival, NOVEMBER 3-6, 2016, is the premier juried portfolio review event in the world. Considered one of the most important events for photographers who seek career advancement, this conference and exhibition series is designed to facilitate relationships between photographers and leading industry professionals looking for new work.

Nestled in the foothills of the Sangre de Cristo Mountains, up to 100 photographers meet with up to 45 of today’s most relevant and esteemed reviewers comprised of curators, editors, publishers, gallerists and others who can offer professional development advice and opportunities. These leading photo professionals come to Santa Fe seeking out new talent, including professionals from The New Yorker, MSNBC, TIME Magazine, The Museum of Contemporary Photography, and The Library of Congress.

Submission Information:
// Please submit 15 – 20 images from a body of work
// A project statement (325 words maximum length)
// Application $45 members / $55 non-members
// Apply HERE
// Frequently Asked Questions (FAQS)
// FULL SCHOLARSHIPS AVAILABLE

Review Santa Fe 2016 Portfolio Reviews 
Check out more Awards + Grants

11.29.2015

FILTER PHOTO FESTIVAL 2015: Portfolio Review Round-Up / Toni Pepe


The Second Moment
   Photograph © Toni Pepe    

The Second Moment
   Photograph © Toni Pepe 

The Second Moment
   Photograph © Toni Pepe  
 
I met Toni Pepe while I was a Portfolio Reviewer for the 7th Annual Filter Photo Festival in Chicago. While at Filter, I reviewed over 60 photographers portfolio’s and/or book projects. I'll try to post as many as possible over the next month or so….Check out Pepe’s unique images on her website.
The Second Moment
 
Toni Pepe is a Boston-based artist currently teaching photography at Boston University. Her photographs and installation work address the construction of identity and the performativity of narrative, gender, and memory. She is most interested in utilizing photography as a forum for interdisciplinary exploration -- she often employs literature, neuroscience, and cinema as source materials for her work. She has exhibited her images throughout the United States and abroad. Toni’s work has been displayed in solo exhibitions at the University of Notre Dame and the Center for Photography Woodstock. In addition, Toni was named a 2011 Massachusetts Cultural Council Artist Fellowship Program finalist and is currently in the Danforth Museum's collection as well as many private collections.


11.28.2015

FILTER PHOTO FESTIVAL 2015: Portfolio Review Round-Up / Susan Keiser

Photograph © Susan Keiser        
from the series Flooded in the upcoming exhibition “Illuminate"

I’ve followed the very interesting work of Susan Keiser for several years. I had just chosen one of her images (above) for the upcoming exhibition “Illuminate” I juried for The Center For Fine Art Photography, opening December 4th in Fort Collins, CO. And so I was very pleased to meet Susan again and view her latest work at Filter Photo Festival’s recent Portfolio Review in Chicago. Check out her website link below and be sure to drop in for the exhibition in Colorado if you are nearby.


"An eerie calm descends when the rains cease, the hurricane blows over, an angry god is appeased. Fast-moving water can float things never meant to ride the waves, and strange, often strangely beautiful scenes appear before us. Odd craft drift by—dinette sets, quilted settees—and we wonder at the sight of someone too lost or too tired to swim. We usually envision rivers as flat blue ribbons, but they are deep and layered. As the waters recede we become aware of what sank beneath the surface, adding to the river of memories at the bottom. Floods can be an overflow of water or an outpouring of tears. These are images of the river’s fullness and the heart’s despair. We come from water. We are made of water. And in the end, water not earth will take us." – Susan Keiser

 Photograph © Susan Keiser    

 Photograph © Susan Keiser    


UPCOMING EXHIBITION
“Illuminate” with Juror Elizabeth Avedon

 December 4, 2015 - January 16, 2016
The Center For Fine Art Photography
400 North College Avenue
Fort Collins, Colorado, USA

FILTER PHOTO FESTIVAL 2015: Portfolio Review Round-Up / Nelson W. Armour

Photographs © Nelson W. Armour 


Photographs © Nelson W. Armour 


I met Nelson W. Armour and reviewed his work, "At Work / At Home, En el Trabajo / En Casa" for the 7th Annual Filter Photo Festival Portfolio Review in Chicago. I was impressed with his  "American Dream” portrait series of Mexican American landscape worker's at work and then at home with their families. Check out his statement about his work below. While at Filter, I reviewed over 60 photographers portfolio’s and/or book projects. I'll try to post as many as possible over the next month or so.... 


Lake County, Illinois, is an excellent place to live. The County boasts of many wealthy suburban communities along with its largest city, Waukegan. Overall, the County is racially and ethnically diverse with a Hispanic/Latino population of over 14%, African American population of almost 7%, and an Asian population of close to 4%.

Yet, depending on your home community, residential diversity is lacking.  In many Lake County communities, most of the service workers are minorities, Latinos or African American. For example, in my town of Highland Park, a majority of landscape crews are Latino.  Many first generation immigrants have started their own landscape businesses or found employment in these enterprises.  Today, many Mexican Americans have pursued the "American Dream" through landscape businesses, either as owners or workers. 

The hard work and effort of these small business people and workers are evident in the well-cared lawns and gardens of the area. These workers contribute to the high quality of life in these communities, but rarely live in them; their homes and communities are often separate from many Lake County suburbs. While visible on the job, they are some times invisible as individuals.

In At Work / At Home, En el Trabajo / En Casa I highlight these workers. Through formal portraits, I hope to bring out their individuality and hard work. Some portraits are paired with another taken in the person's home or community.  This pairing of "at work" and "at home" provides recognition of each individual’s work and personal life.

11.22.2015

FILTER PHOTO FESTIVAL 2015: Portfolio Review Round-Up / Xu Guanyu

Mirror, from his series, One Land To Another
Photograph © Xu Guanyu

I met Xu Guanyu while I was a Portfolio Reviewer for the 7th Annual Filter Photo Festival in Chicago. However, I had chosen his image, Mirror from his series, One Land To Another, as an Honorable Mention in the upcoming "Illuminate" show I juried for The Center For Fine Art Photography opening December 4th in Fort Collins, CO. “Mirror" was also chosen as Directors Honorable Mention by C4FAP’s executive director, Hamidah Glasgow.


"My works are the investigation of my experience of being an Asian gay man in the United States. I use self-portraits, staged photos, and landscapes to explore my struggle of being both a homosexual and a homophobic person. Through my art practice, I question the norm set by the hegemony, including race, sexuality and ideology."

"Born and raised in a conservative family in Beijing, I feared to admit that I’m gay until I came to the United States in 2014. Fortunately, I had chance to experience the global vision through access to the Internet. On the one hand, I learned knowledge of sexual preference. On the other hand, I received the representation of hetero-normative from Hollywood movies. Furthermore, through the Internet, I witnessed the debates between Chinese political and cultural ideology and Western ideology led by the United States. Among these conversations, I found out that I have always been trying to seek and identify a better world, not only as a gay man, but also as a human being."

"The self-portraits of my death not only expresses the inequality of gay men in this world, but also reveals my self-denying and self-hating under the problematic society, which includes both China and U.S. My photographs of people that I find through the online dating apps expose my current situation with other gay men in the States. I examine the racism and discrimination in the white-dominated gay world, the worship of masculinity and the pervasive misogyny in the world. Furthermore, my landscapes of China and America juxtapose hope and apathy as I document  paths to finding a utopian space further complicated by my changing of geographical location as well as psychological movement. The mobility of my practice enables me to interrogate the world."

  
UPCOMING EXHIBITION
“Illuminate” with Juror Elizabeth Avedon
December 4, 2015 - January 16, 2016
The Center For Fine Art Photography
400 North College Avenue
Fort Collins, Colorado, USA


While at Filter Photo Festival, I reviewed over 60 photographers portfolio’s and/or book projects. I'll try to post as many as possible over the next month or so. 

6.13.2015

PEDRO FARIAS-NARDI: Let Me Introduce You at Photolucida

"Let me introduce you to my deceased Mother"
Photograph © Pedro Farias-Nardi

"Let me introduce you to my daughter and her husband"
Photograph © Pedro Farias-Nardi

"Let me introduce you to my Mother"
Photograph © Pedro Farias-Nardi

"This series of portraits are the result of the lingering power of the image in bringing memories to life.  I was working for an NGO (TU, MUJER) in Los Mina, Santo Domingo Este, Dominican Republic; devising a program to help the recipients of remittance to understanding their hard work overseas, thus to avoid that it is wasted in banal issues.  While visiting houses for people to talk to them, they always brought a picture of the relative that had left the country."

"For the series I placed the person holding the picture on front of a blue curtain, to resemblance a studio, but included the surroundings as a metaphor, allegory, of what is left behind, sometimes, what had been acquired from the money send: furniture, a store, emptiness –like the image of a woman holding a picture of her deceased mother (Let me introduce you to my mother…).  She was denied a visa for the funeral, and she had not the resources to bring the body back home, thus a lot of sadness, among the thins she mentioned was “who will tend to her grave there?”  Or the young girl, that can hardly hold the picture, and hardly knows her mother...." read more here

"Let me introduce you to my wife"
"A picture of myself, holding a picture of my wife; she is overseas continuing her studies in surgery" Self-Portrait © Pedro Farias-Nardi

Pedro Farias-Nardi was born in Santo Domingo, Dominican Republic in 1957 and started photography at the early age of seven. Focusing on long-term photographic projects in Latin America and the Caribbean, Farias-Nardi has extensively documented the lives of economically and socially marginal people. He holds degrees in anthropology from the City University of New York and the University of Florida, Gainesville, and studied photography and visual anthropology at the International Center for Photography, the University of Southern California, and with photojournalist Antonin Kratochvil. He currently lives in Santo Domingo, Dominican Republic. We met at Photolucida's 2015 Portfolio Review. His work is posted on FotoVisura's Guild.



From the series El Otro
Photograph © Pedro Farias-Nardi

From the series El Otro
Photograph © Pedro Farias-Nardi

Pedro Farias-Nardi’s El Otro is a series of portraits of undocumented Haitian migrant workers in the Dominican Republic. In collaboration with the Immigration Department, the portraits were taken when the Jesuit Refugee and Migrant Service (JRMS) started an ID campaign.

“My reason for these re-presentations is to call attention to the plight of these workers who are ignored by the Dominican population but are an important segment of our economy. I cooperated with the JRMS for almost two years, documenting the life of the migrants in the region.”

Check out Farias-Nardi's Otro series at Blue Sky Gallery in Portland 

5.29.2015

MARINA FONT: El Peso de las Cosas + Photolucida + The Weight of Things

El Peso de Las Cosas
Photograph @ Marina Font

El Peso de Las Cosas
Photograph @ Marina Font

El Peso de Las Cosas
Photograph @ Marina Font

El Peso de Las Cosas
Photograph @ Marina Font
 
"What happens when the weight of something is determined by other attributes? How much do memory, traditions, a life lived or the importance that we ascribe to certain things weigh? What are the bridges that connect our experiences with our memories?"
– Marina Font
 
In El Peso de Las Cosas, my constant search around objects is centered in discovering their meaning and also to explore what are the stimuli that connects them to our senses in many different ways. They are things that are used, acquired, inherited, preserved and that evoke ones history and define our existence, along with the emotional weight that we attribute to them. While photographing these objects and ideas, through the act of virtually weighing them, I explore the capacity they have to represent beyond their real function or to symbolize what they actually represent. This way I play with the possibility that these visual constructions suggest new encounters and significance to the beholder.

Exhibition: El Contrato, 2009
 
Born in Cordoba, Argentina, now living and working in Miami, Florida, Marina Font studied at the Escuela de Artes Visuales Martin A. Malharro, Argentina. She spent the summer of 1998 studying photography at Speos Ecole de la Photographie in Paris, and earned her MFA in Photography at Barry University, Miami in 2009. Her work has been exhibited in many solo and group shows; and in the collections of the LOWE Museum at the University of Miami, Miami Dade College Museum of Art and Design's Permanent Collection, Miami, and various private international collections. We met at Photolucida's 2015 Portfolio Review.

5.23.2015

MARY ANNE MITCHELL: Reflecting Back

kaleidescope eyes
Photograph © Mary Anne Mitchell

masquerade
Photograph © Mary Anne Mitchell

"Mary Anne Mitchell's work is derived from her experiences and visual "dreams" that move her to create. Her work documents the world in a manner that transforms the subject into something quite different from reality. The images depict situations, often mysterious, which draw the viewer into a narrative. The subject often appears isolated in a strange or surreal setting. In each piece, the artist invites the observer into her curious world. The images evoke ambiguous moods and each viewer’s response to them will be tempered by their own experiences. Mary Anne's artwork is primarily shot on film and printed by the artist as silver gelatin photographs."

I met Mary Anne Mitchell at Atlanta Celebrates Photography's ACP Portfolio Reviews in 2014. The above images are from one of my favorite of her series "Reflecting Back." View all of her work here.


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5.21.2015

GORDON STETTINIUS: Mangini Studio + Photolucida + Candela Books

Perm
A Collaboration with Terry Brown

Mohawk
A Collaboration with Terry Brown

Cornrows
 A Collaboration with Terry Brown


"Mangini Studio" Published by Candela Books 
A Collaboration between Terry Brown + Gordon Stettinius

"For a period spanning eight years or so, Gordon Stettinius, a photographer and a man of average appearance, sporadically visited the Mangini Studio in Richmond, Virginia, to have his portrait taken. Terry Brown, a fine art photographer as well as a commercial portraitist, happened, at that time, to be Mangini’s principal studio photographer.  The first of the styled portraits Brown recorded came about as the result of Stettinius’ disquieting need to experiment with the proud but oft-maligned hairstyle known to some as the permanent wave. To date, Brown and Stettinius have produced over fifty of these studio portraits.  Taken individually, the images run from believable to the slightly ridiculous. Taken collectively, one has to wonder if these two might have found something more productive to do with their time." – Candela Books 

I met photographer, curator and gallery owner Gordon Stettinius as a fellow reviewer at the recent Photolucida Portfolio Review in Portland. Up to then I'd known of him only as the publisher of one of my favorite books, "Salt + Truth," powerful photographs by Shelby Lee Adams of the hollow dwellers of eastern Kentucky.

Stettinius has been a photographer for over twenty-five years and his work can be found in numerous private and public collections. His work is represented by Robin Rice Gallery in New York and Page Bond Gallery in Richmond, Virginia. In 2010, he founded Candela Books, a fine art photography book publishing company; and in 2011, founded Candela Books + Gallery a 3,800 square foot fine art photography gallery in the downtown arts district of Richmond, Virginia.

An important must read for photographers:
by Gordon Stettinius 

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CRAIG J. BARBER: Photolucida + Tintypes

Nancy & Toulouse, 2011
Photograph (c) Craig J. Barber

 Cody Washing Potatoes, 2013
Photograph (c) Craig J. Barber

Jared In His Sugarbush, 2010 
Photograph (c) Craig J. Barber

Craig J. Barber is a photographer who travels and works using antiquarian processes and focuses on the cultural landscape.  During the past 20 years he has  focused his camera on Viet Nam, Havana, and the Catskill region of New York State, documenting cultures in rapid transition and fading from memory.  In 2006 Umbrage Editions published his book, “Ghosts in the Landscape: Vietnam Revisited,” with text by curator Alison Nordstrom.
I met Barber at the recent Photolucida Portfolio Reviews in Portland with his series "Working The Land." He explained, "There are still those who continue a close relationship with the land and all it has to offer:  hunters, farmers, woodsmen, gardeners, foragers.  I want to recognize and honor these individuals and their commitment, in a series of portraits in their working environments. I have chosen to work with the tintype process for it's feeling of timelessness and it's aesthetic connection to an era when we were all closer to the land."

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5.20.2015

LOLI KANTOR: Photolucida + Eastern Europe

Family Room. Bershad, Ukraine, 2008
Photograph (c) Loli Kantor 

Sisters. Bershad, Ukraine, 2008
Photograph (c) Loli Kantor 

Jewish Cemetery Cameo Pictures. Bershad, Ukraine, 2007
Photograph (c) Loli Kantor 

Natalia in her Room. Gnivan, Ukraine, 2007 
Photograph (c) Loli Kantor
 
Loli Kantor is a fine art and independent documentary photographer I met at Portland's Photolucida Portfolio Reviews in April. She was born in Paris, France, raised in Tel Aviv, Israel and has lived in the U.S. and now Fort Worth, Texas since 1984. 

Although both her parents were Holocaust survivors, photographer Kantor knew very little about that terrible time. In 2004, she began an odyssey in Poland and Ukraine (her parents were from different areas of Poland) that was not immediately personal. Her resulting photo album shows a progression of her observations.

On her first trip, Kantor participated in restoration work at a former concentration camp, and her images are black and white—train tracks, a foggy train window, a snow-covered road in a forest, an empty courtyard leading to her family’s home in Czestochowa, a portrait of a woman with an old family picture. The photos reflect the grimness of the past, the paths the victims took to their death. By 2008, her pictures are in color and include more people—a young woman and her baby, children rehearsing to perform at a retirement home, a table spread with platters of food. Conceived as a short-term project, the work has evolved into nearly a decade of a photographic exploration and now published as a book, Beyond The Forest, published by the University of Texas Press.

 
Published by University of Texas Press

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4.25.2015

THE NEW YORK TIMES LENS PORTFOLIO REVIEWS: Day 1 + 2


I was honored to be invited as a Reviewer for the third annual "New York Portfolio Review" sponsored by the New York Times Lens Blog and the City University of New York’s (CUNY) Graduate School of Journalism. The reviews took place over a recent weekend with Day One for photographers 21 and older, each of whom received six private critiques; Day Two for photographers 18 to 27 years old, with four private critiques for each participant, rounded out with talks by Santiago Lyon, director of photography for The Associated Press, on building an editorial portfolio, and by the photographer Phil Toledano on the creative process. There were several other great speakers during the day including collector WM. Hunt, photographers David Guttenfelder, Radcliffe 'Ruddy' Roye and Austin Merril of Everyday Africa, who joined New York Times Lens Blog co-editor, James Estrin and Kerri MacDonald for a very lively panel discussion.

Of the twelve photographers I was scheduled to review on Day One, and a few I met on my own time during breaks, I was impressed by every project shown and
want to share some of it with L'Oeil de la Photographie readers HERE.



James Estrin took the lead along with his Lens Blog colleagues David Gonzalez and Whitney Richardson, and Laura Roumanos of United Photo Industries and Photoville, screening and editing thousands of (free) entries down to the chosen photographers who were then assigned one-on-one portfolio reviews with some of the top photography editors, curators, gallerists and book publishers. Estrin noted, "We have looked through over 3500 entrants for the free NY portfolio review sponsored by the NY Times Lens blog and CUNY J School and whittled it down to those accepted. The amount of excellent work was overwhelming...I can firmly say there is wonderful and surprising photography being done all over the world by people of all age, race, ethnicity, gender and sexual orientation. I apologize to those who didn't get accepted this year. Thank you for sharing your work. It was an honor to look at it so closely. Please try again next year." Both days were extremely successful with reviewers and photographers making beneficial connections.

On Day Two, of the eight reviews, most were recent student graduates and this was their first portfolio review. I was impressed by the level of work and want to share some of it with L'Oeil de la Photographie readers HERE.

3.14.2015

ANNA AGOSTON: "Untitled" Living Plant Elements Found In Nature

Photograph © Anna Agoston

 Photograph © Anna Agoston

 Photograph © Anna Agoston

"Untitled" 174 black-and-white macro photographs of living plant elements found in nature... 

A resident of Brooklyn, New York, Anna was born and raised in Paris, France. Always passionate about art, she qualified as an architect DPLG (government-certification) at the Ecole d'Architecture Paris Malaquais, and went on to earn the M.Arch.II degree in architecture at Harvard University's Graduate School of Design. There, she studied fine art photography under Professor Jim Dow of the Department of Visual and Environmental studies, and photographed her first series, “Dorm.” In October 2013, Anna made her lifelong passion, fine art photography her main professional occupation. I met Agoston at the 2015 powerHouse Portfolio Review.